Beedster

I was thinking through the rights and wrongs of this last night, largely because it’s so common and about so much more than just an annoying few - in fact a lot of us probably either do it or have done it (there’s a thread on here somewhere about what well-recognised basslines we like to play at gigs). So I thought I’d shift genres and pictured an orchestra performing Wagner, and between the 2nd and 3rd movements a French Hornist kicks in with a solo rendition of the famous last movement of Mozart’s last Horn Concerto. Would be fired on the spot 😆

Orch stringed instruments tend to be a whole lot louder bowed than pizz so I doubt this pumps out a whole lot

As a DBist I thought this section was about live sound or have I misunderstood?

Yep, similar issue with a singist a few years backc, used to do impressions of a Memphis-based rhinestone-clad cheeseburger-munching Jailhouse-Rockin’ performer between songs in our otherwise bluegrass set. Used to make me so so SO angry. Funny how the ‘But people seem to like it’ argument was also used …………

I suspect it's a definitive watch for any bass player, whether you like the music or not. To me it's not unlike Some Kind of Monster, less about the music than the people

Not that it matters of course, just love that version

Yep, there's a nice feel to GE's band, @JimmySims did you play on the Live Lounge version of These Days?

Watching the Who's Next documentary, love the moment when Glyn Johns says of Pete's demos "How the hell am I going to compete with that'?. What's clear from watching it is that Townsend wasn't just an incredible musician but an equally incredible innovator, his use of synths probably wasn't bettered until Kraftwerk

Glad it’s sorted 👍

Like I said above, Thomann appear to share a terrible comms policy with their UK courier, I’ve heard of this same thing happening so many times - it’s missing, it’s missing, it’s missing, it’s arrived all’s good here’s your refund - but all the time none of the return process apparently notified by the courier to either Thomann or to the buyer. Even despite this, I assume in the grand scheme of things it’s still sufficiently rare for Thomann to keep DHL under contract

Coming on BC suggesting that 45 years of age is in some way old is a brave move! You should probably head over to BasschatJnr.com which carers for the under 50’s 👍

10cc songs, despite their extraordinary diversity in terms of genre, were always instantly recognisable, a truly great but largely forgotten band. And yes, very much the soundtrack to my pre-punk/pre-metal childhood. IIRC that documentary was great 👍

Only place you should see competition stripes

And FYI folks, three of those bitsas are going to be up for sale this week 👍

I have got the impression that Thomann and their courier share a complex relationship in which - via a tortuous process of the slow reveal of very poor processing systems - early problems are eventually resolved. Good luck 👍

It is, I messaged them a few months back as I was hoping to have some work done on one of the Enfields. A couple of weeks later I received a very short but polite reply which simply said 'we are no longer working from our workshop'. Links to but the PUPs are still live, but no links to buy the basses, so I'm assuming PUPs are still being made. Certainly a great upgrade to an instrument, and given the cost of top-end PUPs generally these days - I'm guessing the vast majority of which are imported from the US - really not all that expensive 👍

Apologies, assumed you were talking about the basses

Yes, astonishingly good, to the point that their discontinuation makes no sense to me given that, while expensive (£2-3k), so are Fenders, EBMMs and many other production line basses, and these are not production line basses, certainly not in the sense of the big manufacturers. The engineering, mechanical and electrical, is of an extremely high level in both design and execution - the only thing I don't like are the PUP LEDs but it's simple to take them out of the loop - and the sheer quality of the resultant instrument would still be impressive if they were in the £5-6k range. And no, no cheap supply I'm afraid, they're not made anymore (I got lucky with both to be honest). I was speaking to a guy in 'the business' a while back who seemed to suggest that there was, shall we say, some opposition to the Enfield line, as well as a lot of criticism of there being 'derivative' (which is odd as nearly all top end basses with a few exceptions are derivative in one way or another), and oddly I've also heard they have been accused of plagiarising Wal? Anyway, I'm fortunate to have two beautiful Enfields, and having met Martin and seen his work first hand - not just the quality but the precision and the passion - only makes me more appreciative of them.