My thoughts on it are pretty much the things normal people would say about death metal. There's no space in it, it's too busy, it's just meaningless noise etc, etc
Maybe if he played it on a BC Rich Mockingbird and wore corpse paint I'd get it.
May I recommend taking a look at the mumsnet forums. That's full of bored house wives looking for an argument with other bored house wives while complaining that their husband doesn't satisfy them and the favourite buzz toy is dead.
I'm in a metal bass group which used to be good but is now mostly church bass videos and religious posts.
Their bass playing is very good but their use of major keys is unacceptable and Jesus doesn't love me.
Next Monday it's Alcest at SWX in Bristol then on the Tuesday it's Cult Of Luna at Marble Factory in Bristol.
Alcest play shoogazey post metal. All very atmospheric.
Cult Of Luna is a wall of progressive metal, a super intense assault on the senses
If you want to play with others, have you tried going to local jam sessions?
I met my current band mates at a local pop/blues jam and we ended up forming a stoner/doom metal band. None of us could jam very well but we could see that we could all play in time and talk rubbish
Play whatever works for you, don't worry about whether it's "valid" is that even a thing?
I play drop A# and found I couldn't get decent string tension and clarity with a low tuned 4 string even with the low four from a five string set. I now play a multi scale five string and its so much nicer to play in A# and has much more clarity on the low string.
I think it was their records up to black than are the reason they're so huge. Everything after that was good but not amazing and they've made some terrible choices in mixing. Master of Puppets and Ride The Lightning are both top class metal records.
Overrated -
Behringer Super fuzz clone. Sounds like fried butt holes on bass and guitar. Some people rave about these things.
Underrated -
Peavey International IV. Sounds great, plays great and cost £80 used
Ashdown MAG300 combo. Really sounds great, cost £150 quid and loads of volume.
My Orange Terror Bass amp. The preamp isn't good. It doesn't do clean and the overdrive tones are woolly and a bit crap. I'm still using it but with a Two Notes Le Bass in to the effects return to bypass the orange preamp section. I wish I'd bought an Ashdown ABM600 instead.
Darkglass B3K CMOS overdrive. In great condition. Everything works as it should. Really versatile pedal with a huge range from light vintage style grit to full on modern metal grind. I just fancy a change to be honest