One of the many joys of hearing Lee play these lines is hearing the instruments so clearly, simply and consistently recorded and played. It's not hard to see why Frankenstein was his main bass for so many years combining the best of P and J basses to my ear for his style. The (even more Frankensteined) 62 Jazz is also wonderful and the Hofner sounds as good in his hands as anyone I've heard. Of the Dingwalls my favourite tone by a way is the (very pretty) one he used on "Immediate Family", probably due to what looks like a more Jazz style pickup spacing than any of the others, reflecting my own preferences. The Warwick was pretty ideal for the Lyle tune, but didn't really stand out in the company of the others here...
Just to add - thanks NoirBass for posting these. I'd never have found them otherwise!