Stub Mandrel

I will have a play... never had any questions about varying levels from a sound guy.

Indeed.. Hobgoblin Birmingham were very patient and helpful to me in the past.

Indeed... we went by train last time as parking tipped the cost balance. One time we got an air bnb that had a resident permit. Another time we arranged for a sheaf of 'scratch off the date' parking permits to be in our room whrn we arrived.

It's possible, I don't remember if I entered it, but I know it was pre-covid. I recorded it while house sitting for my brother.

Seems that circuit diagram is for the Terror 500 mk 1 do you have the diagram for the Terror mk2?

In the days before Speakon, I used to make my own speaker leads using (orange) twin-core 13A mains cable. I used high quality metal body jacks with internal plastic insulation over the tip connection and I fitted heat shrink over the metal body and strain relief to minimise the risk of any shorts.

No it doesn't. It's post gain but before master volume.

Orange Terror. The DI level is affected by the gain setting but not master volume. In my experience this is how most amps work, with DI taken between preamp and power amp.

Went well. We only played through the first set, then did some troubleshooting... usual stuff, an established band has its own arrangements. Quite how they fitted in an extra two beats to each chorus of Milk and Alcohol eludes and confuses me... Knowing I'm up to speed on the second set is a confidence boost as I start gigging with them in July. Originals tomorrow night... keeping four bands' worth of songs in your head is good brain training!

I can't enter this as it's several years old, but it fits the theme and is a bit different, so just for fun:

Why RMS? As most AC signals are symmetrical around zero, their mean value is zero. As 'a minus times a minus is a plus' the process of squaring a negative value then finding its root makes it positive. So RMS effectively means 'flipping' the part of a waveform below the zero live and then averaging all the values. If this is reminiscent of calculus, that is because it is. Theoretical RMS values are easily calculated. True RMS values are more tricky to measure. Most meters assume a sine wave. True rms meters are more complex and costly, although for audio signals a good moving iron meter will do the job.

But rarely in the charts.

There are plenty of exceptions.

If you want to try out a GR Bass combo, I'm sure he'll be accommodating.

But I should give a massive shoutbout to A Strings for being super-welcoming, no questions when I asked to try the AVII precision which was one of the more expensive basses in the shop. Offered tea and given loads of time. They even set it up for me while I was there. Yes I bought it... and it was on the wall at a better price than the online retailers.

I visited Hobgoblin in Brighton. I used to visit their other stores in the past, this one felt a bit unwelcomingn staff just chatting to each other. I was in the mood to make medium spend (probably a replacement for my Marine Band harmonica... but even a s/h bouzouki if they had one) but with no engagement I just wandered back out.

I've just put my bass down after a play through of Keep On Running. IMHO it's a great piece of music with a driving bassline featuring good syncopation and memorable riffs. Despite few 'blue' notes it manages to convey a great sense of movement. Other great examples: Heard it on the Grapevine, Sunny Afternoon, Jean Genie... but even some superficially simple songs contain subtle little details. It's not Beethoven, but it's way more complex than most modern 'pop' music. When waiting to go on, I often quietly play along to the DJ/Jukebox and you can crack many modern songs =very quickly. Why have the basslines of popular music become so basic (excuse the pun)? Is it just that old-school bass players had a bit more theory knowledge? Or just that modern music is so dance oriented the bass has just become an extension of the kick drum?

I'm spending much of today polishing a 34-song list for a rehearsal tonight with a band I've just joined, I know a fistful already but most are new, although I am familiar with them as songs which makes getting the structure easier. But... just found myself learning the Immigrant Song, which is NOT on the list so slapped wrist and back to the grindstone.

Mojo!

I would be tempted by one of these except I prefer having a hybrid amp.

I have a few small combos. Not convinced of them for gigging unless you like both the amp and cab sound.

Funny moment from last night. Songer asks 'is anyone into Deep Purple?' One audience member gets the raptures but we launch into Devil Woman... Black Night was next though...

They are fne as affordable monitors, I've used them as PA for talks and once as vocal only pa for a small gig.