Stub Mandrel

If you are OK with proper tab (i.e with note values etc.): https://tabs.ultimate-guitar.com/tab/jamiroquai/space-cowboy-official-4188526

The singlecut shape. The only exceptions are Squier paranormals and by definition they dont fit the template.

This. I've seen a few gigs where the vocalist seems to think they get points for every different vocal style they can cram into one song.

I have always used 40-95 strings in my Performer as it has a very narrow neck. I use 45-105 or 45-135 on virtually everything else, but different brands (chiefly Roto 66 unless I want a more vintage sound then Fender 7250). It's such a personal choice with lots of subjectivity I suggest trying different brands. Once you find something you like it eliminates uncertainties and you know you can get a sound and feel with an idea of how long the strings will last and how they will age with your style of playing.

I'm unsurprised.

There's no 'right' bassline to it. Follow whst feels right.

Sabbath Bloody Sabbath. A riff that's heavy by any standards, plus an even heavier riff, all combined with delicate acoustic guitar. And it all fits together as a coherent whole, creating a musical vision of heaven and hell that's arguably the heaviest song ever recorded. Others have tuned lower, played slower or used more distortion but never achieved the sheer force when that song hits. That ability to cast light as well as shade is what sets Sabbath apart from their imitators.

Prodding a nest of vipers there. Which of the three versions of the riff do YOU think is correct? 🙂 Arte you with Duane Eddy and ELP? The Ventures, Blues Brothers and Henry Mancini? Or Jimi Hendrix and the Art of Noise?

Well it 4:4 breaks down into two simple parts D C G D for the verse. A simple walk on root notes but playing some passing notes such as c-b-g and g-b-d will lift it up. Maybe slide up from a to d at the start of each time round. Use the rhythm of the guitar strumming. For the chorus just go between d and a. Actually, this bassline isn't a bad fit for most of it in terms of not choices! https://tabs.ultimate-guitar.com/tab/small-faces/all-or-nothing-official-3951920

I will immediately return to 1990 and instruct my past self to amend his ways. TBH, most people who write off piezo never encountered properly designed PA horns rather than the tatty little cheap ones.

In the 90s I used to gig with a 150W Laney Probass and two 2x12 cabs... one a guitar cab the other with two Mackenzie PA twin cone) speakers (the original FRFR cab? 🤣). And a pair of piezo horns on top!

Apparently all BV's go through it (me and guitarist) and he's louder, but noisier, than me. To be fair, as it was my first time singing with them, I was holding back a lot.

Interesting last night with the Fortunate Sons. It was in a very large rehearsal room so we could try out a new PA system. Each of us gets a little 12-way mixer so we can set our own mix for either an onstage monitor or an EIM (Only the keyboard player and vocalist have gone down this route). Guitarist tried being ampless, but wasn't happy with it. I'm, OK to go ampless but only for venues where space is at a premium... bear in mind a 12" monitor takes up as much floor space as my 2x12 vertical cab but doesn't support the PA. They were happy with my backing vocals but want me to be louder as sometimes I wasn't triggering the noise gate. As for my playing, I have most of the songs nailed but there are a couple I know I can do better.

I missed my planned debut with the FS due to illness, so instead it's next Saturday.

Awesome publicity campaign! 🤣

Sorry about the first song on this clip... we just wanted to keep people dancing 🤭 The second one is more representative of us. https://www.facebook.com/share/r/16xPj2EtMy/

I'm thinking of songs that would suit fretless that I do. What Is and What Should Never Be would work well. Crossroads too, I think Jack Bruce may have used fretless on the original.

Just a fun anecdote from last night. Valerie came on the jukebox and a bit later as we were setting up the rhythm guitarist started playing it very quietly. The started singing it and I started singing the bass riff scat style then the others started singing and we even harmonised some bits. We impressed ourselves but sadly the pub was still virtually empty! If only our proper BVs were that good 🤣🤣

Drumming with a bad knee? That's determination!

I played my two gigs this weekend with a Jazzn because it's my easy-playing comfort zone instrument. On friday I used my pedal board for colour, but we were short of space last night so went direct - choose one: mike, effects, jumping around. It was sounding good, switching between both pups on full and neck with about 20% bridge. When we did Uprising I boosted bass on my head as no octaver and it was ok. We encored with Saturday Night's Alright and I played right over the neck pickup really hitting down on the strings Entwistle style. Pushed the Orange Terror well into overdrive and it felt awesome hearing the roar.

Perchlorazine (or something like that) it damps down your sense of balance... prescription strength seasickness pills!

Bendricks Rock played Edmondes in Cowbridge. Originally meant to start at 8:30 there was virtually no-one so we started at 9 when we had a bit of an audience. It rapidly filled up although it was a bit tidal with people moving around thd pub coming in to dance to songs they liked. There was an engagement party in the pub. Their friends wanted us to spoof them so we got them up for a slow dance and played War Pigs 😂 Our original singer (didn't get as far as gigging) came to see us and said we were good. I took an anti-nausea pill again as squatting and standing to set up the gear set me off again. After tgat I was fine and managed to join in on backing vocals but was pretty shattered by the end of the night. Worst thing is the nausea means I can't drink... so had three pints of alcohol free - then spent the night waking up to pee.