Stub Mandrel

Pirate Studios use boards spaced a couple of inches from the walls with lots of large, different sized, holes in them and a layer of acoustic (I assume) foam behind. Their studios aren't boomy at all.

It depends on whether the category is eligible.

I don't like the way the chicken in the breadpan is looking at me...

Indeed. I can't say I've ever noticed any loss of low end with passive basses, so yes probably an impedance mismatch. They are a bit of a 'marmite' pedal but I like it. Useful for Neil Young songs - I used it for parts of Hey Hey My My recently and back in the day I used to do a couple of solos for Like a Hurricane using it (we didn't have a lead guitarist!)

Today I did a PUP swap in my Ibanez AS53. The stock pickups weren't bad, the bridge one being noticeably heavier with a different part number so obviously 'optimised' not just an identical pair. I put in a Gretsch neck pickup and an 80's Di Marzio that my brother put in his first strat. It sounds absolutely amazing now, and even better balanced between the two pickups 🙂

Is that truss rod arrangement unique to 'Musima'? I made a guitar using a neck with the same adjustment that I found in a skip about 30 years ago. No tuners fitted. Surprisingly good neck actually, not fender shape.

By reverse logic, that means I'm good enough to support the Charlie Daniels Band. Stuff this job, I'm going pro.... 😎

Google is your friend: https://www.ebay.co.uk/help/selling/listings/listing-tips/selling-classified-ads?id=4167

Of course if she was a guitarist with a willy, it would be perfectly normal...

I've ordered myself copy - I need to get up to date on modern practice, my experience is a quarter century or more out of date!

First rule of internet - assume good faith. I think the question doesn't mean the 'line' on the knob, he means the word Line - as related to the 0, I assume which means 0dB with line level signals (from a preamp) being attenuated below that and mic level signals being amplified. So I suggest he has it right with the knob pointing at 'line' when being used with his mixer.

That video looks deliberately exagerrated - had me doubting myself so I just checked my own technique. OK, I grabbed an SS because all my other bases are cased up... Doing one finger per fret on the first four frets my wrist is virtually straight, nothing like the video. Also, my hand only moves about 1/4" between fretting 1 and 4. One point of 1 per fret is that your hand hardly moves when playing across the neck. I think he's exaggerating to prove his point. All I can say - I'm glad I've got big hands!

Only one I've every found that's even remotely close to the TU3 in its responsiveness was a cheap Fender one for about £9.

There's plenty of real-world proof that to be a brilliant bass player you don't have to use one technique or the other. But it does pay to think about your technique and try and improve it, which is what you are doing by videoing yourself. Right hand You say you are mostly using the index finger? Didn't do James Jamerson any harm! I built up my right hand technique by plucking the edge of my steering wheel while I was driving! Just do it steadily and build up speed and consistency. Then move on to doing triplets with three fingers and discover how easy it is to do a Billy Sheehan trill on the G-string. Left hand I started bass by being lent a Precision for a month on the condition that I played it one-finger-per-fret! Whether you are happy doing so at the far end of the fretboard really depends on how big your hands are and if you have a short scale bass. I have long fingers (I can do an octave +1 on the piano) so I generally play 1 per fret. But in the real world I find some music is easier to play with 1-2-3 fingers and some with 4. Chiefly because the little finger is harder to control for bends and can lack power for hammer-ons. The little fella doesn't like doing lots of slides either. I can't imagine playing Crazy Little Thing Called love with 3 fingers, but for Song of A Baker my pinkie doesn't get used once! What I NEVER do is the 1-2-4 double bass technique of doubling up the ring and little fingers. Perhaps because I started on guitar but also I can't see why you wouldn't just use your ring finger and keep things simple - this isn't double bass where you need two fingers to have the strength to fret a note cleanly.

My first amp was a 50W Sound City combo and boy did it 'sound sh1tty'.

That's a brilliant show and demonstrates just what a talented bassist she is 🙂

The ACA pedals have a dropper resistor on the ground side of the power supply. Daisy chaining bypasses this as long as you are using a non-ACA pedal. Or you can (reversibly) modify the pedal: http://www.stubmandrel.co.uk/14-music/171-boss-hm-2-pedal-9-volt-psu-conversion

P.S. Yes it does sound amazing now 🙂

I reckon I've added some Genuine mojo to my Ibanez AS53 (sorry - 6 strings...) Before: After, with luminous green 80s DiMarzio Humbucker (originally fitted to my brother's first strat) and Gretsch bridge pickup removed from one of his guitars. The pickup cover on the DiMarzio and pickguard are 'modern'.

Darn it. Listed to a couple of versions and now I'm stuck with a 'Dark Star' earworm.

I have a dream... and that's to be in a band that does what Hawkwind did at the Isle of Wight festival - just turn up with a flatbed lorry, park near the entrance and play free music... I love the idea of a random 'pop up psychedelic band' .

eBay own Gumtree...

Horn is the smaller speaker. Wobbling might make nearby people feel nervous. If it looks like it might fall over if someone knocks against it, you should be nervous and something (like a sandbag) to add stability might be a good idea. Best to make sure it is placed where punters can't knock it. Boost is increasing, cutting is reducing. They probably aren't designed to be used with no speaker attached and I don't see the point... it is a PA not a preamp and any effect of adjusting the controls is meaningless unless in the context of how it sounds through the speaker.

I could... unfortunately I've ordered ordinary green.

I've got into a scrap with an amp designer on 'the other forum' who claimed my estimate that a 150W TE could put out a 400W transient. I just did a test with my oscillscope on the output. When driven to a square wave, it was happily putting a constant 350W plus into 8 ohms.