silverfoxnik

[quote name='beerdragon' post='63965' date='Sep 22 2007, 11:03 AM']Why am i seeing black bars instead of a set list. but its ok in the reply [/quote] I'm seeing that too?? Thanks guys for the suggestions - I realise I am a lucky barsteward so my homework is my penance for that fact! [i]"And when you get to meet old Bignose, give him the address of this place & suggest he pops 'round! Jon."[/i] Good idea Jon - will suggest it if I get the chance.. Nik

[quote name='john_the_bass' post='63915' date='Sep 22 2007, 08:17 AM']Cheers Nik - I can't help thinking 3 black basses is over the top - mind you, if I'd have been able to buy yours before it sold, it would have been four![/quote] Three black basses is definitely not over the top John and your 3 are great examples!! Nothing wrong with a themed collection of basses either... As Deep Thought points out the black/maple is a really cool combination!

Hi Folks A friend of mine is coming over from the States in October and he's a mate of Geddy Lee so he's invited me to go see them at Wembley with him; free tickets, access all areas, get to meet the band afterwards etc, etc!! All of which is brilliant and I realise I'm very lucky to be asked..I'm sure it'll be a real blast and I'm really looking forward to it! But, to be honest, I've never listened to Rush before and don't know anything about them other than the fact that Geddy is a great player and certainly, one of the most respected bassists around. Truth be told, I'm probably more aware of him as a bassist because he has long been a user of Wal basses, rather than knowing of him through his music - though I understand he pretty much uses a Fender Jazz all the time these days? Anyway, to spare my blushes, I really need to swot up a bit beforehand. So I wanted to ask all you Rush / Geddy fans which Rush tunes are the real gems in their collection, the ones I should definitely get to know before Oct 9th?? Any help much appreciated, thanks Nik

[quote name='bassman2790' post='63930' date='Sep 22 2007, 09:28 AM']I'd love to but the Euro range goes for about four times what I paid for the BB415 and apart from the problem with the B I love it.[/quote] I had a BB615 and the low B on that wasn't as well defined as some other 5 string basses I'd had, though in every other respect, the BB615 was the best value 5 string I'd tried (apart from maybe an MTD Kingston). Anyway, I made a few changes that improved it; 1) set the action so that the break angle over the bridge was increased (definitely helped) 2) changed the stock strings to a nickel set (can't remember the brand) and the tighter wrap of the string helped the definition of the B 3) adjusted the pick up height, bringing the pick ups closer to the B string, though you have to watch that the pick up aren't so close that the magnets starts to affect the tuning of the string I know that other forum members here have changed the bridge on their BB615s to either a Badass or a Gotoh for example, and that apparently makes a big difference. The other 2 things I considered doing were to have a shim put in the neck so that you can increase the break angle even more and modify the B string to be through body stringing. I thing this particular problem with the BB615 (and 415) basses is caused by the 34" scale length coupled with the relatively lightweight stock bridge. Musicman basses are 34" scale and the low B on the MM 5s I've had have always been great... So, changing the bridge and getting a good luthier to make it string through body could IMHO make a big difference to the low B on your Yamaha though there's obviously a cost attached to the work. If you like the way the bass sounds and you like the way it plays then it is probably worth getting the mods done and sticking with the bass. And, though the Spector 5 may seem like the way to go, as I recall, they have a much closer string spacing than the Yamahas which you just may not get on with? Good luck with it! Nik

Great looking collection! Had one of those JVs myself and it was a beautiful sounding bass...wish I still had it. Anyway, three excellent basses and very cool looking

[quote name='WalMan' post='62396' date='Sep 18 2007, 10:47 PM']Cheers Nik. Sorry you got cornered by Mrs Walman in the break! But just think you could walk away at the end of the night I had to take her home and she hasn't stopped talking yet Come to that I don't think she has stopped in 30 years PA hmmmm yes Hopefully a clean loud though & that was the small rig Plugs it depends what you want to spend I picked up a set that have interchangeable attenuators - so you can set how much or little you want to cut level - from the drum bit of GAK for about £20 and I think Lee in Lick has some slightly different ones for about £12-15.[/quote] Hi Al, The PA sounded great and my only criticism would be that the bass could have been a bit louder in the mix, but I am biased of course! Will check out the plug ins - thanks, Mrs Walman was enjoying herself at the gig and that was good to see. And, as I was there by myself, it was very kind of her to take pity on a complete stranger like me... Cheers Nik

[quote name='bass_ferret' post='62360' date='Sep 18 2007, 09:46 PM']In Ear Monitor Royal National Institute for the Deaf[/quote] OK - Cheers!!

[quote name='bass_ferret' post='62288' date='Sep 18 2007, 07:21 PM']I used a Peavey T_Max (350W @ 4ohms) into a Peavey 2x10 no problem. They used to do a T-max combo with 2x10 as well. Its not exactly light though. I would still be tempted to ditch the lot and get a good GK cab. Have you got the GK fixed?[/quote] Hi John Thanks for that.... No I haven't fixed the GK cab yet because to repair it with decent speakers (Neos etc) is at least £100.. Therefore, i figured that if I can find a decent s/h cab here on BC for less than £100 I can probably sell the GK cab with it's one working driver for £30 on Ebay and be quids in (I think?). Plus I've got the GK Backline 1x15 to sell as well so that will help balance the books even more. I'm using my old 1x15 at the moment and that's great to my ears so on that score, I'm quite happy. But I want a back up and because I've invested more in basses lately, I don't really want to have to spend £400 plus on a cab. Though I know that's what you think would be the best way for me to go and you're probably right!! Nik

[quote name='alexclaber' post='62284' date='Sep 18 2007, 07:14 PM']I think more often than not it's not so much the acoustics as it is failing to account for the acoustics! You can't set up the same way and position the speakers the same at every gig. Also the polar response of speakers is terribly overlooked - guitar cabs in particular are extremely directional. A lot of this comes down to how the drummer and guitarist play - if they really understand their tone and dynamics then everything else tends to fall into place. If they don't get it, then it can get really messy! IEMs would be nice but it's rather a sledgehammer to crack a nut, especially as many venues could be played with an unmiked drum kit - if only sound engineers would get over their desire to keep increasing the membership of RNID... Alex[/quote] Hi Alex, what does IEM and RNID stand for?? Nik

[quote name='alexclaber' post='62187' date='Sep 18 2007, 03:30 PM']An addendum! Obviously in some loud situations you keep turning up because you can't hear yourself. If you can't hear yourself then you're unlikely to be able to hear damage occuring. The only solution then is to get the rest of the band to turn down - easier said than done... Alex[/quote] Very true Alex - and sometimes it's the room that forces everyone to turn up because the acoustics are working against everyone hearing themselves easily, so they keep cranking up the master volume. I went to see Walman's band last Saturday and they all had in-ear monitoring systems which were great.. though that's an expensive option for some musicians and bands I would imagine? Cheers Nik

[quote name='alexclaber' post='62163' date='Sep 18 2007, 02:33 PM']Yes it should be fine as long as you don't push the amp into repeated clipping or the speakers into over-excursion damage. Almost any amp can blow almost any speaker if you fail to listen and think about what you're hearing - if you hear bad sounds, turn down! Alex[/quote] Thanks Alex!! That's very helpful, as ever. Nik

Hi Folks, Anybody here know if i can run a Gallien Krueger 700 RB head (380 watts at 4 ohms) with a Peavey 4ohm 2x10 cab that has a 350 watt max program power rating(175 watt RMS continuous)? I still find the difference between program and RMS continuous confusing, to be honest.. I've already blown up one GK 2x10 cab through not thinking and don't want to make the same mistake again if I can help it! Thanks Nik

Hi Folks, Just sold a Yamaha BB615 to Col, or Chappers as he's more commonly known here.. Col was great to deal with all along the way and very patient too..Highly recommended!! Thanks mate - would be more than happy to deal with you again Cheers Nik

[quote name='Chappers' post='61498' date='Sep 17 2007, 08:11 AM']Had the pleasure of doing a deal on Niks Yamaha BB615 bass. Nothing but praise for the guy. Kept me updated with info, even over the weekend, and delivered EXACTLY what he said he would. Total stand up guy whom I would deal with anytime, and reccomend to anyone. Cheers, Col[/quote] Cheers Col, Glad you're happy with the bass and thanks for the feedback.. Can only say the same in return really - pleasure to deal with on all fronts! I'll post up a thread on your behalf as well, Cheers Nik

I had the pleasure of playing this bass on Saturday - it's unbelievably good, better IMHO than Stingrayfan's L2500 and amazing value for the money! Nice one, Matt.. Nik

Cool thread this.. makes me think of all the reasons why I like my boring normal basses like the Wal and the Lakland DJ5. Mind you, can you imagine how [i]wierd [/i]people thought the first P-Bass was when it was first introduced by Fender in the 50s? After all, the only other bass then would have been the Double Bass wouldn't it?