ezbass

Whereas I like the charcoal and tort.

I realise that I am massively late to the party, but how good is Steve Rodby? A keyboard playing friend of mine posted a Pat Metheny video on FB (as a guitar player for many a year, I’m aware of PT mainly through his work with Joni Mitchell) what I wasn’t ready for was Mr Rodby. His intonation on DB is exceptional, way better than many/most of the more established names IMO. To say I’m now a fan would be an understatement.

Space Captain by Joe Cocker/Herbie Hancock/Tedeshi-Trucks. Not taxing, but a nice groove.

Built like a tank, good EQ. I found the distortion a bit too aggressive for my tastes and struggled to get a good tone with the effect switched on. But for clean, worked a treat. I only changed it out for a Tech21 VTDI because I preferred the mid voicing, but it also turns out that the distortion/overdrive is more to my taste (although not separately switchable ).

Dammit! I feel a GAS build up.

I’ve just watched this performance by David Byrne on SNL, I’m pretty sure that’s a Serek, sounds great. Why can’t the BBC mix sound like this on ‘Later’?

Quality build coupled with quality build posts.

I feel your pain, literally. That and the weight on my left shoulder (despite large padded strap) is why my 4003s had to move on ☹️.

Great basses but, as you say, optimistic price tag.

😳😬

Literally just down the road from Ez Towers. However, I’m going on holiday. Thanks for the tag.

The artist doesn't see the knock on financial benefits of them touring, but has to pick up the additional costs. Hopefully, and I'm not holding my breath here, those in control of these things, will see this and come up with an easy and inexpensive way to overcome this potential hurdle. Again, not holding my breath.

Isn’t it just. I love playing it, much more than Peg. Haitian Divorce is another favourite bass line to play (when I’ve not forgotten it that is 😂).

I’ve always thought that there is a more energetic live scene on the continent than here, certainly at smaller venues. The more niche acts that I like and have liked in the past, always seem to do quite a bit on the continent. For those type of acts that are UK based, I imagine that this will certainly impact their income. For those acts outside the EU, principally the US (Robben Ford, The Aristocrats, etc for instance), having to obtain 2 sets of visas will probably have them bypass the UK altogether as they barely play here on their European tours in the first place. It’s a shoddy state of affairs. Oh yeah, IBTL!

When it comes to folk type music, I’m a Richard Thompson fan (have been for years - Rumour & Sigh, fabulous album, IMO of course 😂). Great song writing and a really different approach to guitar soloing when playing the electric beast.

Likewise. I wanted to enjoy his work so I could listen to some Danny Thompson, but beyond a few tracks, it isn’t really for me.

I'm not sure it's a British or Basschat thing, I think it's a first world thing, or even, perhaps, a human thing. I like SD, always have, if you don't, that's OK, there's plenty of other stuff for you to like and I promise I won't berate you for having different tastes, or say your tastes are flawed - it's art. I'm no fan of The Beatles or The Rolling Stones, never have been. However, I often get folks telling me I'm wrong, merely because of the size of the artist's celebrity and their impact. Get a grip, I don't like them particularly, it's fine, no one died because of my opinion and I'm OK with being in the minority for my age group.

The Police and Rush. And now the inverse - Eric Clapton.

If you're an SD fan, then Aja is a great album, if you aren't, then that's always going to be an uphill battle. I like Aja, but my favourite SD album is The Royal Scam (except for the greatest hits of course).

They can and I do (I consider myself fortunate).

I’ll say. Fortunately, far enough away to not cause any rash actions on my part. Phew! 😅

When first coming up with songs, I think we all chucked about 10 into the hat each and then voted on what we liked the best and went from there. However, the ultimate decisions were made when working the songs up (if they worked for us or not; often quite surprising). As an ongoing process, if anyone really fancies doing something, then we’ll try it out and see what occurs. As the band’s organiser of running orders for gigs, I’ll always check for approval before a gig, which sometimes spurs folks into suggestion mode and we’ll sometimes try something new out as a sound check (everyone is very good with their homework). In short, everyone has a voice and is encouraged to speak up.