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shoulderpet

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Everything posted by shoulderpet

  1. Yes maybe start with that and if that doesn't work then maybe try a higher value capacitor which should roll off more highs, when I had a pj Mustang the tone went from bright when on full to full on dub reggae with the tone rolled off so maybe try and find out what capacitor value the pj Mustang basses use
  2. They are probably kinder to your frets/fingers than rounds but ime they sound more like flats than rounds but are rougher than flats so you may as well just use flats, pressure wounds are slightly smoother feeling than rounds and sound more like rounds but they cost a good £10-15 more and don't really last any longer
  3. I would suggest flats as well, I used rounds for ages and recently got a P bass (always had p/j's or other basses previously) that came with flats fitted and I swapped the strings for a set of rounds and within a few days I put the flats back on, they just felt and sounded right on the P bass
  4. Lovely, I bet that sounds divine, unfortunately the price of vintage basses has always stopped me from owning one but maybe one day
  5. I'm not very familiar with the deluxe range but the player plus is definitely much better than the player series and although i have only played a couple of basses from the Vintera series the Vintera series seems to be excellent as well, when I get a jazz bass to go with my p and p/j basses it will be a Vintera for sure.
  6. My experience is that the pricier MIM Fender basses are much, much, much better basses than the player series basses which imo feel a bit cheap
  7. I can't speak for the Bass Gallery but for anyone in or near to Croydon needing fretwork done I can highly recommend Feline Guitars, had a couple of basses done there and the work has been exceptional, after there fret dress I was able to get the action on my basses down to 1mm at the 17th fret, they build custom guitars and basses so they really know there stuff
  8. I've only tried half rounds once and that was one time too many, they sounded pretty much like flats just very rough feeling ones
  9. Which makes the £469 Squier price even worse because for just shy of a hundred more you can get an Mim Fender
  10. What is up with the prices? £469!!! For that price I really hope Squier have upped there QC since the last time I brought a CV bass and returned 2 CV Jags https://www.andertons.co.uk/brands/squier/squier-40th-anniversary-jazz-bass-vintage-edition-satin-wide-2-colour-sunburst
  11. Good strings, you have to love low tension though, they have the same tension as Daddario XL nickels 95-40 but they feel even lower tension, I know this as I went from Daddario to TI on my P bass
  12. Fair enough, have you tried TI jazz flats? They are very low tension, I am using them on my P bass, they do the flatwound thing but you can get a decent rock tone from them too, they are not just a dull thump
  13. It is very puzzling that you find the Roto's to be lower tension, that are known to be pretty much the highest tension flats out there, I wonder if there was a mixup with the gauges at the factory
  14. Whilst I would definitely encourage you to try different value capacitors I really think a proper mudbucker will be your golden ticket, there something about a massively overwound pickup that you cannot really mimic with a different kind of pickup
  15. One that sticks out in my mind is an event my band were involved with, I will leave out the specifics as it is never classy to discuss specific venues etc. Anyway we enquired about the event as we were interested in taking part and it turns out the venue has no amps, no pa, nothing so they asked us if we would lend our amps, pa etc for the event and our lead singer drafts up an agreement that they agree to in order to cover us in case anything happens to our equipment. We got there and it turns out (though no-one explicitly tells us) that we are actually hosting this event. Anyway first thing that happens, after the drumkit, guitar amps etc have been setup, our guitarist who knew full well that he was expected to bring my bass amp turns to me and says "Mark, where is your bass amp" the life drained from my face and after a few minutes of me refusing to plug into the pa he goes off and gets my amp and turns up with it about 10 mins later. After everything is setup we start playing and I still don't to this day know exactly what went wrong but the 2 vocalists just could not get there vocals together, they fudge there timings, forget the lyrics and it is literally like they are both singing different songs from each other, during the break we have to calm our drummer down who is mortified and embarrassed to be there and is threatening to walk and just to add to my own embarrassment a couple of friends who had never been to any of our gigs before decided to come along to this event. Fortunately after the break our singers got there sh!t together and we played well but by that point we had already made ourselves look like clowns
  16. The Epiphone has a strange muddiness in the low mids but without the huge low end of the original mudbuckers, my personal opinion about neck pickups in the extreme neck position are that you either have to have them really overwound and beefy or you need a really defined pickup in that position, the Epiphone pickup is neither of those things and as a result it sounds a bit lacking
  17. I would budget for a mudbucker, the stock pickup in the Epi EB0 looks like one but is not
  18. That is actually really nice, if slab basses didn't hurt my forearm I would probably get one of those
  19. I wasn't a fan either, I quite like flats and nylon tapewounds but these strings once they broke in just sounded a bit limp and gutless, if these were fitted on a new bass I would just think the strings must have gone dead
  20. I dont know about that, I will agree it is too expensive as are most basses in that price range from other brands however I have played both the Mid priced Contemporary Hofner and the more expensive German made Hofner and imo they both compare favourably to offerings by other brands in the same price bracket, the construction on the German Hofners I have played has been top drawer. I strongly suspect that in keeping with the higher price nowadays they are probably better made than they were in the 60s
  21. Thank you for this post, so many misinformed sources on the web claiming that the Hofner was a cheapo budget bass which was never the case
  22. According to the Rotosound webpage the 100-40 flats are a few ibs heavier tension than there Swingbass 105-45 strings, there 105-45 flats are around 214ibs tension but they feel when heavier as they are quite stiff strings
  23. Never really got the love for satin finish necks, more often than not they just look and feel cheap imo, gloss just looks and feels so much better, just my opinion
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