bobbass4k

[quote name='pete.young' post='492788' date='May 19 2009, 09:35 PM']Maplins to the rescue - Yay! These are good for making up pedal board cables: [url="http://www.maplin.co.uk/module.aspx?TabID=1&criteria=usb&ModuleNo=1249&C=SO&U=Strat15"]http://www.maplin.co.uk/module.aspx?TabID=...O&U=Strat15[/url][/quote] That looks like just the thing, any idea what gauge lead it takes or will it take any? Also, is George L's cable just regular cable that I'd be able to strip down and solder into those or is it specially designed for the connectors, and if it isn't, any reccomendations on decent cabling I could get?

[quote name='alexharvay' post='492328' date='May 19 2009, 12:34 PM']I'd love to hear some clips if you've got the time.[/quote] Patience grasshopper... I'll get some up before friday, probably as a youtube video so you can see the settings and it's easier to upload Any songs/settings anyone really wants to hear?

Bought his OC-2 off him, great communication, great packaging, great to buy from

I seem to be buying and selling a scary amount of stuff on here these days, so figured it was about time I actually made one of these Comments, praises, criticisms, death threats, you know the drill

you're in luck my friend, this song was a staple of the setlist in my covers band.... At the time I managed to do it pretty well with a russian big muff and a crybaby bass wah, drive and wah are the basics, but if I was doing it now, I'd use my bad monkey (tube sounding overdrive), as it sounds like a cranked tube amp on the record, fuzz is probably too full on and you'll lose the regular bass tone, which is a major part of the sound, you can hear the rubbery thump of his P bass, if you haven't got a P bass (like I didn't) some flatwound strings will probably give you a good impression.

[quote name='umph' post='490707' date='May 17 2009, 05:49 PM']its in a mxr sized enclosure! i should really get some pictures up of the pedals, the artist i've got to do the painting for me is really quite good.[/quote] Oh dear, I think my bank manager just shuddered in horror, how much would some customizations run me? How bout a footswitch for the feedback control and I'd want the jacks in certain places This is becoming a very expensive week, I might need to sell some fluids....

I was putting some stuff in the loft a month or so ago at my uni house (It's bass related cos I have to stand on my amp to get in there) and found 2 fornicating squirrels. Needless to say I politely excused myself and let them carry on

Oh dear, I just had a horrible thought, how big is the chimaera enclosure? I love my homemade feedback loop but I built it inside a russian muff enclosure and I'm about to build a board finally, and it hit me how much space it takes up, plus I don't have a footswitch in mine and i could really use a TB loop, if you can build the chimaera in an mxr or even bantam enclosure you may have yourself a customer

Loving the ring modulator and the tube boost, like the sound of the diffractor too, love a sound clip of that at some point To be hionest I didn't listen to the fuzz samples, for the first time I'm happy with my fuzz/od setup and the last thing i need is temptation....

I'm gonna have time and cash over summer and with a couple of music type projects on the horizon I've decided to finally build a pedalboard. Anywho, I was wondering if there are any cheaper alternatives to george l's for customs, i've got a fair few pedals so to hook them all up I'd need 20 connectors and 2 or 3 metres of cable, which would run £100+, which, call me old fashioned, just seems silly for patch cables. All I'm interested in george l's for is the custom length and very small connectors, I'm quite happy with my tone using the brightly coloured moulded plastic crap I have now, and I've heard a lot of people saying they didn't actually notice any tone improvement with george l's. So are there any less bankrupting alternatives that have very small right angled connectors, custom cable lengths etc? I don't mind having to solder them together as long as it's easy to do

it's gone now, wonder if evilBay stepped in (for once) or he realised he'd been rumbled?

Well, if everyone's joining in......my xp-100 might need a tricky switch replacing or the firmware flashing or something, could I jump on the PM bandwagon?

Just arrived today, and I'm thoroughly impressed with it, the controls make it very versatile, it can do a huge array of sounds, big growly low end, or splatty glitchy squelchy high end. Anywho, how bout some badly taken pics? I did have a better shot of her insides but it seems to have deleted itself...... The penny is to illustrate how small and inaccessible the sub switch is Y'know, I think this might be a ZVex pedal..... Now I'm gonna waffle on about this thing, this is my first ZVex pedal and I had no idea how tiny they are, it's slightly bigger than an MXR box, just on it's side, it's very well put together, the battery that comes with it is a little loose, but i took it out anyway as i run it off my 9v supply, but the controls are what make this unique, so I'm gonna go through each one, full OCD style. Relax/Push: This is a source impedance blend, which is a miracle for us active players, no more squishy gating where gating doesn't belong, with full source impedance added (all the way to relax), the pedal responds just as it should, setting it elsewhere changes the character Fuzz: Pretty self-explanatory, this thing doesn't do subtle, so it's range is lot's of fuzz - even more fuzz PW: This controls the width of the square wave, from a symmetircal, roaring "regular" fuzz on the left, to a splatt, biting glitchy fuzz on the right. Past about 10'o'clock it has a kind of gating effect, at full left there is a bit of noise on high fuzz settings, but past 10'o'clock it's silent with no signal. Some other pedals have this as a texture control Tone: This actually only controls the treble, so on bass it controls the bite of te fuzz essentialy, with it most of the way left it can do a pretty good scooped muff impression. Subs: This has 3 positions, 1 is no subs at all, as you can imagine pretty useless on bass, 2 is a little more useable there is some bass there but it's not booming, 3 is where you get the booming. On 3 there is no low end loss whatsoever, as good as every bass specific fuzz i've ever heard. This is the best feature of the pedal from a bass perespective because it just adds or takes away the sub frequencies, doesn't change the characteisticis at all, so unlike other guitar fuzzes on bass, you get the full functionality of all the knobs, not just one or 2 settings. This is my main fuzz now, it's just so versatile, I've never played a mammoth, but from samples I've heard, this can do a lot of the same things, and it works with actives, for about a third of the price, this is my new go-to reccomendation for a mid priced fuzz. The biggest problem as lemmywinks said is the sub switch, it's so damn tiny and nestled right between the vol and tone knobs, I have spindly girly fingers, so it's not a big ptoblem for me, but I can see some people finding it very annoying Hmm, that turned into more of a lengthy review than first impressions, oh well, I'll get sound clips up next week when I'm back at uni and should be revising

Are you sure you put them together right? I've never used George L's, but you mention the cap eating into the plastic indulation, but I'd assume the wire you were screwing into the cap would need to be fully stripped? That would explain the crappy sound if it was only making slight contact with the actual bare wire