Owen

As anyone who has interfaced with me on the build forum will know, I have ZERO skillset to prepare anything like this. I actually like the aesthetic of the mish-mash.

@Chienmortbb

Double post gross incompetence + as usual having to edit original post for spelling. State.

Very funky these are. Nice review. Like you Frank, I find that infinite options only offer infinite dissatisfaction. I have owned 2 filter based preamped bassses in my life. They had to go. I was so preoccupied with twiddling that I never stopped thinking about them. I know other people love the filter based preamps. They just do not suit how I percieve things. I have pan controls of several basses. I NEVER play anything but dead center. On/off buttons make a lot of sense.

It is the concept of 3D printing something for not much money which I can then populate with the contents of my parts drawer which I am finding very attractive. Up until a month ago I even had a spare 5 string neck lying around looking for a home.

https://www.guitarworld.com/news/prusacaster-3d-printed-guitar I could very happily take a bass version of one of these.

Atom Man speaks the truth.

Gold would be pretty funky.

We have a winner.

I am using a Sadowsky pedal into QSC K10.2 and unless I wanted to fight with a drummer I would not carry anything else.

To be clear, I have not actually watched it yet so cannot actually vouch for it.

I used to gig a Boogie D180 through a Bose 802. I enjoyed it.

Proper validation. Right there.

CTB does not mess around!

Thanks all. Earlpilanz on Ebay will make me a scratchplate. I am (someone else is for me) mocking up a Stingray scratchplate and stretching it to get the Bongo bridge placement correct (extra 18mm if anyone is interested). I am fine with not much space between the neck pickup and the fingerboard because I will NEVER EVER slap in anger. And if I ever find the need to, then I have......(the shame)..... several other basses which will cover that.

Yes HH. I am just trying to get the proportions right. It would do me good to work things all the way through before asking questions with self evident answers in public. But then why change the habit of a lifetime?

If I could delete this topic I would, but I cannot. I can now see that it is actually the bridge baseplate which is longer to hold those funky mutes! D'oh!

Hi all, I am in the process of turning my US MMSUB5 into a Bongo. I am trying to get the scratchplate proportions correct for a twin pickup. I am looking at various pictures of Stingrays and thinking "eh?". There seems to be some variation in pickup placement and the gap between bridge and scratchplate. Below are two pictures I have stolen off the internet. Am I missing something or is the whole thing open to self expression?

http://www.abbatalk.com/abbaonrecord/ Not cheap!

We actually need some video of this.

Ah, the original Enfield Driveway configuaration. BIg enough to park your car on.

I lke things to be in their place. To bring this back on topic I did a series of gigs where backline was provided. The SVT experience was new to me and I cannot deny that I enjoyed it. But one venue had a knackered specimen which did not work. They wheeled out a Turbosound sidefill for me. The LF extension was addictive. I am convinced I was hearing an octave which was just not present from the SVT. A 5 string 40" scale NS EUB gets really solid on the B with the right cab behind it.

One logo in the wrong place........unsettling.......