lowdown

100% this and, the most professional thing to do.

Do you set light to them before you Shear them?

I've been in there many times over the years. Signed and shared on Social Media...👍

I think I would wake up screaming if I had seen the notes Ab and Eb written in a tune that was in the key of 'E'....* 😁

- And a Drummer called Bernard Lupe. Staying alive: The band's drummer Dennis Bryon left the recording sessions early due to the death of his mother, and the group first looked for a replacement. The shortage of qualified drummers in the area prompted the group to try a drum machine, but it did not offer satisfactory results. After listening to the drum track of the already-recorded "Night Fever", the group and producer Albhy Galuten took two bars from that track, rerecorded them as a recurrent loop on a separate tape (creating the song's constant rhythm), and proceeded with sessions for "Stayin' Alive". The group jokingly listed the drummer as "Bernard Lupe" (a takeoff on session drummer Bernard Purdie). Lupe became a highly sought-after drummer—until it was discovered that he did not exist. Albhy Galuten talks about the recording of "Stayin' Alive": Barry and I listened carefully to find a bar that felt really good. Everyone knows that it's more about feel than accuracy in drum tracks. We chose a bar that felt so good that we ended up using that same loop on 'Stayin' Alive,' and 'More Than a Woman,' and then again on Barbra Streisand's song 'Woman in Love.' To make the loop, we copied the drums onto one-quarter-inch tape. Karl spliced the tape and jury rigged it so that it was going over a mic stand and around a plastic reel. At first, we were doing it just as a temporary measure. As we started to lay tracks down to it, we found that it felt really great-very insistent but not machinelike. It had a human feel. By the time we had overdubbed all the parts to the songs and Dennis came back, there was no way we could get rid of the loop.

Yes, the Loopback test is usually a good idea.

You can adjust delay compensation on both Audio recordings or Midi track rendering these days. Usually on a track by track basis. And both on a '+' or '-' basis: I don't use Ableton, but in Nuendo, there is a slider for adjusting Compensation on each track. This is also great for Sample libraries where you want to offset start times for long notes, legato times, Orchestral crescendo start times, attack times or short notes etc... I'm not saying it's the answer to the OP's problem, but it might be worth investigating via the link I left above.

Yes, it might be worth the OP looking into Delay Compensation. I don't use Ableton so can't offer solid advice. https://help.ableton.com/hc/en-us/articles/209072409-Delay-Compensation-FAQ

Yes, four notes....Although, I think it is in 5 flats (Bb Minor), making the pickup note on the intro an 'A' natural. From then onwards, it's a four bar phrase with the 'A' natural at the end of the four bar phrase. I think that's right?

Apart from their obvious massive hit Disco track... there were at least two more:

Dad's car broke down in this thread. It seems, one or two would like it towed away.

All just opinions, of course. To me, QJ's arranging work on 'Sinatra At The Sands' is anything but that...It's terrific, skilful arranging of the highest order.

Yes, great grooves and a band I liked back then. But I think they were late 80's onwards. Not that it really matters...

This popped up on my YouTube home page earlier. I had forgotten what a superb Jazz Musician Dudley Moore was:

I watched that on iPlayer yesterday. Terrific musicianship all round.

No problems here. Have you checked, or running Cubase under 'Administrator'? If not try that.

Nice playing and tone. Your sound reminds me of the late, great, Wayne Braithwaite.

Yves is such a top, top musician. I love his lyrical style... A few years back, he did a version of 'Teen Town' on a two string Bass (which you have no doubt heard, I should imagine).

Frank Farian: https://en.wikipedia.org/wiki/Frank_Farian