Early on I recall being obsessed with Steve Priest, then Geddy Lee, then dUg, so it really came down to dirty clank. All hail Tech 21 NYC.
It doesn't matter whether I'm playing a Squier Badtz-Maru or one of my Lulls; that's the tone I'll dial up.
We used to gig with a band who seemed to rely wholly on public transport (granted a lit of those gigs were on shared backline and drum shell packs).
They'd just got it down to carrying the absolute bare minimum, all strapped onto various trolleys.
Yikes...I've clearly been given misinformation. I'll need to track the guy down and sue him for damages. When I was told this I thought it was a really cool thing, but clearly gullible isn't in the dictionary!
One bit of trivia I love about Ritter basses is that every one of them has a unique pattern of holes to accommodate the mounting of the necks. None the same.
I was pretty shocked that the bridge pickup cavity was bare wood/unfinished, so the bezel fixed that; I've often wondered how Rickenbacker were able to pull that off...surely it would be simpler to just paint the whole body rather than mask it off.
Tips?
I did it two or three times, through necessity rather than choice and while there were no complaints FoH, on stage it was nightmarish; I couldn't hear what I was playing once I stepped away from the throw of monitors.
So here's my tip. Always try and use an amp.
There's been a few of the US hair metal bands that have had spectacular breakdowns, but only to reconcile. Van Halen (Roth and Hagar), Motley Crue (pretty much everybody has fallen out with each other), Kiss (Stanley and Simmons vs everyone else).
I know people will be going, 'Harley Benton, blah, blah, blah,' but these PSUs are fantastic.
It does one thing, and it does it brilliantly day in and day out.
I have enjoyed the process of integrating this into my existing setup; unaffected output from the GED2112 preamp gives me a decent signal into the dUg.
Outputs from both units into an ABY box, then into a stereo poweramp running bridged into one enclosure. I can switch between the two easily enough now. Peachy.
One thing that was particularly nice is that Shudder To Think bassist Stuart Hill (listed under influences) shot me a message earlier to say he'd seen his name and was flattered to see it in print.
Here you go...sound is a bit iffy, but they were a great band.
I got a half page in Bass Player magazine this month. What a hoot!
I think I did the Q&A about ten months ago...I reckon half that gear and rig has found new homes now.
#chubbyfingersyndrome
Yup, new band. You know when you laugh so hard the back of your head hurts? It's like that again. It's freaking hard work after taking some time off though.
I still like to have a chuckle at the BS the old act continue to spin on Facebook; I look at the single digit likes but refrain from posting that no one is interested.