Higgie

Thanks! Just incase anyone is wondering, the Pickle fuzz is a Big muff/Swollen pickle clone built by someone from TB which has a 4 way tone stack so you can have slightly different voicings of the tone knob including a Swollen Pickle tone control, a Big Muff one, one where the tone knob is off, and I'm not quite sure what the other mode does The Atomic Echo Clone is the guts of a Way Huge Aqua Puss in a different box...Mmmm...Warm analog delay goodness

Ok - I've gone from the PT mini seen here: To this, the current band board: Underside: Ok so the underside is a bit messy, but it's all stable and works so if it ain't broke... Signal chain: Bass>TB Edition Cream Pie>OC2>XBlender>Analogman Chorus>Atomic Echo Clone>Korg DT-10BK In the XBlenders loop is Pickle Huge Fuzz>Crowther Prunes and Custard. As you can see, the board is powered by a Diago power supply, which is velcro'd to the back wall of the board on the underside. Just plug the power chord into the Diago and everything lights up I want a Subdecay Prometheus on there (not sure which pedal would have to go), and the Echo Clone will be replaced by my Demeter Compulator, once I have bought the adaptor that will allow me to daisy chain it. There is a spare power outlet on the Daisy chain that isn't in use, so I may just take the tuner off the board and plug it in on the side, so I could get the Prometheus on there without having to lose anything.

[quote name='Raggy' post='527540' date='Jun 29 2009, 11:13 AM']1577 + my 5 = 1852[/quote] I guess you mean 1582

1573 + my 4 = 1577

Get a rig that can handle the gig without PA support

[quote name='wulf' post='520552' date='Jun 22 2009, 10:16 AM']How about just blaming it on the rest of the band? Unless it is a solo bass piece, in which case you can shoulder all the blame, the essence of a great bass part is that it works as part of the whole ensemble. Learning a part so well that you could be transmogrified back to the recording session and fill in for the original bassist still isn't going to mean it sounds awesome if the rest of the band haven't been so diligent with nailing their parts. Even if you get the bassline note for note and beat for beat there's still going to be chafing if the other parts don't fit equally tightly. Wulf[/quote] +1. Very good post. I find most of Pino's stuff very challenging, especially Tear Your Playhouse Down....That guy is something else.

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