Norris

What has worked for me for 40 years is to simply not think about it. Make sure you have learnt the songs and practiced at home. Then eventually the time will come - then just do it. Just make sure you have a pee beforehand.

That would be an ecumenical matter

All it took was a change of preamp... Sterling Sub5 with Retrovibe Stinger

My lights have lasted for ages. However I've just had to order the third pair of stands for them! Hopefully the Gravity stands will last a bit longer. I was hoping to get some lightweight aluminium stands but they won't extend high enough for lights, so I had to have taller steel ones - should be more stable anyway. I'll let you know how they go. Anyone got any opinions on Gravity stands? My guitarist bought a mic stand recently and that seems quite good quality. I'll stick with my K&M though - it's standing up well (geddit?! 😁) to regular gigging.

I've had my lead for quite some time now and it's done a lot of gigs... and the jacks are still gold 😁

That sounds like it. I did turn it off

I thought it was dreadful and changed channels

Another happy Custom-Lynx customer here. I like my guitar leads with angled jacks at both ends and you just can't buy them off the shelf - no problem for these guys who made my lead up with gold-plated Neutrik plugs and Van Damme cable. They also made several heavy-duty DMX lighting cables for me. https://custom-lynx.co.uk/

Vistaprint here. It's handy that you can just order a reprint when you run low.

I've really only used my V3 500 in a gig setting. So I don't know if I'd describe it as "refined". It's certainly not "hifi" in my experience, but that's not the kind of tone I'm after when playing in a band. Solo home use could well be a different kettle of fish. The suggestion of a Roland Cube above is a very good one, and I would consider one for home noodling if that's what you're after. IIRC there's one up for sale on here too. Don't get me wrong, I'd be first in the queue to wave the flag for Rumbles usually, but that's for gigging. They are fantastic for that. It depends what sort of sound you are after.

A slightly quieter night than usual at the Black Horse in Whitwick. Still, we had a great time with the crowd that were there, especially the landlady's mother, whose birthday it was. Stingish bass again, GT-6B, Rumble. Converse feet. The cheese and onion cobs from the bar were fabulous! The guitarist is off touring now so I have just one gig in the next six weeks.

In the UK there are hardly any pubs or bars that charge on the door, especially for cover bands. People just won't pay for it. They will (to an extent) happily pay inflated bar prices though. I guess it's a psychological thing: paying for "nothing" vs. buying a slightly more expensive beer. That's my view playing in a covers band anyway.

We used to use passive speakers and a (heavy!) power amp. The powered Mackies are a real game-changer. Just those and a mixer with built-in echo/reverb, it's a lovely quick setup and breakdown

What PA are you using? Our pair of Mackie SRM-450s are fairly old technology now, but easily handle our vocals and occasional acoustic guitar, and can be picked up second hand for not many notes

I love a Sunday afternoon gig, especially when it's outside and doubly so when it's "acoustic". Lots of the usual songs, but played in an unusual way. Perhaps Sir Duke was a little ambitious - I ran out of both strings and fretboard! It was a request/challenge though and much fun was had. There were plenty of requests, and even a bit of dancing. It's great to have a good laugh when playing and there was a decent crowd too enjoying themselves. I even got to drink a pint or two for a change as Mrs Norris drove home. Stagg EUB straight into the Rumble. Converse footwear, O'Neill eye protection

Just back from our first gig for 4 weeks due to people being away on holiday, etc. It is always a bit of a job loading into this pub, and as usual when we arrived there were people still sitting at the tables that needed to be moved out our way. What wasn't quite so usual were a new couple managing the place, that were really nice and very enthusiastic about the music. During our time off I'd read a thread somewhere about Stingray active tone controls and how the bass is boost only, whereas the treble is boost/cut. That explains why there is only a centre detent on the treble knob of my Retrovibe Stinger preamp, not on the bass - doh! Anyway the combination of a good sounding room and a better understanding of what the knobs do, lead to a tight, punchy sound that was utterly fabulous. It was hot. Darned hot. And I didn't take my fan - double doh! Still, a bit of sweat makes it feel like you're doing something. Sorry, I forgot to take photos until we'd nearly finished packing away and then it was too late. As you may have gathered it was my Stingish bass (Sterling Sub5 + Stinger) into the GT-6B, thence into the trusty Rumble v3 500 combo. My Converse One Stars have broken in really nicely now, so got the gig tonight. We have a little cluster of gigs this and next weekend, but then it's looking pretty bleak in September. At least tonight's new landlord will be putting a few more in the book for next year.

All credit to you for keeping it going for him. It's tough to call it a day. Maybe you could move him to more of a cameo/feature? You're good people. It doesn't make you bad people to know when it's time to wind it down or even quit completely. Let him bow out with dignity and head held high. We have a guy that gets up and sings with us occasionally. He's not a great singer by any stretch of the imagination, but the adrenaline of the performance gives him some brief respite from his Parkinsons symptoms. It's difficult to say no when he wants to sing but the situation isn't really suitable.

I'd have thought he'd have already done it 5 years ago! 😂

Pickups with prominent branding Single-cut coffee tables New reliced basses Basses painted brown Signature basses, especially of people I've never heard of Singers who can't/won't learn the frigging words Bands that play songs that every other band plays Bands that spend 3 hours sound checking in the Dog & Duck and then end up being far too loud On stage noodling/widdling during a performance

Another pro steel user here

That's fantastic! Sounds like you had a great time Great to hear from some new bands and glad everything went well for you 👍

Glad to hear it! Everyone in a band needs to pull their weight. Sounds like you had a great time

I would imagine their public liability insurance would be void in that situation if they allowed any members of the public in the building, even to reset the alarm

I've been keeping half an eye out for a 5er. They don't get brilliant reviews though. My 4er hangs on the wall waiting patiently for the day...

First of all we have some photos from last night... Yep, a bit better than the photos I took 😂 So tonight was at The Crew in Nuneaton. Upstairs is Queens Hall, which may be more familiar to some as a venue for original bands. There was no-one up there tonight though, just us rocking out downstairs. It's been 15 months since we last played there due to various circumstances and cancellations, but it's becoming one of our favourite gigs. The Crew is a proper rock bar, so it made a nice change to be a bit louder than usual and a bit more raucous. My Rumble master volume still wasn't even at 12 o'clock though, but was lovely and punchy. The crowd there is a real mixture of ages, from youngsters still having to show ID to white-haired old hippies, and everything in between. It really is a great place. It's getting a bit regular playing the Stingish bass (nice & light, tighter string spacing) and the Rumble. Footwear were Vans for a change (Photo again barely remembered while starting to pack up) Ended the evening with a cheeky chicken shawarma from the takeaway across the road from the venue - very nice!