Kiwi

For the most part, not to me anymore. My main basses are less than £1800 and I paid way less for them years ago. They sound every bit as good, if not better, than basses I've owned that cost three times more. A Sire V7 5 with maple board and ash body is on my shopping list over the Summer as well, if I can find one that isn't too heavy. I'm looking for a particular kind of character too, which means I'll be trying before I buy rather than taking a leap of faith.

And that natural finish Spector did the rounds amongst BCers. But it's now mine and a keeper.

I've not been that impressed by the Octave videos Ive seen so far. Theres not a lot of that growl.

Unfortunately that's not a feature that exists within the current standard forum software. But we'll investigate the feasibility for future bespoke improvements if they don't affect upgrades.

There's always some selective filtering of the highs when wenge is part of the construction. Wenge with maple laminates is my favourite combo because the wenge adds midrange growl but the maple keeps some of the highs. Both seem to have a decent amount of bass.

I have been gassing for a Status Series II recently but after swapping out the electronics in my Series 1 have managed to get well within spitting difference of the same sound and, in some respect's it's more refined. So I was also looking at a Moon MBC5TN which, like the Thumb 5 is a through neck with wenge laminates but walnut instead of bubinga. Slightly different sound and significantly cheaper and over half the price of a Series II these days. So I've started asking myself whether a Thumb 5 might be do-able. But whenever I've played one acoustically it's sounded and felt a bit dull compared to what I'm normally used to. So I don't know...I'm still in two minds. I do like how they sound on records though.

Horses for courses. I like 15mm spacing for five strings if I'm playing with fingers. If I'm playing with a pick then 18mm or wider is better and preferably a four. Most of the time I play fives and they all have 16mm or less spacing.

I think she overplays in a couple of places (e.g. 1:42 and 2:27) to the point where she not only loses the pocket but misses the downbeat - the Andrew Gouche effect. That second fill at 2:27 could have been half as long and lost nothing in terms of impact. Also, her left hand keeps shooting up the neck after playing a lower register note only for her to pull it back to hit the next note. I'm not sure why but it's a bit distracting. But her phrasing and note choice for those fills is pretty awesome. Yeah mine (4 at the time of release, now 6) too! lol

OK but I have changed the batteries only once in mine after 12 years of ownership. Not that I play it every week but still...much more than twenty hours in total.

Mine's not noticably thirsty compared to other basses I've owned.

Can you me a logical and fully referenced 2500 word essay on the topic of spambots and their impact on effective digital marketing?

Given the absolute limit is 20Khz...and that decreases with age...it doesn't clarify much unless the bandwidth is huge.

Different thing, you were working on a passive filtering circuit for bass and had given it to a buddy to test. The circuit i drew up was for guitar and yes not only completed it but added a locally sourced switchable mid boost (+25db @500Hz). The first draft of the new diagram is a rats nest but I know how it all works now.

Maybe they will now the hard work has been done for them! :) Generally, the chinese factories wont bother copying anything technically complex, especially if it involves research and development. This is from a chinese entrepreneur i know. How's that passive circuit we discussed coming along?

Using a printed circuit board? Hobbyists don't do that.

Hmmm, dismiss it as you wish if you're cynically inclined. Like I said, best of my recollection. Besides which searching for the post is going to take time away from things that are more important to me.

Someone on the jaydee fb group claimed to know what had happened to it.

A basschatter and jaydee collector owns one of the jaco jazzes as well as a couple of other jaydees

It's known but i cant recall clearly right now. I think the blue one went to charity. The pink one might have been given to a roadie.

he did a custom jazz for me once, it didnt look like the jaco one though

thanks to fifties goldtops being converted

And two thousand quid for fifty quids of material and labour is two thousand quid for fifty quids worth of materials and labour. It's the law of shameless opportunism vs cash rich pensioners.

Ah, maybe there was a typo between the year and the total number in my source then. Ouch.

Just a thought but I wonder if the body on this bass was original? I mean, given how many JE smashed up and all that in the late sixties... Also, I thought there were 66 rather than 25 made...?

Very little came from his EQ. He used the EQ like a ersatz crossover between both the MkV heads on the Live at Wembly DVD. Most of his tone came from finger strength over the bridge pickup, the dominance of mahogany in the Jaydee and the Trace 4x10's. The Mk V amps were pretty flat sounding - something that changed with the Series 6 that followed. His 0002SA and 0003 basses were fairly mid-growly in comparison to the other instruments he used.