Sounds like a quite imminently deaf band to me.
Loud is great fun and makes it all nice and exciting,but if its that loud, you're doing it wrong.
Hey nonny nonny no.
Have a waft of McVities making Jaffa cakes on me and next time I'm in Mersey square Ill pull my hood closer against the rain and smog and think of you.
Hmm,I think not.
I remember Mike Joyce telling me that AR was a little overly funky when he first joined and had to tone it down a bit,but that pushing of the beat remained through all his work.
Chris,what you are suggesting would work fine, but first ensure you have no panning enabled on any of your patches and that they are all centrally panned and so exiting both outputs equally.
Not owned a Pod XT but maybe there is a global mono setting you can activate.
MM
It's all a bit bland and safe and yummy mummy's everywhere will listen to it on the school run till their kids flip and start listening to Goblin Cock and Clutch.
So it's a good thing.
[quote name='icastle' timestamp='1368907693' post='2082978']
The worst has to be [b]anyone[/b] playing Norwegian Wood.
[/quote]
Including of course, The Beatles.
Hello all.
I recently scored a Seymour Duncan SMB4D pickup to install in my passive OLP and I'm asking for suggestions as to what might get the best use out of it.
No pre amp, so what are the options?
Two Vol one Tone or the reverse?
Series or parallel?
A switch for the above?
I don't need anything too complicated, I don't usually touch more than the tone control during a gig.
Advice gratefully accepted.
MM
Just done two gigs note X32 and was very pleased with the workflow and tone.
Remote control via iPad was the icing on the cake.
Definitely saving for one of these though FOH wants me to look at the Soundcraft Expression.
Hello.
You can pull this off, and if you have Audiobus then you can patch all sorts of processors into the signal path.
The headphone out is ok, but better results if you use a USB audio interface.
Good luck.