cheddatom

It's not that I concentrate on the right hand, it's just that I think that's where I get my "feel" from.

Hi Hats or just right hand in general, yeh, that's what i'm listening to.

[quote name='D-L-B' post='823689' date='Apr 30 2010, 08:44 AM']What I want to do is have two wahs and two drives, one of each running parallel in each loop, and blend them. But the volume problem arises when I want just one distortion on. I can get what I want if I just use the blended loop for the purpose of drive/wah but I want to be able to use other effects in the loops individually without having to go mad knob twiddling.[/quote] Like this? loop A wah OD loop B wah OD chorus phaser fuzz flange A+B blended. I don't understand why you'd have a problem, I do a very similar thing with my LS-2, you just have to set all your pedal volumes right.

Stick a HD in there and sell it as a full system!

I really like your designs

That's pretty cool, but, if you wanted all that flexibility, wouldn't you just buy a programmable pre-amp/multi effects unit?

I'd guess it was the guitar amp. The other way round would be a bit illogical.

I'd like criticism about my band(s). I don't think anyone's ever given me anything other than positive feedback, which is no good other than for an ego boost.

I can change strings on the day as long as I stretch them, the same as for a guitar.

Bang on OG. The ammount of times i've told the bassist how bad the drummer was and he just says "nout I can do"...

I normally hate basses with the spikey bit at the bottom, but I love that!

[quote name='AndyMartin' post='818540' date='Apr 25 2010, 10:03 PM']I always found Cantdosleepy and Paul, the very entertaining but they haven't been on here for a long time.[/quote] Indeed! I wonder where they are

I bought 2 M-Audio delta 1010lt cards for about £60 each, and a sh*t 24 channel mixer for £30, which means I can record up to 20 tracks simultaneously for £150 (plus mics and cables, stands etc etc).

have you seen the [url="http://basschat.co.uk/index.php?showtopic=30341"]thread [/url]at the top of this forum?

[quote name='WalMan' post='813754' date='Apr 21 2010, 01:40 PM']....they do change the angle of dangle of the bass....[/quote] I've never checked my dangle angle. What's the optimum dangle angle? Any books on the subject of the dangle angle? Sorry, this phrase is my new love.

If you get a refund you could use your cash to better effect buying used here on the forum.

[quote name='dood' post='805186' date='Apr 13 2010, 06:54 PM']the frame is so strong! It wont bend if you stand on it, it just springs back again![/quote] But there's only so many times you can bend a bit of metal isn't there?

I play a 6 string. I play lots of chords but also use the higher strings on their own sometimes. There is quite a noticable difference in tone for the high C (much more like guitar than bass) IMO so if this bass has another string higher than that, I can see why they're considering these differently. Making them fretless would avoid the attacky sound you get off frets, and any buzz, thus making it a bit more bass-like. So, it all makes a bit of sense to me. However, only having the bridge pup for those two strings?!? What's that all about?

I've done samples of my board in the past but been so embarassed by how it sounds i've never posted. Playing in a band, through my amp, my board sounds amazing, but DI'd solo bass...... eugh.

there's a difference between cutting through and contributing to the overall sound. A lot of bands don't need a bass sound that cuts through, the low rumble to reinforce the guitars is enough.

I was asking about the PSU as I used to use two of them until the hum got rediculous. I would have thought the two akai pedals would require at least 500Ma between them, which is the limit of your DC brick, but if it works for you...

[quote name='OldGit' post='812350' date='Apr 20 2010, 11:07 AM']@51m0n Can you just explain hi and low pass filters? Thanks[/quote] hi pass "lets through" everything ABOVE a certain point low pass "lets through" everything BELOW a certain point So in general, use a high pass to roll off lows, and a low pass to roll off highs.

I played a gig the other day, and the sound guy seemed to just match everything to the volume of the guitar on stage. So, while he got a (really, very very) good sound for all bands, we were the only band at a reasonable volume for the gig. I had to stand outside for the other bands as i'd lost my ear plugs and it was literally making me feel sick.

I'm going to hang around and find out

three switches just to step down?