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Quatschmacher

⭐Supporting Member⭐
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Everything posted by Quatschmacher

  1. Angelo, the pedal’s creator is active on the thread, has been answering our questions and posting samples of particular settings requested by users.
  2. Some really good sounds coming out of this. See page three: https://www.talkbass.com/threads/meris-enzo-synth-pedal.1362367/page-3
  3. I needed a 5V pedal for my synth (the EV-5 is 3V) so this is now surplus to requirements. It has a fair few scuffs (see photos) but is functional and has served me well for over ten years (though it’s only had pretty light use from me). Comes with a box, though for a different brand of pedal. I can post same day if payment is made by 8.30am.
  4. Another Pralines video, this time from Olivier’s channel. I haven’t watched as I’m not on WiFi.
  5. Thanks. I’m definitely going to check some out as they sound more to my taste than the Chromes I’m currently using.
  6. Pre-orders are open: https://glou-glou.org/pralines/
  7. Yes, I’d seen that one. The main thing I’m holding out for is that the envelopes are fast enough when in trigger mode. I’d suggest as many of us as possible contact Meris and ask them to send a review unit to Zach Rizer. I’ve already done so via their Facebook page.
  8. I’m sure it’ll be usable if playing above the 12th fret and pitching down.
  9. Yep, sounds like it was stuck on band pass for most of that demo.
  10. I’m definitely up for mail ordering one once they hit Europe and giving it a try.
  11. Here’s the hub-type interface: https://m.thomann.de/gb/meris_midi_i_o_midi_interface.htm Connects up to four of their pedals with standard TRS cables and standard MIDI cables and is a similar price to the SA Hub. No USB port though so appears that a MIDI-to-USB cable or wireless Bluetooth adapter is required fo PC connectivity to store SysEx files.
  12. @CameronJ I reckon one of these with or in a Wingbass would be killer.
  13. I’d suggest reading the manual to see exactly what it does: https://www.meris.us/wp-content/uploads/2018/06/Meris_Enzo_Manual_v1c.pdf
  14. Quite right. As a way of becoming aware of pedals, I enjoy their videos, but often they don’t manage to show them off to their fullest potential and sometimes they’ve even bordered on misinformation. Zach Rizer’s reviews are much better in that regard as he is very knowledgeable about the technical aspects of each pedal and spends time meticulously showing what they can do.
  15. Not true, maybe you didn’t read all the specs or watch the video. This has 16 presets, accessible via a proprietary 4-button switch, expression pedal or anything which sends MIDI PC messages (though again it looks like there’s an extra box required similar to the SA Hub to access the last option)
  16. This has so much going on under the hood: ring mod, ladder and state-variable filters, arpeggiator, mono and poly modes, square and saw waves, pitch shifting, expression-peda-controlled patch morphing, delay, choice between envelope follower or triggered envelope! All controllable from the panel. Love the separate preset switching pedal too. https://www.meris.us/product/enzo/
  17. @Proton Lenny, will you be reviewing this?
  18. This looks and sound very promising: @tonyxtiger, @andybassdoyle, @GisserD, @CameronJ, @ash, @Al Krow, @Bo0tsy, @dodge_bass, @lee650, @radiophonic, @W1_Pro
  19. I’ll consider trades against the following (with cash adjustment as appropriate), in no particular order: Fender USA Jazz Deluxe (pre-Elite model), white with rosewood board; Fender USA FSR 75 Jazz, white/rosewood or natural/maple; Fender Japan 75 Jazz white or natural/rosewood; Fender Nate Mendel Precision; Markbass Little Mark III or Tube 500; Markbass Traveler 210 or 115; Aguilar Tone Hammer 500; Moogerfooger 101 and 103; Moog or DSI/Sequential synths; Arturia Matrixbrute.
  20. Was this my old one? Really skanky juicy filter.
  21. I’m moving this on as I’ve hardly played any fretless in the last year and could do with the money for other stuff. This started life as a fretted instrument which I bought from @drlargepants of this parish. (He bought it new and I still have the receipts and case candy.) I then took it to Jon Shuker for the defretting work, which is therefore of top quality. It has sycamore inserts in place of the frets. It retains the classic look as from some angles it looks like a standard fretted bass. It’s in outstanding condition and still plays like it did after the setup. Nice low action. Lovely custom shop pickups. Very superficial board wear only as it’s only ever been played with flats (40-100 Chromes) since the defret. Comes with the Fender-branded slim black leather-bound case. It’s pretty light. I’ll get a weight figure if anyone is interested. Collection from me in Sheffield preferred, though I may be able to bring it on a train to, say, London, Newcastle, Bristol/Bath, Manchester and combine with a visit to friends. Any further questions, please ask.
  22. I didn’t read it like that. To me they were simply saying they’d decided to stop producing them and so would keep making them until their current component stocks were depleted. It’s the same way they worded their release saying that they had discontinued the Minimoog reissue.
  23. The tone control is useful as is the mode switch when using this pedal without a dirt pedal and running into a filter; the extra fizzle gives the filter something to chew on. Aside from that, I pretty much use it in Tim mode with the tone fully anti-clockwise. The dry switch is pretty useful though.
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