christhammer666

my other bands pretty sensible in the sense that if we get offered a midweek gig outside of London we give it the elbow as the logistics are a pain. the other band the member are pretty flexible with their leave so are looking into tours and recording where min is more of a pain to sort.I suppose I was worried about my place being in jeopardy but as UK LEFTY put it perfectly, when a band pays more than your day job then it can take priority

morning all just after some opinions. I having nightmare with my work regarding annual leave, its chaos trying to get time off. My band are now understandably getting twitchy as we are trying to find time to record a new album and book gigs. I hate the idea of booking a gig midweek and then racing somewhere on the train.I prefer the comfort of having the day of and preparing properly. Anyone else have trouble with their bands regarding leave ? Jamie

when Jordan rudess' keyboards break out in the middle of dream theaters octavarium.gets me feeling euthoric everytime

i used to buy it by what was on the the cover, then I got into the habit of flicking through after the main draw and really enjoying different interviews of people id never heard of.so now I buy it regardes

I have listened to a few of jason's isolated tracks from AJFA . God can that dude play especially On dyers eve

signed

Weeeater 19th oct at the underworld

like hitting a cricket bat with a shovel

ive never played one but am a big ibby fan. the rise in quality from the sr300 to the sr500/600 is amazng.so am assuming the same from 500 to 1200

ive played a gig before where the bass was literally inaudible to anyone. I was the only one with balls in the band I asked 3 times to be turned up and the soundman did nothing. after the next song I took my bass off stood it up and walked off stage and said theres no point me being there.

awesome stuff mate crucified world is awesome

blotted science-the animation of entomology

ive gotta go with Loz on this one.To play hammersmith and stand on the same stage Lemmy has graced

the tuning will be B,F#,B,E. I don't mind adjusting saddles and tweaing truss rods I just don want to bugger the nut in case I go back to standard tuning with 45-105s

Can just about get my small fingers round a 4 let alone a 5

Question for you all. I'm in a band which plays in drop d so easily done on a 4 string but have been asked to play with another band who will play in drop b. I have no desire to buy a 5er and I'm not keen on the idea of messing up my 4s to much. Even if I had a pro set up and changed it back a year later I don't fancy it. Anyone else turned a band down cos of pain in the ass tunings ?

I like the thunderbird bass range but even then they have the flimsy 3 point bridge thing.You are defo not alone

I love Mark kings tone but would not suit my sludge/groove metak band

im a leyton orient supporter so hate the west spam logo.still want one though

Just reading the end about safe noise levels, 3 minutes !!!!! no wonder my ears ring like hell after most gigs

done

for me... akercocke 30th sept weedeater in camde in oct opeth at Wembley in nov

oh bugger now I want one even more.I never bothered because I heard the nut was 44+mm.

entwhistle for me

the sr500 and sr600 have the bartolinis in them. I should imagine you can put them into the 300 as well