fretmeister Posted May 6 Posted May 6 I wouldn't have quite as many switching options though. Just P / P+MM / MM And then have a series / parallel on the MM only. I have a good MM pickup lying about already... 1 Quote
Paul S Posted May 6 Posted May 6 I did it the other way around ie had a MM Sterling into which I had @Andyjr1515 graft a P pickup. Had to have the P bits reversed a la Yamaha to fit into the sweet spot as I recall. Very nice it was too. 2 Quote
wateroftyne Posted May 6 Posted May 6 My Maryszczyk Jake, factory PMM. All-passive, Vol / Vol / Tone. Nice and simple, well balanced, sounds immense. If anything happened to it, I’d get another. 3 Quote
fretmeister Posted May 6 Author Posted May 6 2 hours ago, wateroftyne said: My Maryszczyk Jake, factory PMM. All-passive, Vol / Vol / Tone. Nice and simple, well balanced, sounds immense. If anything happened to it, I’d get another. That's a lovely looking thing. I think I want my MM pickup more in the traditional place. 1 Quote
Andyjr1515 Posted May 6 Posted May 6 3 hours ago, Paul S said: I did it the other way around ie had a MM Sterling into which I had @Andyjr1515 graft a P pickup. Had to have the P bits reversed a la Yamaha to fit into the sweet spot as I recall. Very nice it was too. Yes - it came out well...and sounded great! It was your 5er Sterling with the Aguilar P added. Very enjoyable project and satisfying result : If you are tempted, @fretmeister, I would say 'Go For It!' 4 Quote
fretmeister Posted May 6 Author Posted May 6 I've measured up my existing P bitsa and the P pickup is in the right spot but that would mean the MM is about 2mm out of position towards the bridge. I'm guessing that 2mm won't make a lot of difference as intonation settings change by more than that when string gauges are changed and so on. Or of course I could take out the split P and get a hum cancelling 50s P pickup instead and then have both in their traditional positions. I've never tried a 50s P pickup. Could be interesting! Quote
Beedster Posted May 6 Posted May 6 33 minutes ago, fretmeister said: I've measured up my existing P bitsa and the P pickup is in the right spot but that would mean the MM is about 2mm out of position towards the bridge. I'm guessing that 2mm won't make a lot of difference as intonation settings change by more than that when string gauges are changed and so on. Or of course I could take out the split P and get a hum cancelling 50s P pickup instead and then have both in their traditional positions. I've never tried a 50s P pickup. Could be interesting! I was quite surprised when I started looking more closely at PUP positions that there's more variation, for example among Fender Precisions, than I'd always believed/assumed to be the case. I suspect there's as much rhetoric as science in this space? 1 Quote
fretmeister Posted May 6 Author Posted May 6 Wouldn’t surprise me. I might start a thread and get everyone with a P, MM etc to measure from the nut to the start of the pickup casing. Could be interesting to see the variation. Quote
fretmeister Posted May 7 Author Posted May 7 I've been thinking about this more - I have 3 shorties, two of which are P only and the other is PJ. And I have a medium scale PJ. So with that in mind I think I might just make this bass a ray only - at least for the moment. Quote
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