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Posted

 

 

I wouldn't have quite as many switching options though. 

 

Just P / P+MM / MM

 

And then have a series / parallel on the MM only.

I have a good MM pickup lying about already...

  • Like 1
Posted

I did it the other way around ie had a MM Sterling into which I had @Andyjr1515 graft a P pickup.  Had to have the P bits reversed a la Yamaha to fit into the sweet spot as I recall.  Very nice it was too.

  • Like 2
Posted
2 hours ago, wateroftyne said:

My Maryszczyk Jake, factory PMM. All-passive, Vol / Vol / Tone. 
 

Nice and simple, well balanced, sounds immense. If anything happened to it, I’d get another.

 

IMG_1837.thumb.jpeg.a671bbb4067461139dc0c060edea4cc5.jpeg

 

That's a lovely looking thing.

 

I think I want my MM pickup more in the traditional place.

Posted
3 hours ago, Paul S said:

I did it the other way around ie had a MM Sterling into which I had @Andyjr1515 graft a P pickup.  Had to have the P bits reversed a la Yamaha to fit into the sweet spot as I recall.  Very nice it was too.

Yes - it came out well...and sounded great!  

 

It was your 5er Sterling with the Aguilar P added.  Very enjoyable project and satisfying result :party:  :

Zf9F7ynl.jpg

 

 

rddO9Tql.jpg

 

 

If you are tempted, @fretmeister, I would say 'Go For It!'   :)

 

 

  • Like 2
Posted

I've measured up my existing P bitsa and the P pickup is in the right spot but that would mean the MM is about 2mm out of position towards the bridge.

 

I'm guessing that 2mm won't make a lot of difference as intonation settings change by more than that when string gauges are changed and so on. Or of course I could take out the split P and get a hum cancelling 50s P pickup instead and then  have both in their traditional positions.

 

I've never tried a 50s P pickup. Could be interesting!

Posted
33 minutes ago, fretmeister said:

I've measured up my existing P bitsa and the P pickup is in the right spot but that would mean the MM is about 2mm out of position towards the bridge.

 

I'm guessing that 2mm won't make a lot of difference as intonation settings change by more than that when string gauges are changed and so on. Or of course I could take out the split P and get a hum cancelling 50s P pickup instead and then  have both in their traditional positions.

 

I've never tried a 50s P pickup. Could be interesting!

 

I was quite surprised when I started looking more closely at PUP positions that there's more variation, for example among Fender Precisions, than I'd always believed/assumed to be the case. I suspect there's as much rhetoric as science in this space?

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