dudewheresmybass

Every band I work with is a straight split - even though I often provide PA, lights and do the majority of the booking. I don't see why someone should earn any more than everyone else unless you are hired as a 'session type' player for an agreed fee

If six was nine - Jimi

son of my father - chicory tip

hell on earth - Iron maiden

easy - The commodores / Faith no more

Blasphemy- morbid angel

I have a fella I’ve used in Kent, who refinished a warlock I was working on. He used to spray for rolls Royce and now does luthiery full time. he may be a bit far away from you though. Happy to share contact details with you if you’d like though.

Choke on it - death

boris the spider - Ooo

It's a bit of a jog

suedehead - morrissey

3 i found too scooped for my taste. The 4 are the harris sig, so I imagine should have more mids to them

He was switching regularly between passive and active modes during his noodlings, and he spoke about it in his spiel

money - the pinks

when a blind man cries - Poiple

the butler vintage is a great p bass no matter what the name attached to it is. Its a bit subjective as to whether a 'name' instrument will sell more than a bog standard one. However it does seem to draw people to them perhaps in the first instance - along the lines of "oh! a *insert name here * bass I wonder how that is. Presumably the hope from there is that the instrument is good enough to sell. I have sig instruments from different manufacturers (not my sig! LOL) and I bought them because they did what I wanted them to do and not based on the associated name

great balls of fire - Jerry lee

Cinnamon girl- Neil young / type o negative

I'd gig that as well - In a heartbeat lol