Franticsmurf

I'd try to get to that gig but I'm playing elsewhere tonight. It's windy but sunny here this morning. Have a good one. 😃

On Wednesday I had a call to ask if I was available for a duo gig on guitar tonight. Later that day it became a trio with me on bass (hoorah!) and my mate on drums in a line up that last played together two years ago (even bigger hoorah as it was a good line up). We met Wednesday evening to go through the set and it was clear the drummer wasn't well with some kind of bug. On Thursday, he told us he couldn't do the gig and it became a duo again. The singer said he had a dep drummer and it became a trio once more. This morning, after several phone calls it has finally been declared a duo gig. In the last three days I've been swapping guitars/bass/pedal boards and amp/cab combinations more often than a progressive rock musician. But I've decided to take my HB Bass VI along to give it an airing as well as the toy guitar. The gig is a semi regular event for the local Caravan and Camping club (I haven't played it for a couple of years but the singer does a couple a year for them) and we're hoping for band bookings. Rig for tonight: This or this and this or this or this etc 😂 And this: with this

It reminds me of emails I used to get when I worked in the civil service from people who thought that big words, official sounding phrases and jargon all wrapped up in a formal setting made them appear important. The really decent manager/leaders (there were a few) never wrote like that so it was easy to spot the pseuds. But in the context you're quoting, it may well be artificial. Intelligent - nope! 😃

This was our 'green room' for a wedding anniversary party the Hulla band played last year in the back garden of the happy couple. It was their games room. The floor space was bigger than my house.

That's great. Nothing to beat the feeling that all the hard work in rehearsals paid off.

I'm going to miss the mini histories of the places you play. I love reading them. I used to play miner's halls and various iterations of working men's clubs in the Welsh Valleys and I loved the old architecture and fixtures/fittings inside. They told a story and I could imagine the places as they used to be in the heyday of the mining industry in those parts.

Back in the early 90s I was playing geetar in a band doing primarily originals but going through that difficult period of realising that our original material wasn't going down well with the venues we played. We decided to add more appropriate covers (which meant the more accessible proggy stuff) and to find a dedicated singer, as out keyboard player was currently singing. The drummer and I were in a night club (a rare event but it played mainly the rock end of pop music) and I got talking to this young girl who, when she found out I was in a band looking for a singer, proclaimed that she could sing and wanted to be out new front person. Her first audition was outside the nightclub, where she performed 'Wuthering Heights', complete with rather enticing dance moves. She wasn't bad and both the drummer and I thought she deserved a decent audition with the rest of the band. A couple of weeks later we picked her up from the corner of her street in the band van and headed off to the rehearsal studio where we went through a few covers and while she could keep a tune, her voice wasn't versatile enough. Had we been a Kate Bush tribute act, she may just have scraped through with some work but as it was her voice was quite thin and she didn't seem to have the self confidence needed for a front person. We dropped her back off on the corner of her street with the intention of having a second go with some originals. Imagine my surprise when, on the way to work a couple of days later, I saw our potential singer in her school uniform looking every bit the 14 or 15 year old she actually was. Many things went through my head, mostly involving irate parents, irate policemen and relief that nothing ungentlemanly had happened. Needless to say, we didn't keep in contact.

Good luck.

The Hulla band organises and plays a festival for charity every year. Last year I put together a scratch band to play a support slot and it went down well. Unfortunately, that scratch band didn't make it through the year so this year I've grabbed a few unsuspecting Hulla band members to play a short support set. I've got the drummer, the guitarist and an extremely talented young girl who is my bass dep for the Hulla gigs I can't make. She sings and plays guitar, bass, keys, a bit of drum and ukelele but her main instrument is trombone. When we ask if there's anything she can't play her response is "I don't do reeds". Last night was our first rehearsal as a four piece and it went really well. There's a lot of potential there and, importantly, a lot of enthusiasm and motivation. We are fortunate in that the drummer has his own rehearsal/recording studio and while there's room for 4 people, I decided to take my Ibanez EHB 1000S to minimise the chances of clouting the other band members in the head with a bulky headstock. It's definitely a work in progress but we have 4 months to get things sorted. Our multi-instrumentalist has exams in May so the aim is to get things to the point that all we need to do in May and June is polish the final set and have a couple of full band rehearsals with the Hulla sound man present to do a sort of pre-gig sound check. As we use a Behringer X32 desk for the Hulla he will be able to set up a rough mix and save it into the desk as a base for minor tweaks on the day.

Several old and decrepit dogs, same old tricks. 😃 Ironically it seems that I may be getting back to play with the drummer again. Early days but we're talking about a kind of reunion/reboot/rehash. It'll be good to play with him again as we used to lock tight as the engine of the old band.

Technically, I'm the bassist in a band called 'New Dog Old Tricks' which formed in 2022 and played one gig. While we never formally disbanded, all four of us are in other bands and haven't got together as a quartet since August 22. I sense the opportunity for a reunion gig sometime in the future as we're all still on friendly terms.

And you could claim it as legitimate expenses. Winner, winner... er... bass guitarrerr.

The Insiderz are playing at a local venue on Friday. If it wasn't for the kit, I could stroll along to it.

The Hulla band rehearsed for a gig I can't make last night. The dep bassist (from within the band) took on the bass role so I stepped behind the mixing desk. We use an X32 and our regular sound man (on holiday at the moment) has set it up using the scene option so that all I had to do was press the correct button. And yes, I did successfully press the correct button! 😃 It was good to hear the band from a different perspective. I've taken to using IEM simply because in such a large band (13 assorted instruments) the monitor speakers are competing with the live instruments. From the front I could see how everything worked and how much work our sound man has done to get everything mixed nicely. Rather worryingly, the dep bassist (a gifted multi-instrumentalist at only 16 years old) was good. She may have to go.... 😂

I have small feet and still find hitting the right notes hard! It takes a lot of practice but the results are worth it.

I guess the ambient pedal is for those new age/chill-out cross over jams one often has while waiting for the water to pour. The cold pedal is for if the jam is strictly chill-out only.

Fretless again. I'm sensing a theme. 😃

Thank you , m'lud. I promise to reform/attend therapy/rehab and I do still play bass regularly. 😃

As I understand the rules, I think I have failed on tier 2 (i.e. non-bass gear). I have mentioned elsewhere in this parish that I have recently taken a rhythm guitar role in a mate's band. As a result, I have swapped a guitar for another guitar (no cash involved), plus I have on order a Squire Strat and a HB Les Paul kit. I throw myself at the mercy of the court and beg the fact that I am now a practising geetard is not held against me.

I formed my first band with the intention of 'making it' (which was the equivalent of 'turning pro' for us although we didn't think of it like that at the time). If we hadn't had that ambition, I doubt I'd be playing in bands now as it gave me the motivation to learn and improve on my instrument, to write songs and record them and to play live. But with the gift of hindsight we were never going to get far as we didn't have the all out dedication and energy. We gave it a few years and although we gigged regularly, it wasn't really happening the way we wanted and as an originals band, the money was dire. For most of that time, we also held down jobs and I decided that when I was making as much money from gigging as I was getting from the job, I would quit the mainstream and be a 'professional' musician. Still waiting for that trigger 😂. When I moved on to play in covers bands and duos, I realised that I didn't want to be a professional musician (I was playing guitar and bass depending on the line up) as although I liked the performance element, playing a limited set list was dull and I struggled with maintaining the level of enthusiasm required. So apart from a few years in the mid 80s, I have never wanted to be a pro player. For the most part I've enjoyed the level at which I play and I think had I gone down the pro player route it would have ruined the simple pleasure I get from picking up the bass and tinkering with my effects boxes and amp.

And how are you finding your fretless 'fridge'? 😂

New Fridge Day - pics or it didn't happen etc etc. 😂

I've done that before now. The key to it is, as you say, dancing around and looking like you know exactly what you're doing. 😃

I'm usually one of the first to finish packing up at the end of the night. I like to get all my kit out of the way so that the others (mainly the drummer) have space to move. I always get my stuff out and into the transport first, too. But I will always help whoever needs it afterwards. Last night we had a long carry out and we all lent a hand. I'm aching this evening but we're a band and part of that includes helping out where we can.

To be fair, most of the gigs we do are on postage stamp stage areas (rarely a raised stage) with public rights of way through them. One of the reasons I started using a headless bass was because I was tired of people knocking the headstock. The Hulla band has it's own portable staging for festivals and other outdoor events but as it's such a large band (13 at the last count) even that isn't really big enough. And when we play some functions, the band is three deep, four wide with the drummer bringing up the rear. 😂