deathpanda

[quote name='bubinga5' post='801417' date='Apr 10 2010, 12:16 AM']I have quite a few studio albums by various artists, but the ones i enjoy most are the live ones...they have so much more atmosphere... albums that spring to mind are Donny Hathaways 'these songs for you' LIVE...this is prob me and my sisters favorite album of all time...you only have to listen to hear how good this band are with Willie....never mind Donny's voice..IMO the best soul voice ever recorded...true gospel power and control.. The other is Maxwell's Live and Unplugged...friggin love it....he really is the father of street soul.. The last is what im listening to now...Erica Badu Live...i love this album so much..from cover's of Roy Ayers's 'Searchin' to the wonderfull 'Tyrone'....check out her lyrics....the best track is the Heatwave's Boogie Night's.that turns into Jones Girls classic....the walking bass is great but when it kicks in it's f***in cool.. Tyrone live... [url="http://www.youtube.com/watch?v=UVSIPHQdQT0"]http://www.youtube.com/watch?v=UVSIPHQdQT0[/url] any one got any other live albums to check..soul funk or not..[/quote] One of my favourite live albums right now is "Rastafari Centennial Live in Paris" by Steel Pulse. Some of their over produced studio songs really come to life with a full band. Can't say I've heard much live soul/jazz/funk albums, if any. An all time favourite live recording of mine has to be the Pulse tour by Pink Floyd, the version of Another Brick in The Wall part 3 with the extended solo is fantastic. Bought the CD for my dad and soon stole it back!

Most of the songs I love to play are my own ones. I don't mean that in a big headed way at all. If I spend lots of time writing a challenging bassline, I can generally play it better than I could another person's "challenging" bassline. Just feels good to play something that you've written, I guess.

As someone has already stated, you can't avoid having muscle memory. It's all about learning it properly in the first place, practicing slowly to a metronome and getting it impaled into your brain, as that's essentially where the "muscle" memory is. *edit* maybe you can avoid having muscle memory, but I'm pretty sure that would mean having a stroke or some kind of disease.

Many disagree with me on this one, and it's make me feel very isolated, but I [b]hate[/b] Epiphones. Yes they are cheap... but that's no excuse for them to be insanely crap. And also nearly any Ibanez guitar. I'm not just saying these things to be unique and cool (like indie kids think they are) but I have never seen an Epiphone I've liked the look or sound of. Ibanez have some [url="http://www.noahjames.com/vintagepage/newmodel/rr550-rr150.jpg"]rare exceptions[/url] but I just can't get into the tone or their ridiculous wizard necks. I've tried to like them, I like the guitarists that play them, but the sound just doesn't do it for me.

Listening to a live version of Backlit by Isis on youtube, and as usual it's blowing my mind. The bit where he starts growling gives me shivers every time. I don't think I've heard a more effective use of growls in a song. [url="http://www.youtube.com/watch?v=-moEORU09Pg"]for anyone interested[/url]

A while ago I started writing lyrics and music for myself, for a personal project if anything. My friend came up with a band name which is just perfect, and I think when I've got an EP released I'm gonna get a band together. Post-rock, doom metal, sludge, jazz, greasy sleazy funk are just a few of the inspirations being brought forward... Godspeed.... [size=7][b]REXASUL[/b][/size]!!!

[quote name='Marvin' post='784183' date='Mar 23 2010, 11:45 PM']Yes, but I think that's an old image. Mine looks more like this. [url="http://www.gear4music.com/Guitar-and-Bass/Kinsman-Premium-Electric-Guitar-Bag/38S"]Kinsman Guitar Bag (looks exactly like the bass bag).[/url][/quote] Ah that one looks much nicer, gonna order it tomorrow. Again, cheers for the help.

[quote name='Grand Wazoo' post='784145' date='Mar 23 2010, 11:09 PM']Fender does a lovely tweed one [url="http://cgi.ebay.co.uk/Fender-Deluxe-Tweed-gig-bag-P-Jazz-bass-New_W0QQitemZ280483072823QQcmdZViewItemQQptZUK_Guitar_Accessories?hash=item414e180b37"]http://cgi.ebay.co.uk/Fender-Deluxe-Tweed-...=item414e180b37[/url][/quote] That looks great, but I think I'm gonna need a bigger pouch for college books, leads and what not. Thanks for the suggestion though! [quote name='Marvin' post='784164' date='Mar 23 2010, 11:24 PM']I've got a Kinsman Premium Bass Guitar Bag. [url="http://www.jhs.co.uk/kinsman.html"]Kinsman[/url] You have to scroll down a bit to the Premium cases. I got it from Gear4Music, and I think it was about £30 or £40. Guy in my LMS actually complimented me on how good a bag it was the other day. It's very good for the money.[/quote] Is it [url="http://www.gear4music.com/Guitar-and-Bass/Kinsman-Premium-Bass-Guitar-Bag/38R"]this[/url] one? Looks perfect for what I'm after, cheers!

[quote name='Doddy' post='784095' date='Mar 23 2010, 10:38 PM']I'll always recommend the iGig cases over anything else, but they are a bit more than £50.[/quote] Ah they look brilliant but £50 really is my maximum right now.

Did a search but nothing came up so I'm gonna make a thread about it. I apologise for another advice thread, but I would like some help choosing a gig bag for my bass. For the past year I have been carrying my bass around in my guitar bag, which is obviously too small so I've had to have a drawstring bag cover the headstock. I really could care less about the horrible aesthetics and the distress it causes when you look at it, but I think it's time I got something that protect the bass properly. My price range is £50 max and I want something that fits my Geddy Lee sig perfectly. I have searched and searched for them online, but to be honest I'm not really sure what's big enough and what isn't... Aesthetically, I don't really want any bright colours or crazy designs, just a simple, durable gig bag for my bass. Any suggestions would be appreciated, cheers.

For drop c# on a 4 string, I would try some thicker gauge strings. Anything after that is technique problems or hardware.

[quote name='LukeFRC' post='782264' date='Mar 21 2010, 11:41 PM']This whole thing of guitarists being ego-centric members of the band, being protective and with something to prove. do you think it is down to insecurity that to be perfectly in tune and have each sound perfect?[/quote] Maybe, but I'm still lost as to why all these so called guitarists are constantly going out of tune. If a guitarist is insecure about his guitar being perfectly in tune, shouldn't that give him the incentive to splash out on having his guitar setup perfectly and maybe have better tuners installed? Baffles me, my friend has a relatively cheap MIA strat with a professional setup and it just refuses to go out of tune.

[quote name='51m0n' post='782244' date='Mar 21 2010, 11:12 PM']Fortunately I didnt have to tell them I was leaving the band, they phoned to sack me the next day for not 'having the right attitude to make it' [/quote] That just sounds like a textbook case of hollow shells of human waste.

Get better gear. I have an LP copy with grover tuners, never goes out of tune unless I do it myself. Sometimes the g string goes slightly out after hours of playing, but no ones gonna notice a quick adjustment like that.

An MIJ Squier Jazz, played one in a shop and my friend has one. Really nicely made and gorgeous tone.

[quote name='waldemar' post='781315' date='Mar 21 2010, 01:26 AM']Chernobyl..?[/quote] LOL

[quote name='waldemar' post='781310' date='Mar 21 2010, 01:14 AM']You know it, man. I do love an ugly bass. Check out this monster: (http://cheesyguitars.com/yoshkar_bass.html)[/quote] *projectile vomits over screen* Where can I get me one of those?

[quote name='waldemar' post='781248' date='Mar 20 2010, 11:20 PM']Here it is being played by Mont (Dirk?) Campbell of prog-rock band Egg. It looks pretty nasty, but somehow I want one.[/quote] I can't help you, but I will agree, it's god damn nasty. That body shape mixed with that neck literally makes me want to puke. I would love to have one though...

hard to explain... but even just the sight of this bass inspires me to play... I would have this bass over Cheryl Cole.

After being inspired by the ever-amazing old funk tunes and Jaco Pastorius to pick up the bass, I thought I could attempt them with my already above average guitar skills, and much to my displeasure it turns out bass is on a level of it's own in terms of playing and understanding music. I can't remember the first song I actually played, but I remember my first gig as a bassist I played Fire by Hendrix.

I'll definitely be buying one of their albums, thanks for recommending them! I love any prog rock which has that laid back, jazzy feel, but still manages to tastefully blend in heavy riffs, especially in "time waits for no one".

Hi all, I'm looking to buy my first 6 string bass and would like something comfortable and affordable. Having owned an LTD guitar and falling in love with it's build quality, sound and price, I thought an LTD bass would be the way to go. I was just wondering, has anyone owned or played the [url="http://www.guitarampkeyboard.com/en/74577"]LTD B-206 SM[/url]? If so, how is it? Comments on the pickups, active EQ and build quality would be appreciated. I am asking here because I will not get a chance to play before I buy, from this shop or any other shop. I am open to other suggestions, but I don't really wanna be spending over £450. Cheers in advance *EDIT* just saw the ESP bass thread on the first page, D'OH

Not sure if this will help anyone, or if it's appropriate for the thread, but as a n00b musician I found it quite handy myself (considering I've been too lazy to memorise the circle of fifths). My tutor told me a quick way of finding the key, given the key signature. Logically it's already pretty much obvious, but I wouldn't have thought of it by myself. [attachment=44849:keysig1.jpg] Here we have the key signatures, for the sharps all you have to remember is to go up a semitone from the last sharp, and you have your key signature. For example: [attachment=44850:keysig2.jpg] The last sharp here is A#, go up a semitone and you have your key, B. For flats, it's just as easy. All you have to remember is that the 2nd from last flat, is the key... Pretty neat. [attachment=44851:keysig.jpg] That's all I wanted to say, not sure if the same can be applied to the bass clef (sorry to blaspheme, but I haven't learned anything about the bass clef yet), but maybe at least one person will get something from this.

I rest my thumb on the neck pup for the E and A strings, and move my thumb onto the E string to play the D and G strings. Usually my thumb rests almost horizontally on the neck pup, whilst my playing fingers are positioned between the neck and bridge. Probably just something to do with being self-taught, but hell, it's comfy.

[quote name='Hamster' post='773716' date='Mar 13 2010, 04:53 PM']As has been said, nobody usually notices the bass player unless they're on fire![/quote] Haha I like that statement. Even if they're on fire in terms of their playing, good luck getting someone to notice you...