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Paolo85

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Everything posted by Paolo85

  1. When I was around 18, alongsde my main band I decided to put together a hard rock/glam band with two dear friends. It was 100% to have fun with friends and we were not planning to become an amazing band. We needed a singer though and we put an advert out. A guy calls me, very confident, he says he sings pretty much like early days Bach (the Skid Row guy, at the time possibly my favourite singer). Oh god.. I was just hoping to get somebody with a decent voice who's not tone deaf.. maybe with this guy we we could start thinking a bit bigger? He comes to reharsal, we start with Youth Gone Wild, there's a pretty iconic scream from Bach there just at the beginning. The singer stops headbanging for the scream... ...well, I had to immediately turn my back to him. I could not stop laughing. I spent the full hour (yes, an hour and he had learnt all the songs unfortunately) looking at my drummer and trying not to laugh. Poor guy, it wasn't the bad singing per se. It's the fact that he had no clue he wasn't great
  2. After buying a short scale recently I think I may end up in a similar situation. I have built the perfect (for me) P bitsa. It took me a while to settle on everything. But short scale is so comfortable..
  3. So, the bottom line: this bass looks horrible and rattles, but it sounds good, it has a good fingerboard and it's cheap, so if you want to check if fretless may be for you for the cost of a set of strings, this could be a good option. It's pickup only from Bromley so if you you'd be able to try it. Strings are great LaBella tapewounds that cost more than the bass. This is (was) Fazley PJ fretless. Those are decent basses, you can read commentary here Mine cost me £85. It was good but superheavy. I play standing exclusively and hate heavy basses. At some point Fazley cut the price to £50. I was not smart enough to realise it was because they were going to discontinue them. So I thought "ok, resale price is zero, let's try to make it lighter, it may be fun". So I chopped the headstock and started drilling holes in the body (this was inspired by somebody else in BC, when THEY did it, it looked neat..) To fit the smaller 2+2 headstock, I fit tuners from an Ibanez. Now there is a rattle around the hesdstock. I doubt it is because of the neck break angle as it continues even if I hold the strings past the nut with my hands. My impression is that something is wrong with the tuners. Still, the rattle does not get amplified, maybe just faintly on a bad day. Other issues to note are that there is alluminum tape under the bridge (the grounding is still there working fine) which I put there to lift thr bridge as the pickups were too close to the strings. There are bits of painters tape on the body that got a bit sticky, I'll try to clean before the sale. One of the neck screws is not the original one. There are some screrches. And there is a black metal plate drilled in at the back which I used to hold the bass as an upright for a few days (long story). Also, I sanded and refinished the neck with tru oil and ot was a sloppy job. I am aware I should be ashamed of putting this on BC but I need space, I have given up on fretless and don't see this changing anytime soon as I now play guitar more than bass. And I don't want to deal with nutters on eBay Pics in the next post
  4. I bought it, I would say it's probably good if you are already a good player and do it on the side of other stuff. It is very old school. I think most teachers or courses nowdays would take a standard, learn stuff through that and build knowledge through songs. The Micky Baker's book is more "now spend a month working on these hand-crushing chords" (for which by the way it does not suggest finger positions). For me, a beginner, it was a bit frustrating and boring so I gave up. Also, people more in the knowledge than me say a lot of the theory is not explained.
  5. ...btw, I thought guitar was easier, at least easier on the hand, for the first few weeks. Then I started seeing stuff like this ...and then all that bending... 😱
  6. Well, it is used quite a bit in jazz Plenty of maj7 here! Enjoy the guitar!
  7. I see, I guess that was the missing bit, thanks
  8. I see, interesting thanks! What confuses me is.. what if PayPal does not side with them? I mean, maybe they send you 500 for a bass via paypal. Get the bass. If paypal does not side with them they have just bought a bass?
  9. Could you explain a bit more? I also am am struggling a bit tobunderstand this scam
  10. Not sure what you do in those jams, but any chance this may have to do with the frustration? I mean, it is much easier to join a band of people at your level and reharse songs than to meet with people and just "jam". Don't get me wrong, it is a very good thing, just not necessarily simple
  11. If I was at all interested in another P bass at the moment, I would buy this beauty 100%. It is beautiful, the headstock design makes more sense than a Fender P's, it is light, and sounds like a good P.
  12. I am glad he's doing well for himself. Maybe he should consider bigger venues though
  13. It is a good point but there may be issues with the premise. A person playing at 30, from beginner level, with quite possibly a lot going on in their life like everybody, and with a gazillion of alternatives available in terms of entertainment, may just stop playing if they find the experience frustrating. In my opinion, there is a complete disconnect between what in theory is the best way to learn an instrument (that is, a structured program that enables the diligent student to become competent in the shortest timeframe) and what in practice is the best way to learn, which I believe is seeking gratification above all (which may mean different things for different people) and avoid joining the vast ranks of people who give up. Obviously, it's not black or white. If somebody really wants to play jazz I guess it is easier to learn theory than to learn walking bass lines note by note.. again, I am not recommending against theory
  14. I appreciate the good advice but please do not worry about me Maybe I should clarify that it's not like I have been playing this for 20 years non-stop. I bought it when I was 18 to replace an Ibby I was not fully getting along with. A year later I had to stop playing because tendinitis. The bass sat in my parents' flat in Italy for the best part of 20 years. Then I started playing again a couple of years ago and I brought this bass in the UK after Christmas 2022. I have loved playing it. Learnt some funky Jamiroquay lines on it, it sounds great and it's lots of fun. But at the end of the day, I hsve discovered I am a P bass guy and my P bass bitsa gets 90% of the playing time. Now if I were to move to short scale (I have bought one with split coil at the neck as that's the sound I go for), this Cort which is a hell of a bass for the price, risks spending another 20 years without being played much. Which IMO is wasteful and even a bit sad. If it does not sell at a decent price I'll consider donating it.
  15. Have you considered this? I guess the look isn't for everybody, but it's 43mm nut width. I would really like to try it. For this short scale I really wanted a small neck and the Jaguar was the perfect choice - for the price. But if I ever go down the rabbit hole of multiple instruments again, this HB is on the shortlist. I can see it with Labella tapewounds and a mute. Though I am afraid I won't manage to set intonation with that bridge, or that the neck might be one of those huge HB necks which make it impossible to balance the bass unless I bring total weigh to 8kg. EDIT: I meant this https://www.thomann.de/gb/harley_benton_hb_60_wb.htm
  16. Playing music should not be a source of frustration. If you can learn songs and tabs, you can already start playing with other people, gig, and you can just do that for the rest of your life if that makes you happy. If you cannot learn songs from tabs (I am not fully clear on that), you can ask your teacher for some guidance on that, and a lot would be chosing songs at the right level. Theory is great but a lot of people first learn how to play songs, play with others, gig, even write music, and then start learning theory. There are famous musicians who have never learnt much theory, if at all. I am not reccommending against theory. Just saying the important thing is to make sure you have fun and enjoy the journey. Also, there isn't a level at which one has "mastered" the instrument. That's mostly a psychological thing. Some people get to a level where they can get through some simple things and feel they have arrived, some other people become famous musicians that others want to imitate and still feel inadequate
  17. So I did it in the end, I have bough a short scale bass - here in the classfields. Nice little bass for not a lot of money. The fretwork is very good, keeps a comfortably low action with "floppy" TI flats. Add that it has a 38mm nut width, neck not super skinny back to front but not chunky either. Overall it is very easy on the fretting hand. I like the sound. Tubbier than my precision, and it came with flats. I tried it on Cissy Strut and it was spot on! It is, however, a serious neck diver. I guess it's because of the short horn. I have put on hipshot licensed ultralight tuners, taken off another bass, and.. 260gr of car wheel balance weighs on the back it still needs a leather strap to stay in place 🫣 ...in the other hand, it still is a pretty lightweight bass. I bought it because, after trying the electric guitar, I have realised it is really nice to play with as little effort as possible for the fretting hand (that was before I realised how much stretch is required for some chords..). I would say the first impression was positive. Not sure this is a full conversion to short scale, I'll see..
  18. Right, Squier Jaguar short scale. That's why I am out!
  19. I can't help with any of those amps but I guess, if I understand thr meaninf of the word hi-fi, if you play your bass through something that gives you dry signal (eg a Zoom B1 four pedal with no effects on) in to flat-response headphones, you hear the sound of your bass with little to no alteration. If you like it, then you probably like hi-fi amps.
  20. You are probably right but I see this as a good exercise in letting go
  21. I do get unease when I cannot play. Right now, I have a splinter-like pain in the tip of a finger. I cannot find a lot of info on it but people online say it is an inflamed nerve and one needs to rest a day or two. I find it difficult. Unfortunately, this comes with a very specific type of personality I have, which has pros but also very many cons. I was thinking just these days how maybe playing music is playing against me. I work from home in front of a pc. Lunchbreaks, instead of being a chance to unwind and get some fresh air, are used to chuck some food down my throat quickly and playing. Then there's all the childcare . Then in the evening, I am back on the instrument. Which is good on paper but I seem to be doing it even when I feel exausted. The weekends are a n opportunity to play more. Paradoxically, this does not progress my playing as it is largely noodling and going through stuff I know already, all I have energy left for. Then there are the periods when I commit to learning properly, but soon I see signs of burnout. No doubt music is giving me joy, but most weeks I literally do not leave the house (except a small drive for childcare) Monday to Friday. I have not neglrcted my family, but I hsve neglected everything else. While I am happy when I play, I start to realise that music is not making me a happier person. I should probably "ringfence" it. 20 mins, at a time it does not get in the way of seeing the light of day, doing sports, talking to people, sleeping... ...easier said than done for me
  22. I am out! More info when the item arrives..
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