Mikey D

Playing a bit of 'Glide' by the band Pleasure. Nice.

Can you tell me abit more about about this instrument, because as far as I am aware Michael Poller 3/4 carved double basses are only about £1450 new!?

I'd be up for the 18th. I'm in ireland learning with Dominique Dipiazza and Rufus Reid on the 11th...

[quote name='mhuk' post='20789' date='Jun 20 2007, 02:45 PM']yes (it was you ya bugger who got me thinking about this after the Bass Bash). Except I don't know what "All semiquavers Dotted quaver - semiquaver" means.... [/quote] Sorry...but it will be worth it down the line.. i promise. Do you understand what an 8th is? and a 16th? because they are just other terms for quaver (8th) and semiquaver (16th).

Scales can be musical as well remember! When I practice then I split the time between doing them routinely to a metronome (on each beat and on 2&4 and on 1&3, occasionally on just the 1 aswell) as this helps your general time feel and in any of the following patterns: All semiquavers Dotted quaver - semiquaver Semiquaver-dotted quaver Semiquaver-quaver-semiquaver Quaver-semiquaver-semiquaver Semiquaver-semiquaver-Quaver Triplets These are most of the rhythmic groups you will come across as a bassist and you may as well practice rhythms while you are practicing your scales. More time effective! Then of course there are different ways of playing the scales in 3rds, 4ths etc. As triads, as 7th arpeggios in three not groups as triplets, as three note groups as quavers to get a three over four feel (or 5 note groups to get a few jaco type runs). The other half of the time I will use the scales as 'music'...Set a backing chord synth pad sound that relates to the scale you are using (is you can, if not if doesn't matter) and just play...You can limit yourself at first saying you are only going to use two notes, or you could only use two intervals, or chord tones etc. Don't forget to use dynamics (loud, soft, staccato, legato) and other techniques (hammer-ons, pull offs). Scale practice in itself can be a musical and grooving practice, you don't just have to run up and down them. I also practice my r/h fingering at the same time as this alternating between 2, 3 and 4 fingers.

WHen I want something i have it...money permitting.

I see...to be honest I would have been happier getting my 6-electric and fretless together, but adding the double bass doesn't bother me that much now. It really did though. Hopefully get it in a few days...we'll have to have a jam sometime if you are around the college over the summer.

I know, I went searching for 5 strings then realised I should be looking for a good one of these as I really like gary's sound and was goign to put a ramp on what i bought anyway. £350 including postage, can't go wrong*! *Unless I have been screwed!

Ah, see i knew I saw one somewhere. Yes that is me. Cool, sounds good on the recordings. Just need to get as good as fred now on the fretless! I have a quick question/s for you actually. Do you play upright? Did you ever play upright here? Were you made to feel like you have to play upright? Cause i have basically pushed towards it, not a problem now as I am really enjoying it, but i just wondered.

After realising that I wanted (I'm not going to pretend I need it) a new bass as my EBMM sub was not jazz enough in looks and sound and my Yamaha TRB6 being a bit too much for most. I had set my hopes on either a really good 4 string jazz as per a previous post or a 5 string singlecut tuned with a high c and ramp (matt garrison, janek gwizelda etc). I thought that the 5 was always going to be out of my price range. After the bass bash the main thing I came away thinking was, I want a fretless five tuned high c after playing petes...he wouldn't sell it! and i can't find the same anywhere, so last night I bought this of a german store: New for £350, with a couple of very very minor marks you can't even really see. I've got a few different sets of 6 strings sets on the way as well to try and get the sound I want also. I'll let you know what i think when it gets here and try and do a few sound clips. Anyone try one of these? Opinons?

A warwick streamer std 5 fretless not rock bass and not the expensive ones.....sell it to me pete....sell it.....

[quote name='NAS' post='18888' date='Jun 16 2007, 06:46 PM']ngombe and Mikey D for bringing the elegant Phil Jones suitcase and extension, that outrageous 7 string, and providing some of the most musical moments of the afternoon.[/quote] Thank you and it was my pleasure. Just want to say thank you again for hosting, it was a wonderful day. Next time, the ampitheatre! [quote name='beerdragon' post='18899' date='Jun 16 2007, 07:11 PM']Me playing umm.. playing something [attachment=723:bb2_011.jpg] A Yamaha six, (apologies some names i've forgotten) [attachment=726:bb2_015.jpg][/quote] The yamaha is a 6, the hybrid thingy is a wes lambe custom 8 If you want to know more or need to describe it to people [url="http://www.weslambeguitars.com"]Visit His Website[/url] That's me playing by the way! Great meeting everyone and trying out their equipment. Everything sounded great and was i surprised by many a thing...when's that fretless going on sale!?

See you soon...

With a more modern sound... Who's the best? Why? What do you think? What should I be looking to try? I'm looking and am personally being swayed towards something with the nordstrand J's and Audure preamp combo going by what a lot of people are saying, but i obviously want to hear this myself... A couple of options: Nordstrand [url="http://www.fender.com"]Fender? Crazy idea I know...[/url] [url="http://www.pavelmi.com/basses_jazzpro.php"]Pavel Basses[/url] Lakeland Sadowsky Or just buy the Nords and Audere and whack them in a jazz I like the feel of.

I have an old Legend bass (very cheap) that I converted to fretless and have been considering getting one of these and whacking in some new pickups also, probably some nordstrands. A lot cheaper than buying a new bass with them in, but they would probably be worth twice the actual value of the bass!! I look forward to actually hearing one of these soon.

I just had a thought...I didn't even consider effects units!! I have a Hughes and Kettner Rotosphere, a Pigtronix Envelope Phaser (EP-1) and an electro-harmonix Bass microsynth I can bring if anyone is interested in any of them!?

The warwick would be nice to try! Or even the trb2 to compare to my original trb.

He's playing the 30th of June in Birmingham, in Digbeth somewhere I think.

I started studying jazz last september. I had never touched an upright until then, but am expected to become as proficient on it as everyone else is on their 'first' instrument!! Still looking for my own to play though.

buckeye roscoe 6.......I need to get some money fast!

Either unplugged or through my guitar rig 2 and control pedal plugged into my Apple Powerbook.

I've been to two of his gigs now in Birmingham and both have been excellent. The whole band are mother [push in the truck]ers...neil charles on bass, Femi the guitarist is the happiest man in the world and troy the drummer plays some amazing [Top Ten hit].

And if you think you are owed any money because a recording you played on has been aired etc: [url="http://www.royaltiesreunited.com/rr/RR_FE.nsf/Search?OpenForm"]Search for your name and register...[/url] It's amazing who hadn't/hasn't received their royalties.

Check out the PPL who pay out performance royalties for more info. If you play on a track that is aired you are entitled to a cut (even though in most cases it will be very very minimal) [url="http://www.ppluk.com/"]PPL[/url] Also have a read of this for an explanation of royalties and how they are paid and when etc: [url="http://www.howstuffworks.com/music-royalties.htm"]How it works[/url]

I did mean just the "F bass", preferably Alain Caron model...but a nice fender will do!