Bankai

I was previously (and until I find a new rig) using an Ashdown head with two cabs, yet I moved to uni a few months ago and now have something taking up a lot of room, and without a car, something difficult to take anywhere. I'm after suggestions. 1. A small amp I can use for practicing and studio work. I'll then put my big rig away in storage where it doesn't get in the way and then only bring it out for live playing. Alternatively 2. A smallish amp that I can use for everything. Compact enough to sit here, yet loud enough to be perfectly fine for live. In this eventuality I'd be able to sell my big rig so would have a bigger budget. So I expect looking at about £100 for option 1 or £500 budget for option 2. I use Ashdown at the moment which sounds great, I really love the deep and warm tone, yet I really want something with a powerful rocky sound (with a good overdriven tone available as well), Ampeg and Marshall come to mind. So, your suggestions? Good links? I'm definitely going second hand, and if you happen to be selling something that'd be good then feel free to treat this as a wanted thread as well. The orange terror, isobaric setups do look tasty. Not sure if they'd be the right sound for me? I don't know what tone they give.

P-Bass J-Bass Rick Thunderbird Stingray. Those 5?

What are they?

Spent a day playing with the Fender again, and my fears were confirmed. I prefer the Ryder. The Fender has now been sent to live with a friend, the Ryder shall stay

They are a useful tool yet have a tendency to be used by teenage metal drummers who hammer constantly throughout every song with no dynamic control or fluctuation. Just constant beating. When used properly however...

gtfo, I use one

A double bass pedal is like a normal bass drum pedal, yet has a second pedal attached by a long arm, thus allowing a drummer to use one bass drum in place of two. They're used a lot by metal drummers who don't want to have to cart two bass drums around.

[quote name='muttley' post='1182602' date='Mar 30 2011, 07:11 PM']I remember in my teens my uncle lent me his Gibbo (G3?) which was lovely but it weighed a ton. Fenders don't do a lot for me I'm afraid. Nice to play but boring looks. I'd like a Warwick or a Wal but that will have to be for later.[/quote] If you like the Gibsons, then perhaps look at getting an Epiphone model second hand? Dare I say a Thunderbird?

[quote name='crez5150' post='756843' date='Feb 25 2010, 11:26 AM']I'm one.... but it tends to be the PA and Mixing equipment rather than whats on stage[/quote] This. And drum kits. uh gaod I love the cymbals!

I accidentally gave myself an insight in to how I feel about my instruments. My housemate offered to keep some of my basses in his room whilst he is away so that I have more space. My 4 basses are: Shine Extreme Series 5 Fender Jazz Epiphone Thunderbird Pro Ryder Precision I decided within a second that the shine can go behind the locked door as it never gets used. Then next I made the decision that the tbird would be staying with me, and then it was just a case of whether to hang on to the jazz or ryder. That was difficult and I almost found myself choosing the Ryder! But in the end I chose the keep the Fender with me as I want something that I don't mind other people using. Could it be? I prefer the Ryder... WUT.

I shall now be attempting to find just a normal one second-hand. Here goes nothing...

The PG range are just a cheap range of brothers to the proper SM series. PG58 to the SM58 for example. They'll be better than most rubbish you'll pick up and will be fine to use live, yet I would recommend putting your money elsewhere. Especially if you're buying for studio purposes. I would recommend getting [url="http://www.thomann.de/gb/the_tbone_mb85_beta.htm"]http://www.thomann.de/gb/the_tbone_mb85_beta.htm[/url] Effectively a ripoff of the Shure Beta 58, but VERY well done.

[quote name='alexclaber' post='1186310' date='Apr 2 2011, 11:27 PM']The cost of the raw neodymium in our drivers has gone from about £5 to £50 per woofer, in the last year.[/quote] WUT. What drove up the price!?

Potential deal? [url="http://cgi.ebay.co.uk/Trace-Elliot-V-Type-Combo-250w-Bass-Guitar-Amplifier-/150583333482?pt=UK_MusicalInstr_Amplifiers_RL&hash=item230f77526a"]http://cgi.ebay.co.uk/Trace-Elliot-V-Type-...=item230f77526a[/url]

[quote name='Happy Jack' post='1185095' date='Apr 1 2011, 06:42 PM']you should have no problem sourcing a pre-owned SM58 or similar.[/quote] The trouble is finding a genuine one and not a fake.

I'd recommend using Firewire drives personally

After speaking to them for the past few weeks, I just got another email from them. Gibson don't do customs for their basses. AWWW SHIIIIIIIIIIIIIIIIIIIIIIIIII

Indie Guitars. Their gigbags are very good.

[url="http://cgi.ebay.co.uk/RICKENBACKER-4003-BASS-GUITAR-JETGLO-MADE-USA-/160560050145?pt=UK_Musical_Instruments_Guitars_CV&hash=item25621fefe1"]http://cgi.ebay.co.uk/RICKENBACKER-4003-BA...=item25621fefe1[/url] Not sure of their usual price but that seems pretty cheap.

[url="http://www.andertons.co.uk/bass-guitar-amps/pid20612/cid561/ashdown-klystron-500-full-stack.asp"]http://www.andertons.co.uk/bass-guitar-amp...-full-stack.asp[/url] Not my cup but seems a good deal.

[quote name='joegarcia' post='1176022' date='Mar 25 2011, 03:19 PM']You want mids and highs from the mic and the e602 scoops loads of the important mids out. Check it's frequency response: [/quote] Interesting. I go the other way round; relying on DI for clear and articulate mid/highs and then mic for POWERAWESOMENESSBLOWYOURFACEOFFBASS. Hence the e602 choice.