ern500evo

Even my old 8x10 wasn’t as difficult to move as people might think. Stairs were obviously the last thing you wanted to see, but just loading it into the car, and out at the venue and wheeling it in, was pretty easy. Would I want to go back to it now? Probably not, but only because I’ve been spoilt by the BT2. I think you’d be surprised at how easy you’d find it to move that Six10 around. It’s featherweight compared to old big cabs.

The old days of humping 6x10 and 8x10 cabs around. My back hurts just thinking about it!

I lugged an Ashdown 8x10 around for about 2 years, humping it in and out of my hatchback car on my own. A Barefaced six10 would be a breeze in comparison! I think you’d find a little less sparkle than you have with the BB2, but the ABM has suck a great eq that it would be easy to find what you’re after. Even more so when you add the Photon in. I have a X Ultra, and I’m sure I could wind the crossover on the BT2 right back and still get enough sizzle easily enough. Bass wise, I’m using a Sire V7 active jazz, a Warwick Streamer Stage 1, and a Yamaha Attitude ltd 2. What I’m finding at the moment is that I love the sound of this amp with no pedals engaged. Doesn’t work for every song, but it’s still very satisfying to know that bass into amp sounds so nice

As far as I’m aware, the Barefaced 10’s have a more vintage/warmer voicing, and the 12’s more of a modern hifi voicing. I also considered changing my BT2 for two 210’s at one point, just so I could use one for smaller gigs and rehearsals. Ultimately I decided that the BT2 is easy enough to move and the footprint would be no smaller, plus, I’ve never used the BT2 with any amp and it not sound fantastic. The six10 is a great cab. Personally I prefer the black metal grille and old logo, so the BT2 is perfect for me

That is one classy looking rig!

I know what you mean. I aways used to have a drive pedal of some sort, engaged most of the time. With the Evo4, I also just love the sound of a bass straight into the amp.

The ABM600 is a cracking amp, I’m loving mine so far, but, if you’re using one of the programmable Darkglass pedals like the ADAM/Photon/Infinity, do you need an amp? If the pedal is going to be always on and taking care of all your tone shaping, you could just use a small power amp.

Sounds fantastic, even though I don’t really use it all the time. To be honest the X Ultra is way overkill for what I need, I only really crank the distortion on a couple of songs. For a low gain drive I tend to use the EBS pedal more. For me though, the XU is the best pedal they do. You can really fine tune the drive to suit your needs.

This was the set up for tonight’s gig. I actually used the Sire V7 for a fair bit of the set, but have to say, the Warwick sounds so good through the ABM and Barefaced

If they produce a hyperdrive in a much smaller enclosure, I’d buy one in an instant. I love mine, but it’s just too bloody big!

Picked up a dual gig bag from Simon today. Absolute pleasure to deal with. Was worth going to his house to collect, just to see some beautiful parts of the Cotswolds! Would highly recommend Dealing with Simon

The Evo4 was bought to replace my EBS TD650, but this happened before I’d bought it

I showed the pic to Mark Goodhay, he said to email the pic to Dave Green and see what he says. I’ll see what Dave comes back with, and see if it’s economically worth repairing

I have a Darkglass Microtubes X Ultra on my board, which I can use as a Di in emergencies. Had to do it recently and with the cab sim on, it was fine through the PA. If I wanted something solely as a back up, I’d be tempted to get a used GK MB500 to keep in a gig bag

Think I may have found the cause of my ABM500 going pop!

I’ve always used steels, but I put a set of Dunlop super bright nickels on my Dingwall just before I sold it. They actually felt quite nice

It just sounds more alive. My 500 is a very early model, so I’m not surprised the 600 sounds better. To me it sounds much clearer, with a great clean tone. The 9 band eq makes it easy to fine tune your tone.

Used the ABM600 for its first proper gig last night. It sounded fantastic. I can’t believe how much different this thing sounds to my old ABM500. Definitely pleased with this one so far

Might have to give them another whirl. Like I said, I’m sure it was maybe just a duff batch. I do like the brightness of Pro Steels, they sound a little bit scooped but that can always be overcome with a little eq tweak. I’ll see how these EB hybrids go and maybe give the Pro’s another try

I’ll give them a try. Just put a set of EB hybrid slinky stainless steels on, but I’ll add the red labels to my list of strings to try

Funny you should mention Dunlop Super Brights, I’ve just taken a set off my Sire bass as they were completely dead. Checked my emails to see when I bought them, beginning of September. I’ve used my Yamaha on a couple of gigs since then, so by my reckoning the Dunlops have done 3 gigs and 3 short rehearsals and they are completely shot already.

One of the reasons I stopped using Rotosound steels, they seem to be very harsh on frets!