Boodang

https://www.bluearan.co.uk/index.php?&category=Speaker_Building&masthead=Speaker_Plans&subheadnew=Bass_Reflex_Sub A lot of speaker manufacturers have cabinet designs to go with them. If you just use random dimensions it won't match the performance specs of the speakers. Don't try and work it out from scratch, use a tried and tested design. Just as a generality, I've found ported designs to be louder than sealed.

Pictures?!

I could be judging a book by it's cover but the Atomic seems like it's trying too hard to be a darkglass clone. I'd give it a miss just for the marketing b*ll*cks 'digital vacuum tube'!

I've discovered so much more new music as a result of streaming, so top bananas for that, but anything special gets bought on vinyl, if it's available. I've never been sentimental about CDs and have none left, but vinyl I've kept.

The 'philosophical' reason I like vinyl (which only applies to pre digital recording); sound pressure waves are converted to an electrical signal by a microphone which is represented by lumps and bumps on a vinyl groove,, a cartridge then converts them back to an electrical signal which is amplified and moves a speaker diaphragm to produce sound pressure waves.... the process to listen to the music being a reversal (well, in principle anyway!) of the recording and all analogue. With digital your are listening to a chip generating waveforms from a data stream. So when I play my Miles Davis vinyl I close my eyes and there's, philosophically, less of a disconnect between me and artist!! Admittedly it's a zen thing and in no way is related to the quality of the reproduced signal!

For control knobs it's the dual stacked volume/tone which I prefer to vol/vol/tone, with a series/parallel switch for added versatility. And rotosounds obviously. As for pickguard, I'm afraid I like tortoiseshell.

Piccolo basses maybe?

My latest vinyl purchase. The Hobbit in 4 LPs (apparently an unabridged version would have run to 18 LPs). Who remembers Nicol Williamson? Great actor.

Ah, pre-caffeination! Funny you should mention that as project B has taken on a life of its own already and we've settled on a 2 over 2 headstock with mahogany/ maple laminated neck and extended rosewood board that also doubles as a finger ramp. Very off piste to where this all started!

Spotify and the like is great for discovering new stuff and play lists, but nothing quite like vinyl to make you listen to an album the way the artist wanted you to hear it, in order with an A & B side.

As I said, I agree with you about the alder wood and I think this body is going to be project B. But out of interest, I can understand this particular body not being someone's cup of tea but nice woods, ergonic shape.... horrible?!

Yep, the epoxy is important and the neck is being made with that in mind. As for playing like Jaco... well that's never going to happen for me. If the resulting bass every produces that Jaco sound it'll be because someone else is playing it! And for those wondering why the hell I want a Jaco style bass when I don't want to/can't play like Jaco, it's purely because I like jazz basses and inspired by the philosophy/marketing b*llocks of SD I feel like putting together a bass to match the pickups. What's more interesting is why I feel 'connected', if that's the right word to these pickups given that Jaco is not a great influence on my playing. But there's something about Jacos life and approach to music that resonates and despite anything else has always drawn me to him. Not sure what it is, maybe it's just the immense talent and uniqueness coupled with his tragic story. And watching the 'lost tapes' documentary recently is responsible for me getting these pickups and kicking off the project.

I'm sure there's a fair amount of cynical marketing tactics by SD with these pickups but on this occasion they've reeled me in hook line and sinker and I'm prepared to suspend my cynicism and be in complete fantasy land.... I will believe in the power of Jaco pickups!

I totally agree! To a certain extent the project is going a bit off piste with this body but I like it so much I have to have it. Having said that talking over neck options for this body and i can see it going in a different direction, so I think there might be two basses coming out of all this!

The DiMarzio J's are good but I like single coils. And with the use of a serial/parallel switch on a jazz I can go from single coil to humbucker, so to a certain degree, best of both worlds.

So, getting ahead of myself here but asked my local luthier about making a '61 spec neck and here's a body he can attach it to. So, '61 neck, Walnut/mahogany body, Weather Report pickups.

I grew up with vinyl so for me it's a nostalgic thing, so I'm a bit biased. To be honest I don't care which medium (cd, tape, vinyl! Blah blah) is the ultimate, so long as it's good enough. Hell, mostly I play spotify download through a getto blaster with no stereo separation, so that's my benchmark. But I like the physicality of vinyl, the fact that I'm not going to randomly skip tracks and listen to at least half an album before switching off. It's literally a more physical medium. And there's more room on an album cover art!

Brazilian rosewood might be a bit difficult to obtain these days, but it will be rosewood of some kind. And I hope, being as this whole project got started around the Weather Report pickups, that they'll be very good.

Glad it's inspired some GAS!! If you like envelope filters you'll like these. I was trying out envelope pedals to see which I liked best but each one did something different so now I have these two and the Fwonkbeta on my board!

Once the pups catch up with me and my heavy baggage in my new location I'll install them in my Squier jazz fretless with the resin fingerboard and post some clips. In the mean time I'm commissioning a jazz from my local luthier specially for the pickups. Not quite period correct for the Jaco thing but I quite fancy a '61 spec neck with a slab board and 1 7/16" nut.... and of course an epoxy finish on the board.

As it's a 'rather tasty looking Overwater' how about a pic!

Just looked up the Atomic Bass Box.... what the hell is a 'digital vacuum tube'?! Is that an iTube?!!

A TC Electronic Spectracomp is great if you're undecided as it's a cheap but powerful 3 band unit with loads of toneprints and you can use the tone editor if you want to go deeper. That way you can experiment with all types of settings to see if any compression types float your boat. Between the toneprints and the tone editor, if you can't find a setting you like then comp is not for you, but I'll bet you'll find something in there you'll want to keep even if it's to use as an effect rather than always on. I'm currently running two, one set up for bass guitar and another for EUB.

Sansamp VT di if you want straight SVT tones. TC Electronic Spectradrive if you want a pre with 4 band eq and toneprint compressor and drive circuits. Plus the latter makes a nice practice preamp as it has a headphone out and mini jack in.

I always thought the fretted Westone's were decent but the fretless versions were exceptional.