Beedster

Watching this thread with interest 👍

Yes I see things very differently sorry

👍

There really are worse things that can happen, this outcome was inevitable and preventable

Fool me once, shame on you Fool me twice…..

That would be welcome Ped 👍

Well there’s a story………..

Tasteful post well done

Accordion is a beautiful thing in the right hands 👍

And that's another truth of it

That's about the truth of it

Is it a new instrument? Looks like someone bought a decent Nash relic and tried to take it the extra mile with their power sander. Otherwise that was a very long and boozy Friday at Nash

That's my impression, aside from a few discussions as to the merits/faults of the design and process, I don't recall anyone discussing ownership (and the reality here is that if someone owns a bass there's a good chance that same person will - at some stage - sell that bass, and I've not seen one for sale either)

Very nice units, I gigged mine a lot and it always sounded lush

RONSON

Surprisingly causal

Swearing test shit w**ker guitarist c*** arse bollocks singer......?

That reeks of privilege 😁

Very very nice work @PaulKing

Chocs will eat anything 🤔

Yes, never seen a reason to change and I like that it’s easy access across all mine and my family’s devices. As per @ped post I like the album model

There is a visceral response to high SPLs and the lower the frequency the greater the response, so yes, big bass cabs on stage have a real effect. But I doubt there's any longer a case for saying you can't get the same tone via other means, both sides of the equation - signal processing and amplification - have just moved on so much. And that's ignoring the negative effects of high SPLs

Yep, fair point 👍