Thanks @Woodinblack
I've opted for a more portable recording system using a UAD x4 so the X8P is available for sale once more. I may also re-list the Softube units, I'm not sure if I'm going to keep them and use with the x4 or whether I'm going to stay in the box from now on 👍
I gigged my '73 the other night, and couldn't escape the sense that it really did sound better than the more recent instruments I've tended to gig. Couple of comments along the lines 'That bass looks like it could tell a story or two' also, which is always nice. Funny to think it probably did it's first gig before the World had heard of Springsteen......
Great video, I loved the insights, the stand-in keyboardist playing havoc with the bass octaves was classic
Great lesson in monitoring DB also, give yourself mostly the simple less toneful signal so that you can hear very precisely what you're doing and send more of the complex but nicer signal to the audience 👍
Yes, while the sudden urge to nip down to the shops to pick up some Barts and an Overwater is understandable, I suspect that brain and fingers are the real active ingredients for the tone and technique
Quite a relief to discover that it's not just amateurs like me who do that! As Ian suggests, IK for Pizz but a lot more useful for Arco, but for either a great way of checking especially on noisy stages
Beautiful bass but had a strange sense of confusion that took a few seconds; Precision ashtray
But in all seriousness, that's a najor bloody bargain at every level of scrutiny. GLWTS
Totally agree, he's a classy player not just in terms of the techniques he's able to call on, but in terms of when and how he chooses to calls on them 👍
But…….
What they’re listed for and what they sell for are not always the same.
IMO I paid over the odds for my ‘73 at £4k inc OHSC. £3k of that was logic, the last £1k was emotion, because it very much ticked every box I have re finish/mojo/wear/board etc. Buying from an established and trusted business also brought some extra cost but that coat bought extra security to the transaction. No way I’d go £3,500 on that ‘72 without a LOT of initial affection for the instrument backed up by a lot of evidence and assurances from the seller.
I had exactly the same on a quite nice but could have been nicer 70’s Precision, tone with BBOT suggested Badass might be a step up, but quite the opposite, to my ear anyway, seemed to compress the tone somewhat…