risingson
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Everything posted by risingson
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[quote name='JellyKnees' post='1153886' date='Mar 8 2011, 02:47 PM']20 odd years ago there were loads of pubs and a couple of clubs in Wirral that put original bands on. Now there are bugger all, but there are loads that put covers and tribute bands on. Some of them are the very same venues. Maybe it's different in other areas, but I can only go on my own experience of the local music scene. Tonight Matthew, I'm going to be...[/quote] You ever tried going to Liverpool? Be realistic, the Wirral is mostly residential with no discernible musical backbone, where as 5 minutes across the water from you there's a wealth of live original music every night, just go to The Shipping Forecast, The Zanzibar, The Picket, The Masque, Bumper, The Magnet, The Static Gallery, Envi any night of the week and those really are just for starters. Tribute and cover bands might provide some brief flash in the pan entertainment in a lot of the live music venues on the Wirral, but they certainly don't kill off the desire for original live music (that's complete rubbish), and besides which there is near enough zero demand for it on the Wirral anyway.
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Deleting posts and provenance of equipment sold on BC
risingson replied to Beedster's topic in General Discussion
Chris, I put the 'please delete' thing because I'd seen quite a few other people do it recently. I haven't done it on any other items I've sold in the past but this was purely by chance, nothing sinister involved, however I do feel like I should clarify this point seeing as you were 'suspicious' of what was going on having trawled through my earlier FS threads. What I will say was perhaps on some level I wanted to see the back of my FS thread as it had been a bit of a nightmare, though it still wouldn't have made a difference to me whether the thread was deleted or not, not even the slightest. I was simply following the example of what others were doing, figured it could be a space saving exercise but I guess not. Anyway, enough. We've discussed the ins and outs of my for sale thread and I think it's best left there, so I won't go into details (I didn't PM you back last night after my initial message not because I was ignoring you, I don't ignore PMs, but I didn't really think there was anything left to say seeing as the bass was sold and it wasn't to you). Once again, if I'd known it would have kicked up such a big fuss then I wouldn't have bothered, believe me, and there really isn't much more to say on the subject. -
Didn't Will Lee have the pleasure of playing with Sir Paul himself? Most Beatles cover bands from my area (Liverpool, and there's a lot) don't get that sort of privilege.
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[quote name='warwickhunt' post='1152016' date='Mar 6 2011, 10:52 PM']Memory isn't what it used to be but... did you ever suss an accurate weight for the bass?[/quote] Hi Warwickhunt, sorry it's not like me to forget something like this! The bass weighs in at a little under 12lb according to the old bathroom scales. It's a heavy mofo but still very comfortable with a nice strap. Hope this helps.
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[quote name='Fat Rich' post='1150421' date='Mar 5 2011, 11:41 AM']Wading straight into a lot of theory can be off-putting to beginners, it's good to get some instant gratification from learning to play an instrument. But I think once you've got past that stage it's time to start learning properly.[/quote] I've said it before, a young person taking up bass isn't interested in theory 90% of the time, they're interested in just playing their instrument as fast as they can and getting in a band so they can get some girls! I was like this until I was given lessons two or 3 years into playing my instrument. There needs to be that initial emotional connection with your instrument on the most base level before you go about tackling the theoretical side of things with a teen.
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[quote name='bubinga5' post='1150181' date='Mar 5 2011, 12:56 AM']i know i was in shock.. very lucky. i think its time to A, get a brain, B find some sort of hard case/bag for it... any ideas...Dont Aggy do a single rack case of sorts?[/quote] Just buy a cheapish rackcase and rack ears for it BB, check out the flightcase warehouse. Brands are overrated in the flightcase field IMO, you don't want to be paying over the odds for something that does exactly the same for half the price. You might even find one cheap second hand.
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[quote name='chris_b' post='1150061' date='Mar 4 2011, 10:31 PM']I'm playing this one tomorrow night for the first time! It's a great bass line, Nate Watts doesn't let up for a moment! [/quote] I absolutely love that bass line, it's one of my all time favourites.
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There was an advert that Eden did a few years back, a guy's studio had gone up in flames along with all of his gear, including his WT800 head. The thing had been totally grilled; it was badly charred, and the knobs on the amp face had melted. Apparently though (according to the advert) the amp worked perfectly when he switched it back on, no problems. It's just got to be a testament to Aguilar's build quality that you didn't completely mince it underneath your car!
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I know how frustrating this can be from personal experience but you've got to keep your head about it. If people are messing you about I think it's just a case of firmly telling them that they're taking the p$ss, in the politest way possible of course. As for people that don't end up replying to messages it's really maddening but then I suppose the lack of communication is telling of the sort of buyer that they are, and I wouldn't want to be selling to them anyway. It's a really lovely bass at a spectacularly reasonable price, and it's a real shame you've had problems, especially considering the deal you'd be getting if you bought it.
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[quote name='BigRedX' post='1146936' date='Mar 2 2011, 11:38 AM']But manufacturers like Lakland, Sadowsky et al are simply Fenders for people who don't want "Fender" on the Headstock, but do want something better in terms of QC.[/quote] Dolphin Liverpool and Dawsons are high street music stores, and it's been proven that Lakland didn't sell in either store because the majority of people haven't heard of them, quality control doesn't really come into it because whilst you or I might know these brands to be better in terms of QC, a lot of other people don't and want a brand they are familiar with, i.e. Fender.
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Agreed. A basic musical knowledge is incredibly important, why shun it? It's like shooting yourself in the foot.
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He is an incredible player.
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[quote name='MythSte' post='1145768' date='Mar 1 2011, 02:14 PM']I was in Dawsons the other day and I had a go on the new Fender American Special Jazz they had in there. Lovely bass it was as well! I asked them what the best price they could do it for would be and the guy said he couldnt move on Fenders as they made so little money on them, the only reason they stocked them was so that people would take them seriously because "everyone wants a Fender". Is there any truth in this do you think? He was a nice chap otherwise and I dont think he was being a douche![/quote] Dolphin across the road will tell you the same thing! I don't think everyone wants a Fender (otherwise brands like Lakland wouldn't exist in the world of bass) but it's certainly true that Fender sells because it's a household name and I'm sure that Dawsons and Dolphin will show a high ratio of Fender/Squier sales in direct comparison to other brands, thus making up a lot of the respective shop's turnovers.
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Have been listening to The Detroit Spinner's 'It's a Shame' recent. It's a hell of a bass line from Jamerson and a complete bastard to get right!
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Failing to note dynamic changes/playing dynamically in a band context are really basic flaws in technique, I can't really play with musicians that don't observe dynamics for too long.
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[quote name='JPS' post='1142382' date='Feb 26 2011, 02:47 PM']Siddx I was just thinking the same. It is deeply impressive on a technical level, but often frighteningly dull on most others (and that's not just because I can't play it). Honest! Still there's room for all sorts of music (and opinion) and the bass would be pretty limited if we all played root and fifth below the seventh fret I guess. Ironically I can listen to Coltrane, or Sony Rollins et al for ages quite happily. The solos just seem, well better constructed, more interesting and engaging.[/quote] I think it all depends on (dare I say this? I think I'm going to anyway, please no one shout at me) whether you value the bass guitar as a solo instrument! I don't value bass guitar solos as much as I do soloing on sax or trumpet because I think the range, tonality and sound of both the aforementioned instruments suit a solo performance, something that I don't always think is true of bass guitar. I was listening to Sonny Rollins the other day, he's probably my favourite sax player. His solos are quite understated in parts and show notable amounts of restraint, yet he can still manage to 'say a little and mean a lot'. I would argue that when a bass player solos, it can often feel like more is required technically or musically in order for a sustained listener interest in the what's going on.
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Certainly knows his stuff! Might try and jam over that chord progression later, sounds rather nice.
