fergs40

Google translate strikes again. With apologies if the intended humour has just gone over my head, I’ll defend the seller’s entirely appropriate use of the German word Koffer in this context to mean hard case (as well as its more common meaning of suitcase). Though maybe I shouldn’t be tangling with someone with self-confessedly big hands…

https://www.bassic.de/kleinanzeigen/fender-player-2-jazz-body-mit-player-2-precision-hals.61918/ Came across this in the bassic.de small ads - a jazz body with a precision neck. Now I’ve often come across precisions with jazz necks - people want P thump with a slimmer neck, of course - but never seen this combination before. is this a thing, or just someone selling off the spare parts from a precision body/jazz neck transplant as a complete bass? Google’s translation of the ad below, FYI. ‘Fender Player 2 Jazz Bass Body with Fender Precision Neck . The neck is from a Fender Player 2 Preci and has a saddle width of 41.3 mm. Unfortunately, I no longer have a bag or suitcase to hand in. There is a second pickguard included. Condition is very good would even say almost like new. Has never seen a stage. Had the bass only once in the rehearsal room to test. But jazz sound is unfortunately not for me.’

Yes, what he said 🙂

I may be wrong, but isn’t the amount of silk showing at the tuner not completely dependent on the length of string from bridge (or ferrule if through body) to the tuner? Having more string wound round the tuner will make no difference to that - no?

I previously recounted the tale of my Vigier Excess on here - despite An Post’s best efforts to mess things up, Ishibashi went above and beyond to make sure the bass arrived with me safely. I’d not hesitate to order from them again.

I had one of these (though - probably - not this one: picture borrowed from Gumtree): Like many here, it was the mid-80s and affordable options were many fewer than now - I think I paid £90 for mine second hand from Musical Exchanges in Brum (IIRC). No, it wasn’t a great amp. Not anything like as loud as it looked like it should be (that well-known measure of sound output…), but turned up full and with my Thunder 1A’s preamp set to ‘maximum bass’ it was great for playing the bassline to Peaches. And it had a thing called a parametric EQ, which I didn’t really understand but nonetheless believed to be frightfully clever. Ah, happy days. I’ve no recollection of what happened to it - I don’t remember selling it, but, equally, how does one lose such a thing?

I would love to believe that some studio trickery was employed and that Mr Watt-Roy’s efforts were ‘assisted’. But this video suggests maybe not: Back to the metronome…

Running any sort of physical run-of-the-mill shop, never mind a musical instrument shop, these days seems highly risky to me. You really do have to present a good reason why your potential punters shouldn’t just shop on Amazon/Thomann/insert online behemoth of choice here. I spent three years living in Berlin recently - somewhere you might imagine as the very archetype of a place that would need a decent generalist music store to support the many and varied creative musicians living in the city. And when I was there it had one: Just Music. Four or five floors of everything you and your band might need. Staffed by the usual mixture of people who made you feel you were wasting their time and people who genuinely felt like they wanted you to succeed. I bought a lot of strings there, though never an instrument. And I was really sad to hear that they’d gone under a few months after we left the city. Read the message on their website: https://justmusic.de For those that don’t speak German, it essentially says, ‘we tried, but you didn’t spend enough money here instead on with the big online sellers’. They’re not blaming us for that, just pointing out how it is. And so it goes.

Yes!! I can get up to somewhere between 95 and 100 bpm on Rhythm Stick depending on the day. And I feel like a bass god! I enjoy playing this bass line, I completely appreciate its genius. And then I try to play along with the track, and curse my stupid clay feet…

For the amount of money we’re contemplating here I suspect you could make either (or both!) happen whatever the catalogues say…

With your copper flap you are the artisan sourdough to my sliced white pan of modding! And yes, it’s confusing enough (though logical in its own way) trying to work out what the controls are, especially if you’ve ever played a Les Paul or similar, so the labels are very useful. Plus the new (though old!) style knobs don’t look quite right - not substantial enough or something.

Been meaning to do this for ages having read @Jean-Luc Pickguard‘s thread on his new 4003, and finally got round to it yesterday. All very straightforward. My biggest concern was whether the copper would show through the pickguard from the front, but I can’t see any sign that it has. Maybe the bass being fireglo helps with that? As per @Hellzero’s advice in my first shielding thread, I made sure to connect the shielding in the bridge pickup cavity to the main control cavity. The only problem I ran into was that when I initially replaced the pickguard and output jacks and then checked for a signal, I didn’t get one. Turned out that the cutouts for the jack sockets are so tight that some little ends of copper tape that I thought I’d tucked safely out of the way were grounding the output signal. Removing any tape in the cutouts solved things. Results? Much quieter. Not as silent as the Westone became, but I wasn’t expecting that (I believe the Westone is effectively a P pickup, so cancels its own noise to some extent?). Overall, very pleased. While I had the thing apart, and in what some will no doubt consider a retrograde step, I replaced the Hipshot bridge I’ve had on there for the past few years with the original - call it nostalgia. I was also interested to experiment with the mute system again, and having given it a subtle bend before replacing it, it now mutes all four strings much more evenly than before I removed it. New set of Thomastik IN345 strings and all is good! Some pics below of the shielding and the finished article. I forgot to take a picture of the bridge pickup cavity, but it’s the same as the rest of it - I brought the tape slightly over the top of the cavity to make contact with the pickup surround. PS I was a little bit sad to be covering up the serial written in the control cavity. But, hey, the price of progress…

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My first bass was a Hondo II bolt-on Ric copy, and I also experienced the neck pulling forward as described. Luckily the guitarist’s dad was ‘handy with wood’ and sorted it with some suitably impressive wood screws. The bass then took its revenge by turning the impressive tail-lift into a full-on crack behind the saddles, leading to the end of the bridge parting company with the bass without warning - had it not been restrained by the strings, the high speed lump of metal might have killed somebody as it flew through the air. Thankfully the guitarist’s dad was on hand with some more heavy duty wood screws and on we went… I often think those starting out these days are more blessed than they know by the existence of Harley Benton and their ilk.