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Obrienp

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Everything posted by Obrienp

  1. @dmccombe7 Lugging the PA doesn’t help! Fortunately we have gone down to using 2 column PAs, one of which belongs to me and the other to the drummer. I have also reduced the size of my rig: now down to either a BF Two10, or LFSys Monza and class D head, depending on the size of the gig. I do lug the monitors as well though. Congratulations on how well your glam band is doing. I would be overjoyed if we had that many gigs but I’m sure it has its drawbacks as well. I agree with you: if it becomes a chore then it’s time to walk away. At the moment I am the one who wants to go on playing when the others are looking at the clock and mumbling about having done our contracted time.
  2. I feel like that. Less than 2 years to go and arthritis in my left hand is not getting any better. I will do any depping on offer and get very frustrated when the bands I am in don’t have gigs (like now). However, I did 5 gigs in 4 days in July last year and ended up in hospital. I was ill anyway but doing too much pushed me over the top, so I am trying to moderate commitments now.
  3. Looks like you have done pretty well so far this year, judging on your posts! I haven’t had a gig this year in either of the bands I play in but that has more to do with various of us having medical issues and people taking trips abroad. Lack of communication on the other hand isn’t great. I wouldn’t jump ship though. If you really need cash, there must be plenty of other bands who would welcome an experienced bass player with existing commitments. Depping is also a good way to go IMO. You will probably have to learn new material and you get to play with other musicians, which is very rewarding (again IMO).
  4. Ooh! Thanks for the suggestion. That way I could put my DP145 (mudbucker) in the neck position. To get completely carried away, I could also put my Glockenlang 2 band preamp with blender control in. Just a little route in the back for a battery box and perhaps a tele style jack socket in the side bout. As you can probably tell, I’m easily distracted!
  5. Thanks for the reassurance and encouragement. WRT sanding the neck, I would do that if it was a cheaper Far Eastern job and I have done that before but this one cost about 5 times as much as the new body. I want to retain its resale value, so I think any surgery will be done to the neck pocket. I am with you on simple solutions. I don’t have a router. I have considered getting one but I can’t see it getting enough use to justify the expense. I would want to get a soft start unit and they tend to be much more expensive. I have found a combination of Forstner bits, sharp chisels and sand paper good enough to do control cavity and pickup routes (not to a level a professional would be happy with). For this job I guess it would be files and sandpaper but I will see how the parts fit together first. If the gap is not too bad and the intonation isn’t a problem I will leave the body alone. I might use a bit of wood filler to fill in any unsightly gaps but I also need to leave space to get a screwdriver in to adjust the truss rod, as it is heel mounted. I put a little groove in the ‘51 body at the end of the neck pocket to facilitate adjustment. I might do that here too: cheaper than buying the Stew Mac Telecaster truss rod tool.
  6. @kodiakblair Many thanks for the advice. I’ll see how far out it looks when I pair up the neck and body. Many thanks for the advice on how to do the surgery. I will use that method if it comes to it.
  7. Interesting. Not bad for fixed neck as well. I wonder if they vary but a friend said his was over 4.5kg and he had heard of heavier.
  8. Reviving this thread because I am about to try fitting my ‘51 p bass neck (All Parts licensed) with the square heel to a pattern split P pickup ash body (Gear4Music), which has the rounded pocket end. The body is in the post, so I haven’t had a chance to match them up yet but the general dimensions sound alright. My question is, how much reshaping of the pocket do you have to do? Does it have to completely match the neck heel, or is it OK to do enough to get it to seat, leaving a semi-circular gap between neck and body? Is there any reason why the gap shouldn’t be filled with regular wood filler, or should I just leave it? I am guessing that I might have to mount the bridge a bit forward of the pre-drilled mounting holes, if I leave a gap between neck heel and back of the pocket. I will measure carefully to see where 17” from the 12th fret lands. I am going to use a Fender high-mass bridge, so it might have enough travel to not need this adjustment. Anyway, any advice and benefit of experience gratefully received. BTW, the reason I am doing this is that the ‘51 p bass bitsa I had the neck on has an Obeche body. This is very light and easy to work but not dense. The consequence seems to have been that it sounds unacceptably bright. I have tried both a Jess Loreiro (not sure I spelt that right) and Seymour Duncan Quarter Pounder ‘51 P pickups in it. Both sound really clanky and brittle, with very little bottom end to speak of. I also have a DiMarzio DP145 Will Power pickup in the neck position and that sounds bright for a mudbucker style unit. Consensus of opinion over on Talk Bass was that the Obeche body was the culprit. I didn’t want to spend the amount of cash required for a ‘51/‘54 body in ash, so I went for one of the cheaper split pickup options. I have a Tone Rider TP1 from a previous project, so this is quite a low cost experiment for me. Another aside: I almost exclusively play medium and short scale basses with Jazz style necks these days, because of arthritis in my left thumb and short fingers. Bizarrely I find the massive ‘51 neck (43mm nut and deep profile) quite comfortable, whereas I struggle with more modern P-bass necks. I’m not sure what the logic is in that! The picture is the donor bitsa ‘51.
  9. Some might call Rickies medium scale at 33”. Personally I think that is a push. Aren’t they incredibly heavy? I don’t think I am ever going to find out now, as they are just too expensive for me to take a punt on. However, over on Talk Bass quite a few people have said the Nordstrand Acinonyx channels the Rickenbacker vibe. I wouldn’t know, not ever having had a Rickenbacker but I do enjoy the Acinonyx.
  10. Not to diminish your experience in any way and I hope your situation improves very soon but to balance out, I just had a good experience selling a bass on Facebook Marketplace. I had the add on several groups, so I am not sure which one it was that hooked the buyer. Anyway there were some possible red flags: he lives in Spain and had me courier to a UK address (his outlaws) but he paid directly into my bank account, so I have the money and he just contacted me to say it had arrived safely and on time (unusual for Parcel Force) and to thank me. I was, however, contacted by another buyer who offered me more than the advertised price without any prompting from me. Said he was a collector of this particular bass variant (find that doubtful). Fortunately, I had already accepted the offer from my buyer (asking price), so I was able to turn him down. Maybe he was genuine but fortunately i don’t need to find out. I understand that this approach is a common start for one of the scams. Apparently it can involve PayPal and someone (not the buyer) turning up to collect it. They then raise a dispute through PayPal that they never got the item. PayPal refunds the money and you are left with a 100% loss because you can’t prove it was collected by the buyer. There is a way to get a receipt on handover through PayPal but “not a lot of people know that” and I think it requires cooperation from the collector.
  11. I always live in fear of cabs dying. I take a spare head but usually it’s just the one twin, or single cab depending on the venue. If the cab goes, I’m left with just a DI to front of house. Having two cabs go is really bad luck! Good to hear the gig went well despite the technical issues!
  12. Two LFSys cabs! No trouble hearing yourself then I suspect. I’ve yet to gig mine. What’s your verdict on them in action?
  13. Thank you. It is a nice bass and I am reluctant to part with it, so if it hangs around too long, I might just withdraw it and pull the frets to make the fretless I am after. I’ve not summoned the courage yet though, so it’s still available folks!
  14. What’s a 4D bridge when it’s at home? Four dimensional? Sounds a bit sci-fi but I’m struggling to think what the fourth dimension could be. Just looking at the body shape, I get the feeling neck dive could be a problem. Really not sold on the looks TBH but great to have more choice in shorties though, even if it comes at a price!
  15. These posts are triggering me back to the Network Administration courses I did many years ago, back when Sun were a big name and Unix ruled 😱. I am so glad I moved into application development, then project management and finally technical sales for application services! Haven’t we got a little off the original topic here?
  16. Interesting; so just refuse to handover until they scan the QR.
  17. It seems like nothing. I guess you could get them to sign a receipt or get the handover witnessed but whether PayPal would accept that as proof…….?
  18. Sorry, I couldn't stick it out to the end (I haven't got that much of my life left to waste) but based on the first half, they also seemed to have essentially the same idea. Now that might have been caused by the underlying theme they were jamming to but I was hoping one of them would come up with something different melodically, rather than just different versions of the same parlour tricks (harmonics, rapid percussive slapping and bending the neck mostly). BTW I'm not against this kind of music per se but it only took the keyboard player's intervention to show how little the bassist were actually developing the theme. At least with one of Eric Clapton's Crossroads line-ups the guitarists do display genuinely different approaches to soloing (well mostly, some fall flat on their faces). However, to be fair to these guys, in a genuine band performance, they would probably do one of these solos once in a whole tune and in that scenario it might sound genuinely fresh. A string of bass solos is bound to make the audience lose the will...
  19. Yep. It’s a bit like all the mad guitar shredding and tapping in the 80s and 90s. Amazing technique but does it pass the “so what?” test.
  20. I’ve just watched MonoNeon doing the same on YouTube and I came to the same conclusion. However, some of his straight forward funk/jazz stuff is very good. I really don’t get the image though. I guess dressing up like a tea cosy gets you noticed.
  21. Ah! I didn’t click through from the main bass page. However, there is a notify me when back in stock button. Confusing! They should update their web site really. However, this all means my H1 is more desirable through scarcity. 😀 Now on the basses for sale listings.
  22. I bought this Mezzo from a fellow bass chatter only a few months ago and was thinking I would hold onto it but I have really bad GAS for a particular fretless bass and need to raise the cash. The standard blurb on the Mezzo can be found here on the Ibanez site: https://www.ibanez.com/na/products/detail/srmd200_1p_02.html. My Mezzo has had the following upgrades from standard: Tone Rider TRP1 precision pickup set, Wilkinson JB Alnico V Jazz bridge pickup, Glockenlang 2 band preamp, Neutrik barrel jack socket, all cavities fully shielded with copper tape, Wilkinson WJB750 lightweight machine heads (Hipshot style) and Maruszczyk flat wound strings. It also had a setup from my local luthier after I finished the upgrades. He dressed a few fret ends, set neck relief, etc. I’ve added some pictures I took while I was doing the upgrades showing the tone rider pickups and the shielding. The price of £190 is for the bass with Wilkinson Jazz bridge pickup, flat wound strings and shielding but otherwise standard; i.e. I will refit the Ibanez P-bass pickup set, Ibanez preamp and Ibanez stock machine heads. If you would like to have the bass with the other items fitted, additional pricing will be as follows: 1. Tone Rider TRP1 - £25; 2. Glockenlang preamp - £80; 3. Wilkinson machine heads - £20. Buy the lot and I'll do the above 3 items for £110 all in. The Glockenlang is a much better preamp than the original Ibanez unit, which is loud and crude. The Glockenlang also has a pull up passive switch (on the volume knob) with passive tone control (treble knob), which the original sorely lacks. The bass is in excellent condition except for where I had to enlarge the bridge pickup route to take the full size Jazz pickup (Ibanez uses a diddy size). This made it a non-reversible modification but you really wouldn't want the original pickup anyway: really weak. I managed to chip some paint around the route and only had a gloss black touch-up stick, so it doesn't look very neat on close inspection. I don't notice it but make your own judgement from the photo. This is reflected in my asking price. I’ve now got a satin black matte touch up stick, so will try to tidy this up when I get a chance. The bass plays really nicely, is ergonomic and light at 3.5Kg. It has a super fast jazz style neck. The way it is packaged makes it feel like a short scale, rather than medium scale. Great for people with back and shoulder issues. This doesn't have a gig bag or case but I am sure I can package it up for posting/courier at buyer's expense and risk. You are welcome to come to try and buy in Fakenham, Norfolk. I am not really interested in trades as I have a particular bass in mind but if you have a short/medium scale fretless with a Jazz style neck, I might be tempted.
  23. This is not one of the fire sale basses that Guitar Guitar were knocking out for £199 last year! I paid good money for this a couple of years ago and it doesn't have any build issues that I can ascertain. No bad frets or anything like that. However, Guitar Guitar having spoilt the market, I am forced to price this accordingly, even though the Vox website is still selling them for £449. I had originally thought £350 would be a fair price: thanks Guitar Guitar! It's actually a nice little bass that is very ergonomic, light (3.3Kg) and easy to play. I have upgraded it a bit with a Kent Armstrong pickup, CTS pots, oil in paper .1 uF capacitor and a chunkier bridge (this all cost a tad over £120, plus different knobs as the originals were too small for the CTS shafts). It also has decent D'Addario nickel round wound medium gauge (50-105) strings that I put on recently. You will get the original pickup (that looks a bit like a Wilkinson) and bridge. I made up a solder free harness, so changing the pickup just requires a screwdriver. It also comes with a very nice padded gig bag. Scale length is 30.3", nut width 38mm and string spacing at the bridge 19mm. The neck is very much a slim Jazz style. The electrics are passive but the volume is a push pull: down the coils are wired in parallel (classic Stingray style), in the up position they are wired in series. In parallel mode I think it sounds pretty convincingly Stingrayish (at least like the short scale Sterling). Series mode is louder, with more mids. Turn the tone right down in series and you get close to that 60s mud bucker sound: think I Gotta Get Out of Here, or She's Not There (Zombies version). The only significant marks on it I can see, are where I managed to chip the finish around the pickup route when changing the pickup (it's a very tight route). Otherwise it is pretty clean: no bangs or chips to the neck or fretboard. It still has the protective plastic film on the control cavity cover. I am selling because I have serious GAS for a fretless and I want to try that before the arthritis stops me from playing altogether. Get yourself a very nice little Sterling MM SS alternative for very little money. It will certainly get you noticed. You are very welcome to try and buy in Fakenham, Norfolk. I have the original packaging, so can courier at buyer's expense. As I hope is obvious, I have priced this to sell quickly and I have a particular bass in mind, so not really interested in trading, unless you have a reasonably priced short/medium scale fretless.
  24. Thanks regarding the H1. Just about to post it. If the A2S was a steal at £799, the current price of £399 must be complete madness on Vox' behalf!
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