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Bass --> FoH with no backline. What preamp pedal are you using?
PatrickJ replied to Al Krow's topic in PA set up and use
Hopefully this .. -
I picked up a tuner from @jacq this week. It was put in the post the day I transferred the funds and arrived 2 days later. It was extremely well packaged and the pedal is as new condition. He was also kind enough to provide the original invoice so I can register it for warranty purposes. I would not hesitate in dealing with @jacqagain. Thanks very much!
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I bought this from this forum in 2022 as a gateway to short scale basses. For the price it’s really lovely instrument and is in very good condition. The previous owner had made some tasteful tweaks to make it look more like the higher end models. The sale also includes the official hard case along with a set of both round wound and flat wound Hofner strings and the original parts that had been replaced (truss rod cover, control knobs, pickguard). I subsequently bought a Nordstrand Acinonyx last year and haven’t picked the Hofner up since so it’s time to move it on. Collection preferred but since it has a hard case a courier could be organised at buyers expense. No trades please. -
I purchased these from reverb a few years ago to record my father-in-law playing piano before he passed away from cancer. He was raising money for cancer research UK through his playing (https://www.pianograndad.com) and raised over £12,000 in total through social media exposure. Sadly, I no longer have a need for these and will move them on. They are in acceptable used condition where both the mics and flight case show signs of use. Price includes delivery to the UK mainland. -
The Ashdown Acoustic Preamp Pedal has a very simple yet effective design that uses many of the features of the classic Ashdown acoustic preamp. It includes a notch filter, high and low EQ rotary controls as well as the Ashdown pre-shape feature. There is also a very useful balanced DI out on the back of the pedal allowing the user to run their signal straight into the PA for ease of use and will keep any sound guy happy, no need for a DI box. Pedal is in good used condition and price includes delivery to the UK mainland. -
Paul bought a HX Stomp from me this week. Great person to deal with, lots of open communication and prompt transfer of funds. I hope you get on well with the stomp, enjoy!
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This WPM-4S pickup is one I removed from a Sandberg California II VS4. I no longer own that bass (or any precisions) thus this is surplus to requirements. Hopefully some one can make use of it, price includes delivery to the UK mainland. -
Line6 Helix Stomp with additional foot switch, power supply, TRS and USB cable. Updated to firmware version 3.71. All in very good used condition, £425 collected (can be posted special delivery for additional cost, UK only). These are now selling for almost £700 new from UK retailers. No trades please. Note: the Rock Star graphic on the footswitch is just a sticker one of my young children gave me. It covers up the phrase `skinny little twins` which someone (previous owner?) has written in red. -
I can't believe this hasn't sold yet. -
Although not the Cube combo, I've been using a GR 350 head and 2x8 (4 ohm) cab for all our rehearsals and small gigs (pubs, small local theatres and street parties) with no problem at all.
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I’ve spent a fair amount of time crafting a ‘virtual’ rig with my Helix Stomp …. It’s become what I now consider to be my sound for the band I play for.
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I've been using a GR Bass Mini One: https://www.grbass.com/portfolio/mini-one/. Aux In and Headphone jacks, but still 350w.
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Dunlop tortex .73mm (basically what I used to use to play guitar with). I'm going to try some slightly heavier picks with the grip mouldings.
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I'm looking for some advice to help with a particular pick playing problem I'm having please. The covers band I'm involved with play I saw Her Standing There by the Beatles which I duly play with a pick. It's one of 4 songs in our set list that I play with a pick, however, with this one I have an ongoing issue with it slipping out of position between my fingers to the point I can no longer play thus forcing me to briefly stop to adjust. On a warm gig night with slightly sweaty hands this can happen a few times in a relatively short song. Has anyone else faced a similar problem? I'm hoping I can get some pointers on either technique, or tips, on how to solve the problem.
