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MoonBassAlpha

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Posts posted by MoonBassAlpha

  1. 27 minutes ago, Lord Sausage said:

    Hi, Thanks a lot.

     

    M AUDIO HDH40

     

     

    Ah, those aren't in the  list. Another thought I've had is some 3.5mm to 6.35mm adapters don't always make great  connection with the sleeve of the headphone plug resulting in a very odd frequency response. Might be worth trying a different adapter if you have one, or comparing the sound at your  mixing setup to plugging the headphone straight into your phone without using an adaptor?

    • Like 1
  2. 36 minutes ago, paul_5 said:

    I was about to suggest the VHS plugin, but I’m late to the party again. It’s really useful on your master bus and will even give you emulations to f common studio speakers if that’s what you’re used to.

    This is all predicated on VHS having that model in their library of course. 

  3. 14 hours ago, Lord Sausage said:

    It's just the second thing I've done using Garageband on iPad, a focusrite audio interface and some headphones I can't remember the name of. What I've learned is it sounds flat in the headphones but it is actually trebley and not bass enough. Will have to adjust or get some new cans.

    If you can find some frequency graphs for those specific phones you might be able to add an eq curve to flatten them out. If  they're a popular brand they should be out there somewhere. 

    I use a plugin called Hornet VHS that has a large library of headphones' response curves. What is the make and model? I'll see if they're listed.

  4. Dan Coggins is  currently taking on repairs again,  Oxfordshire based.

    Does valve amps mainly,  and  transistor/ fet ones, but not really the digital stuff. Encyclopaedic knowledge!

    He's great with analogue pedals too, having been the designer of the legendary Lovetone pedals...

    Email [email protected] 

     

    No affiliation,  just a happy customer and mate!

  5. On 15/07/2025 at 21:56, Lord Sausage said:

    Ok, I'm done. I'm not 100% happy with the mix and it's a couple of seconds over. I've cut a minute off it and I can't take any more off. It just sounds weird to me now because of the cuts.😆

     

    So I've had enough. It is what it is. Like I said. Based on the E7 triad riff and I mess with the scales each time round. Affecting(contorting) the melody, chords etc.

     

    Listen to Echoes of the Altered by Dreaded Ted & The Nutters on #SoundCloud

     

    There's some great stuff in here, but I  get what you mean about the mix,  it's tilted towards the treble too much,  ensnare and cymbals,  and the bass is somewhat missing. I  know what it's like hammering it to get it done to the deadline and losing some perspective along the  way. Your stuff usually sounds amazingly well produced! Still voted for it all the same!

    • Thanks 1
  6. Ok, here's my entry, another hurried effort, but I'm out tomorrow, hence the rush!

    Inspired by the picture and by a jam at a friend's house over 40 years ago. Turned out a bit more guitarry than I intended, but these things do tend to evolve a life of their own, once started.

    Guitars and bass going in via a NuX Mighty Plug thing, except the lead guitar, Cry Baby into a Session Rockette 30. The usual Gretsch kit and tambourine, all into Reaper.

     

    • Like 4
  7. 17 hours ago, Bernardo said:

    I have started playing short scales recently - starting with a little Gretsch expanding since then into a U5, JMJ Mustang and an Acinonyx. Shallow I know but I Googled short scale red bass because for showbiz reasons I needed a red bass to match some stage outfits! What came top of the list was a refurbished Vox Starstream Artist 2S on the Vox website. Including gig bag it was £350. Given they were well north of a grand when they came out - and some people had paid that - I went for it. I took it to a gig and our sound engineer raved about it compared with my other basses. Ironically I don't enjoy playing it as much as the Mustang and the Acinonyx basically because they have flats on them which feel better to me - so my next quest is to find flats that sound brighter than a normal flat.

    It's a weird looking thing and not everybody's cup of tea but it's nicely balanced and very light and with the right strings could be my go to bass - something I never would have predicted when I Googled red short scale. 

    If Status still do them their half rounds are brighter than flats, and  not expensive at all!

  8. 16 hours ago, ead said:

    The fret dots in the "wrong" place would not work for me, as @Stub Mandrel said, and would probably stop me from buying any kind of de-fret.

    To be fair,  it's quite easy to put dots in the right place and remove and fill in the wrong ones. Definitely worth doing if the bass is otherwise great!

    • Thanks 1
  9. 29 minutes ago, pete.young said:

     

    Coo, a Westminster. My dad had one of those when I was about 7. You could talk to Paul Glazebrook, he looked at my son's Burman a couple of months ago.

    I loved my Wem Westminster,  wish I'd never sold. It is about as simple as a valve amp can be so anyone should be able to sort that 

    • Like 1
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