Pirellithecat

You may say that, I couldn't possibly comment 🫢🤣🤣

Excellent - thanks all! I'll up my "Mains" EQing from now on! Cheers!

Sadly a fair bit of "noise" comes from loud drums and backline. But it's a journey ...... Bass now quieter on stage, as is 2nd guitar, as these are " augmented" via the PA. We now use triggers on the drums so there are fewer mics on stage which helps a little too. But, there are things you can affect and things you can't ..... Reports from fellow musicians suggest we sound great, so perhaps I'm stressing unnecessarily 🤣

Before I bought the CQ18T, I borrowed a pair of Peavey Graphic Equalisers, for a big gig, in a notoriously difficult venue. Worked a treat, as I could tweak the settings whilst the first band were on. By the time we were on everything sounded good. But far too much hassle for routine gigs where I'm playing and trying to do the sound. With the CQ18T, it's easier to do, but as few people seem to do it I thought there might be a good reason not too . I'll percevere!!

Been tinkering with this ...... Have a fairly good mix sorted out where the Kick and Bass complement each other, the Vocals aren't too harsh, and guitars pretty much work with the rest. And then we play another busy pub, with its unique boomy resonance or shrill upper frequency peaks. So why not use the "Baseline" mix and EQ the Main PA speakers to take account of the room's "specialness"? Particularly important where time is tight and a sound check is a one song opportunity....... Using GEQ rather than PEQ on the mains, and adjusting sub volume as necessary. Is this Heresay or potentially a good idea?

Baku?

Update, ..... Used theo Monaco at several gigs and rehearsals now. It's definitely the best cab I've owned. I'm an old git though and have a pretty rounded sound. Did a double header recently. I used my PA for both bands, and due to time constraints, the bass player for the first band used my rig ( Trace Elliot 1200 plus Monaco) . Uses a pic, unlike me, and plays more " modern" rock than my band. Usually uses a 500W Mark Bass Head plus a new 4 x 10 MarkBass cab. He sounded Fantastic! Best I've heard him. PHENOMINAL sound and plenty loud enough with the tiniest amount of PA support. I've done their sound before and this was the best ever! He contacted a friend of mine the next day to ask " What was that cab, where can I get one , and how much are they!" Put me to shame.... But certainly showed what this cab can do ....... So, short summary. Bloody Great!

I have recently bought a Monaco, which is being used for rehearsals and weekly gigs. So far used in smallish Pubs, Largish Pubs, Wedding venues, and 2 Festivals. Used with with an Ashdown ABM 600 and a new Trace Elliot TE1200 with varying amounts of PA support. I still have my Barefaced SuperTwin. Once I get my head round the use with the Trace Elliot, I'll write a proper review. Key findings to date; Played on its own, (without the band) the Monaco has a better tone than any cab I've had previously. (Ashdown, Vanderkley, Mesa Subway, 12's and 15's and Barefaced). It's even across the frequencies, rich and natural. Smooth, I guess, but remarkably clear and articulate. (going to have to work on my technique!!). It doesn't have the "trouser flapping" bass of the Barefaced, which is a benefit, as most of the venues I play are prone to boominess!! I can hear what I'm doing and so can the band, even when the bass isn't really loud enough for the audience. This is quite difficult as it's so different to feeling the bass but with little clarity about the notes I'm playing. Just a case of learning the new order! The Monaco is (unsurprisingly) quieter than the SuperTwin for the same amp settings. (8 vs 4 Ohm and one 12inch speaker vs 2). Because I don't like driving my amps too hard (8 vs 4 Ohm) I bought the Trace which fits better, size ways, and should have more than enough power to drive the Monaco to the volumes I need. Playing live whilst trying to do the sound for my (LOUD) band AND trying to get the bass stage-volume/EQ, the PA bass volume/EQ, and the Monitor volume/EQ "right" is "challenging". Since the Monaco arrived I have not used my Barefaced ONCE! (yet .....).

Interesting. What would you say is the main difference between the BF and the LfSys other than volume??

Hmm, the Trace Bag is OK for carrying the amp but it doesnt do much in terms of protection, do let us know how you find the Gator ........

I think these look great, but are overkill for me ........ and very expensive. Just looking for a case which is easy to load the amp into and carry, and will withstand the crush in a full car. Something like the Case for the A&H CQ18T would be perfect I think . https://www.trifibre.co.uk/product/eva-softshell-case-420/?utm_agid=&creative=&device=c&placement=&utm_term=&utm_campaign={performancemaxcatchall}&utm_source=google-ads&gad_source=1&gad_campaignid=22119351978&gbraid=0AAAAAD7GjRRI8UWHsGXtuclMVZr7JMl9Y&gclid=CjwKCAjw7_DEBhAeEiwAWKiCC5Nd0-wtxRmojiEsa_EmdaYZJ5TtEQtVmsCY8VfarYiVOfnWEss_TBoCi3AQAvD_BwE But wanted to check what others have used.

I was waiting ......... until I have enough experience. But as a teaser .... I too have had a Monaco for almost a month. 2 Pub Gigs 2 Outdoor Festivals 4 Rehearsals On it's own in my "music room", it's REALLY GOOD. I've had 2 * Vanderkey 12 EXT's, Mesa Subway 15 plus 12, and a Barefaced SuperTwin. The Monaco in terms of a really even and pleasant sound across the frequency spectrum, is the best yet. Gone is the endless tweaking EQ to tailor the sound. In Pub Gigs, I can hear what I'm doing, the band can hear what I'm doing (😳), to the extent that the drummer keeps telling me my bass is too loud in his monitor ( even though it's not going through his Monitor!), and, unprovoked, the Guitarist likes it, and say's its so much more "even" across the frequencies than previous cabs. In rehearsals (which are in a small space and VERY loud, it's great ..... no problem with volume. At festivals with full (BIG) PA, it's good, but, I'm driving it with my ABM 600 cranked to stupid volumes which I'm uncomfortable with (as much gain as the VU indicates is "OK" and master volume at 3 O'clock!!!) This is because the band are not used to utilising Monitors which have more than vocals in, and in both festivals there has been no floor wedge for me .... so stage volume is necessary for the band. Still great, and the sound is fine both on stage and off. But at 8 Ohms, I'm worried about the ABM 600, which might be running out of puff. So, not a speaker issue!!! So, could buy another one, or get a bigger Amp. Trace Elliot TE1200 now with me and in my music room it's great ......... rehearsals and gigs next week .... I'll keep you informed. One other point It's really easy to carry around and transport ..... much more so than 2 cabs or the bigger Supertwin. It a big hit with me!!

Does anyone have a suggestion for a replacement "case" for the above? The unit comes with one, but its not easy to get the unit into NAD more importantly offers little protection to the Unit. Thought I'd seen something on here, but can't find it........ Looking for something that will protect the unit when transporting to and from gigs - something like the Case for the Allen and Heath CQ18T would work well?

An iPad. And the Software is a compatible version and up to date . No problems since and I'll be using it tonight 🤞🤞🤞

I have owned/own Fender Professional MK 1 P bass, a Sandberg VM4, a Japanese Squier P (40 mm neck), a Sire V5 and an Indonesia Squier P Bass Bass Special. They are all very good!! And then I bought a cheap Fender Power Jazz Bass Special. The neck on this is Fantastic!! 22 frets, 62 profile jazz neck, P body with bigger cut aways at the horns. PJ so all the tones you need. It's now my go to bass. This will do whatever you need and be a pleasure to play. There was a great one on eBay or Reverb recently for £700 ish.

I've already asked Dave, but pending reply thought I'd ask here as, if easy, might try to fix it before gig at weekend.