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TrevorR

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Posts posted by TrevorR


  1. 47 minutes ago, Kevsy71 said:

    Brilliant Trevor! 

    Our tech guy is a legend, he thinks my Bruce Thomas Profile through a SansAmp VT 'SVT' setting is the best bass tone he's had in the worship room and cranks it up. You almost don't need a monitor!

    Very tempted by those Bass Collection basses - sadly no reason to justify one (hmmm... never actually owned a P bass though... hmmm). For many years we had a great sound guy who cut his teeth working doing engineering on albums by OMD, Queen, Steve Hackett, Gary Moore etc. He always made things sound great and rocky and he loved the combo of my Wal and MarkBass amp. 


  2. On 22/10/2020 at 20:09, LukeFRC said:

    I was once accused of both overplaying and having too much bass in the amp when I had the volume off! 

    Been there with a previous (sometimes tetchy) worship leader. We kept getting this low frequency boom/feedback type sound on stage in rehearsal which was annoying the Leader. He told me to turn down a couple of times. I did until I could just hear my amp over the drums. It kept happening and I realised it was the keys amp resonating the acoustic guitar into low frequency feedback.It happened again and the worship leader was actively annoyed (at me) by now.  I told him what I thought the problem was and he, effective told me to shut up, stop making excuses and just turn my amp down. 
     

    Having had enough by now I quietly removed my bass, placed it on its stand, turned off the amp, unplugged the cable and coiled it neatly on the floor in front of me, turned to the drummer, winked and tapped the side of my nose and stood with my hands in my jeans pockets. The band started to run through the song again and the low frequency noise started again. The worship leader was furious by now and yelled while starting to turn around to confront me, “OH FOR GOODNESS SAKE TREVOR WILL YOU JUST DO AS I ASK YOU AND TURN YOUR AMP D...” I sweetly smiled at him, shrugged and said, “You really do need to do something about the acoustic guitar feeding back.” He never said sorry though...Bit of an ego issue, that guy.

    • Haha 2

  3. Setting the bass peak at 40hz seemed bonkers to me. Do most active circuits do that? Seems unlikely. Thought I’d have a look at my Audere preamp’s spec... I do love how that preamp sounds!

     

    Quote

    In the Pro JZ3 preamps you can select either a 2, 3 or 4 band tone controls.

     

    All active tone control pots contain a center detent where the response is flat, giving you the uncolored bass voice.

    Our tone controls are different than most preamps in the following ways:
    1) The boost/cut amount changes slowly at first off the center detent and then the action speeds up as the knob is rotated farther from the detent.
    2) Mid-range controls use wide bandwidths - the issue with narrow bandwidths is the phase shift changes too fast vs. frequency and they sound artificial while our wide frequency mid-range controls makes them sound more musical.
    3) The Bass and Treble controls are shelving which extend to lower and higher frequencies than other preamps. The shelving control makes our specs look very different than most preamps. Our spec is at the 1/2 boost or cut frequencies. You can think of our specs as all the frequencies below 180 Hz or above 3.2KHz (for a 4 band example) have a significant level of boost or cut range.

    The frequency response points:

      4 Band 3 Band 2 Band

    Bass shelving Hz - dB

    180 +/- 16 dB 200 +/- 16 dB 200 +/- 18 dB
    1st Mid Peak Hz - dB 250 +/- 10 dB 500 +/- 10 dB  
    2nd Mid Peak Hz - dB 750 +/- 10 dB    
    Treble shelving Hz - dB 3.2K +/- 18 dB 2.5K +/- 16 dB 2.0K +/- 17.5 dB

     

    In summary, we design very musical tone controls that are easy to use and give you lots of control of your sound.

     

    • Like 1

  4. Yup you read it right. Now you can get your own little mini Lemmy  to make sure you get no sleep ‘til Hammersmith.

    https://www.nme.com/news/music/lemmy-action-figure-unveiled-for-ace-of-spades-40th-anniversary-2789684?fbclid=IwAR1lHDHuKywi8Jm60zQ0t_VBy4wpfVZTj9fQjFYPcHTcsZgETTEYemN3JDw

    image.thumb.jpeg.863d2f0a7d82688c594796a4cc5608c1.jpeg
     

    Just make sure you buy yours quickly before Mr Hall and his m’learned friends kick the door in and slap an injunction on it for selling fake Rickies, infringement of trademarks and trying to pass of the teeny plastic accessory as the real thing!

     

     

    • Like 2
    • Haha 1

  5. Her trio work is pretty stunning. She’s got such a great feel as a player. She certainly has the bass chops but she always strikes me as so much more melodic and tuneful than a lot of the shreddy jazz bassists out there. Worth checking out some of her live gigs on YouTube...

     

     

    • Like 2

  6. Already mentioned but for me my “Do” doubles are:

    • Jeff Wayne’s Musical Version of War of the Worlds, and
    • Out of the Blue, ELO

    Probably cheating but I’ll add it anyway:

    • Star Wars - Original Soundtrack, John Williams and the London Symphony Orchestra.

    Got it for my birthday in August 1977. Loved it then, still love it now.


  7. A chum of mine (who is into wilfully quirky music) got a basic hurdy gurdy made for him (before people like a Robert Plant made it “cool”). He was showing it off to me and some chums when one of the others said, “Cool Tim. You’ve just spent 500 quid so you can sound exactly like a 50 quid monophonic synth. Nice!”

    • Haha 2

  8. 1 Bass: Well, a Mark III Wal 4-string would be nice (to go with my Mk I and Pro) but I'd also be looking at an Overwater, an Enfield and a Sandberg.

    An Amp head with 1 or 2 cabs: I'd porobably want to cehck out a Quilter Bass Block (but I can't decide if it would be the original or the 802) and match it with a couple of nice Barefaced 1x12s. 

    A combo amp:  Probably a Markbass CMD Super Combo K1 (or go right the other way with a teeny weeny Micromark

    A preamp pedal:  well, it would be nice to know if the Noble preamps are really as wonderful as folks say they are. Or maybe a Shift Line Olympic MkIIIS - they look like nice bits of kit with a decent emulation circuit.


  9. 1 hour ago, chris_b said:

    I seem to recall that Pete wasn't very well. It would have been easy for him to just walk away, so good on him to stay focussed on the integrity of the brand in those difficult times.

    Yes, it was while he was getting increasingly ill... but it was his and Ian’s legacy!

    • Like 1

  10. 23 minutes ago, Nail Soup said:

    Rod's a classic London Scot... I was going to say that can't be  Scots accent then..... but then I remembered a kid at School who was born and raised in England and spoke with a regular local accent. Until we heard him on the phone to his mum and he spoke in broad scottish accent!

    I didn't realise that was a thing until then.

     Maybe it’s “mockney” then! 😉
     

    By the way, when I’m chatting on the phone to my dad or my siblings on the phone I start off pretty much with Surrey RP but develop an increasing Norn Iron twang the longer the call goes on!

     

    • Like 1

  11. 11 hours ago, Geek99 said:

    Rod Stewart, mandolin wind ... so it never changed a thing... firstly mandolins don’t use wind, they’re stringed instruments you faux Scottish muppet, and secondly they don’t cause weather effects and thirdly ... exactly what life-changing effect were you expecting such a weedy instrument to wreak on your otherwise pointless life ?

    Maybe he was talking about the construction of the G and D strings on the mandolin and it's just his funny Scots pronunciation of the tiny phosphor bronze wires that go around the steel cores on the two lower courses... Wind - as in rhymes with "find".

    If so, then it IS about time he changed the mandolin wind (and plain strings too, just changing the wound strings is a false economy and the plain ones will be just as dead)! 47 years is way too long to have one set of strings on there...

    Mandolin with Pick in Strings Picture | Free Photograph | Photos ...


  12. On 30/06/2020 at 11:24, tauzero said:

    Sometimes factual incorrectness can scan better, of course. https://www.telegraph.co.uk/news/uknews/1500734/How-Katie-put-the-science-back-into-songwriting.html

    Oh, and while I'm here (this is where I get carted away by the Basschat thought police) - Prince, although there has been red rain and the sky is indeed blue, that doesn't add up to purple rain. Although it's a bit late to correct you now.

    And Simon Singh’s original column on it is here...

    https://www.theguardian.com/education/2005/sep/30/highereducation.uk


  13. Given the inexorable rise of globalism and the movement of heavy industry to territories with lower wage costs it is looking unlikely that Nigel has much of a future in British Steel.

     

    And Stevie, your assertion in the early 80s that “peace has come to Zimbabwe” may  have been a touch premature.


  14. 3 hours ago, chris_b said:

    This.

    I get that these basses are very special, but, as an ex owner of Wal mk2 and mk3 5 strings (bought second hand), when it comes to the gig they are just another bass. They have to feel right and sound right. They are a lot of money and a very long wait only to find out you really wanted something else.

    I'd buy a second hand Wal to work out what playing one on a  regular basis is like. After 6 months you might change your mind about some important bits. Then look at your need to drop a small fortune on a new one.

    This is very sage advice @chris_b. Any Wal will sound like a Wal with the wood choices changing the aesthetics and giving subtle modifications to the tone. But at heart... it’s still a Wal - the important elements are there.

    So, if  you want a Wal then buying second hand is a very good choice. I love my Wals but I’d find it  hard to justify paying the new price - although I appreciate the economics of what Paul is doing with just him and an assistant (only him during lockdown), hand crafting almost every element and outsourcing only a few elements (mostly to his own bespoke specs) and giving the wood elements longer to rest/settle/season than most between operations. His order book is very healthy and so I would reckon build times and prices are only going in one direction.

    So if what you want is a Wal then second hand is a really good option. If you MUST have a Wal with THAT wood, THAT custom neck profile, THAT colour tuners, THAT finish etc etc then you are self selecting commissioning a new bass at full price with a 30+ month lead time. It’s a choice.

    Keep an eye out here for them coming up for sale, similarly on Talkbass and if you’re on Facebook I moderate the Wal fan group on there. A lot of basses get offered there before BC, TB, Reverb or eBay.

     

    PS yes, the neck profile is a bit unusual and certainly not like a P or J but I find it really, really comfortable and easy to play both thumb around and thumb behind (even with my wee, stubby fingers).

    • Like 1
    • Thanks 2
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