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Musicman20

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Posts posted by Musicman20

  1. On 12/01/2019 at 02:47, bubinga5 said:

    I haven't  played a Sadowsky Metro Express but have owned a Metro RV5 which back in 2010 cost me direct from Sadowsky £1789. Now they are way far north of £2000 which imo they are unexciting . If I wanted an asian built active Jazz bass I would look no further than this.  use the same electronics as the USA built Xotic, (like Lakland) get shipped back for final set up. Xotic pro series all the way.. £1300. No brainer. I don't see Sadowsky using wooden pickup covers.  http://www.bassdirect.co.uk/bass_guitar_specialists/XJPRO-1_LPB.html

    They are really really nice basses!

  2. The quality of EBMM is right up there.

    But, considering I bought a brand new untouched from the dealer Musicman Stingray HH guitar (not bass) for around £1150 about 6 months ago, and they are now £2400+ (although they do now have a lovely roasted neck) I really struggle with new pricing, and that applies to Fender. and Gibson!

    Bongos are now £1000+ more than a few years ago.

    They are excellent premium instruments, no doubt about it. 

    • Like 3
  3. I have heard that there may be talks about a different dealer for Mesa. 

    There is the recent buying consortium known as GAP:

    "It also follows the news that three of the UK’s largest retailers (Anderton’s, PMT and Guitar Guitar) have banded together to form a buying alliance which they are calling GAP. This is a story we had intended to bring you a couple of weeks ago, and would have done if the participants had been willing to talk about it.  Whatever GAP could be about, one thing that it definitely is about is margin – an attempt to push retail margins back to a level where a retailer can stay in business. If that means building ‘own brands’ in accessories, or taking on exclusive lines (GAP has taken on Alvarez and, if rumour is true, G&L guitars) who can blame them? Especially if the alternative is to sell ‘big brand’ products either a loss or, at best, with a promise that there may be a few points in it for you sometime later, if you’re good and eat up your spinach!"

    The G&L prices were driven down because of this (I think they are now sold directly to the stores).

    I'd welcome this for Mesa; we don't need 'distributors'.

     

  4. I'm not so sure that the latest Class D can be criticised so much....I've even seen more and more guitar amps using them with a tube pre and the results are fantastic.

    With the right engineering, it can sound just as good, and in some cases, better. 

    We might all want a traditional bass amp, full tube, or even the traditional solid state like an old Trace or some of the new Orange rack mount amps, but then you will probably end up at a venue or rehearsal room and put your signal through a Class D PA.....

  5. 35 minutes ago, Bridgehouse said:

    I think the size is all about compromise - for me the standout thing once you get into it (full fat) is the sheer enormity of the i/o options

    It is a fantastically well built and thought out piece of gear. I think if I was gigging heavily I would go for a full fat Helix and get a good powered monitor that could handle bass (5 sting) and guitar.

    Unfortunately since I've been in my career my time is so heavily invested in work that my music has took a HUGE hit in terms of time. I don't have time for a band now...but I am making plans to change this. 

    • Like 1
  6. I've had a full fat Helix Floor, and whilst I was VERY impressed with the general ease of use, and some of the drives etc, and the phenomenal build quality, I wasn't sold on the size and weight.

    This is a bit like a slightly larger Tech 21 BDDI Sansamp box.

    I do have the possibility of buying one, but I won't have time to use it for a long time....

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