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Everything posted by Al Krow
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Updated for version 3 software. I'm unlikely to be making much use of my FI until later in the year, so it may as well find it's way to someone who will be putting it to better, more creative use, rather than hibernating on my home pedal board! In very good condition - as can be seen from the pics. Price dropped to £225 (which includes P&P to the UK) for a quick sale.
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That does look good! The Fearless F112 is an outstanding cab and drinks power to get the best out of it. The Handbox has a devout BC fan club too. My only hesitation is that the R-400 puts out 200W or so at 8 ohms, so ideally I'd use it with a 4 ohm cab so as not to have to drive it hard, or pair the Fearless with a higher output amp. But I'm guessing you're not finding that an issue? Must admit I would love it if Handbox released a R-750!
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Great rig! Those Mesa PH cabs are some of the very best - I loved my PH212. Didn't quite follow the comment about ringing ears, was that due to the IEMs?
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Two of the BC'ers most popular filter pedals with small footprints, seem to be the MXR BEF (band pass) and the Fwonkbeta (low pass). The MXR has more tonal variety via it's greater number of adjustable parameters; the Fwonk, to me, had a sweeter tone. The MXR is analogue whereas the Fwonk digital. I'd be happy to recommend either.
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Cheers - I'm going to be using Ableton Lite as that comes free with the Focusrite kit I have and seems to be pretty decent. I did check out the trial EZ drummer and I found the interface tiny !! Which was a chore / off-putting. And I'm guessing that having an actual unit will be easier in any live situation than a laptop. I appreciate that the software route is going to be cheaper, but as I'm saving all this money on not getting any bass-gear... 😀
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Seems to me that if you're using the footswitch then you need to increase the volume on your clean for balance, and then just use your footswitch and don't jump between switching on the amp and using the footswitch? But agree that's an annoying quirk and seems weird.
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As this is a bass-gear only abstinence challenge, I think it could be the year of getting a decent drum machine for me! Very tempted by the Roland TR-08 and / or the Beat Buddy. Although some have said I'm only putting off the inevitable falling of the GAW! Thread derail: any of my fellow abstinence monks already got themselves a decent drum machine that they could recommend?
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And there was me thinking that the pups were upside down when in fact that's exactly how they have to be on a left handed bass!
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Wot no pedal crutches or stabilisers to stop you falling off? Careful you don't do yourself an injury 😁
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Very much what I thought. In other words a bit of a gimmick?
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Does the editor require Windows 10 to work, or will it work just fine on earlier versions eg Windows 7?
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Spot on. Hard to disagree with ANY of that! (Or certainly at least the bit about Spectors) 😁
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A portable rig for jazz - any advice/preferences?
Al Krow replied to julietgreen's topic in Amps and Cabs
PJB gear is very jazzy isn't it? 😁 -
Clearly have too much time on my hands first thing this morning...I thought it might be useful to put what's ok / not in one place, after our recent debates on the matter. Here's how I've been approaching it (before I crash and burn in Feb 😁) (BASS) GEAR ABSTINENCE CHALLENGE 2020 – RULES OF THE GAME Why? To focus on making the most of the existing gear we have rather than get distracted by the next ‘shiny new thing’. What’s a fail? Any purchase or trade of new or used bass gear. 'Bass gear' = anything in your signal chain that you use to make or augment your bass sound /tone. basses, amps, cabs, pedals, PA gear (if your bass is DI’d into this) What’s ok? Anything to look after or organise your existing gear or wear & tear related. Any non-bass gear. strings, gig bags, leads, pedal boards, PSUs for pedal boards, repairs or identical replacement of existing kit, lessons, software related to existing kit non-bass musical gear (this came under a stricter Tier 2 for the completely hair shirted last year) e.g. music software not related to existing kit, keyboards, guitars, drum machines etc. By concession: unsolicited gifts of gear where you had no say in the matter! When? Any purchases between 1 Jan 2020 to 31 Dec 2020 If I've got that about right and we're all broadly in agreement, I can ask @bassfan to put it at the bottom of his OP for ease of reference.
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Nice summary. I've been told that part of the reason my Mesa M6 is such a great amp (hybrid AB as it happens) and is for me, without question, the amp whose tone I like best when paired with any of the cabs I've had, is partly down to it being a very responsive amp. Which very much ties in with what you're saying. But what makes one amp responsive and another less so, is well above my pay grade!
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Panic over - thank gawd for that! 😁 That is one seriously sexy chair. And it's a 5er to boot.
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Useful thread discussed that very point - and confirms your thinking that the early LM3s were class AB Here's a relevant question: if you could compare the Class AB LM3 with a Class D LM3 (with the rest of the rig unchanged), would you hear any difference? If the answer is "no", then that must go a long way to validating @Phil Starr's very well put hypothesis.
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A portable rig for jazz - any advice/preferences?
Al Krow replied to julietgreen's topic in Amps and Cabs
Lot of love for the Fender Rumbles - no question. Interesting thread today on a mod to the 100: And the TC BG 208 / 210 are also worth a look, although not in the same class as the MB combo IMO (I had the TC BG 115), but ridiculously good value. -
The MB LM3 post 2012 is class D, I believe. I think the earlier LM2 was A/B.
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Definitely anti-something. Probably just anti GK in fact.
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Nah, sadly I think I'm correct ... just check with the man of rules Mr @Sibob himself. But as I say, if you need one of us to step in...😁
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And frankly if I was (unsolicited) to be given a bass of the kind that I know you're partial too, hiram.k, then I'd gladly fall off the GAW. So if you need one of us to step in, just shout... 😁
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It will have been our great pleasure to have known you mate.