NHM
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Everything posted by NHM
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I've used Jacks too - very good service imo.
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thanks for all the tips. I too thought Jamulus looked the easier of the two to use and we had planned a rehearsal for last Weds but ended up not doing it 'cos one of the band had to work. Hopefully this Weds...
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Anyone rehearsing online using free software? I've had a look at Jamkazam and Jamulus - are there others? Any recommendations from those that have gone before...?
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I saw FC at Whitstable a couple of years ago, where he played the Ibanez fan fret. I 'just happened' to be down by the stage at the end of the show, when he came back on to pack away his gear. I asked him what it was like to play a fan fret, about which he was very enthusiastic. So much so that he invited me on stage to play the bass, and we chatted for about 15 mins. What a nice guy.
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Yes, read the QAA and TEF reports by all means but take them with a pinch of salt. Having worked in higher education for 40 years, I know they only tell a small part of the overall story. The best things about being at a conservatoire will be the intensive teaching, being surrounded by the cream of teaching talent, the connections these people will help you make, and being in a broad pool of similarly-talented and aspirational young musicians. And the resources you will have at your disposal will be unparalleled. London is the best place to be, however attractive other places are. I assume you have been to the college, met some staff and current students, had a tour and passed an audition, so you will have a gut feeling to tell you if you fancy it. The key to success will be whether you find your tutors and the modules inspirational. If you do, then you will have an incredible learning journey and end up somewhere you couldn't have imagined. If you don't you can always transfer somewhere else or change tack completely. Think of it as a one year financial commitment in the first instance, and see where you are at the end of your first year.
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yes, it is excellent. I've heard it is an edited down version as it was originally much longer - I'd love to see the first cut. Some amazing footage, bands and songs.
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to quote Jack Dee, it's the No 2 on Boxing Day that you should worry about.
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this bass doubles as a fracking device
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I bought Burns-Bass's 2210, it's a cracker, sounds like thunder when you crank the amp, lovely to play too.
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'Happy Ways' by Joe Walsh - must be one of the simplest ever.
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That's really helpful, thanks. Funnily enough we used the asymmetric approach last night (although we called it, 'turn just that side up'), handy for a weird shaped pub in a weird shaped world. … which wouldn't have worked in Bridged mode...
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Hi BCers I can't get my head around the 'stereo or bridge' switch on our PA amp. We run a stereo PA amp into two speakers, left and right, fairly standard I guess. However, everything is mixed to mono at the desk. Is there any advantage in setting the PA amp to bridged mode?
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Selling my Spector, a beautiful bass, amazing sound, very even intonation, massive sound, as I've moved to playing short scales, so this isn't getting used any more. I've owned it from new, it is immaculate except for a small scratch and a couple of minor surface nicks by the battery cover - all barely visible (they look worse in the photos than they are!) Aguilar pickups and OBP-2 pre-amp, giving +/-18db, bass and treble Maple neck with graphite reinforcement, rosewood board, maple/walnut/alder body. Comes with Spector gig bag and strap locks Currently strung with LaBella 760 flats, but I will restring with rounds if you'd prefer. Collection only from Faversham.
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Sims Bass Shop - Grand Opening Day - 28th July 2019
NHM replied to Sims's topic in General Discussion
is the date correct, according to our Cairn terrier calendar 28th is a Sunday??? -
the Black Griffin just across the road from the Cricketers might have someone on.
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really good stuff, recommended listening
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some gigs I play through a Keeley Bassist - on other occasions just direct to the amp. It's how I feel on the day as to what sound I want. I like it 'on' but I like It 'off' just as much if not more, as 'off' is more versatile. It's the only pedal I use, the rest have been ditched as redundant; I'm tempted to move it on but I haven't quite got there yet. The Keeley does the job very well and adds a very musical/complementary sound if that's what you want.
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just now I showed the breaking news pic to our drummer who immediately replied 'fake news'!
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yup, the pick up on mine fits the same as Ikay's. No foam. all held by the pickguard. When I replaced the original pickguard which was broken around the jack socket, I added a couple of extra screws around the socket - heresy I know, but it gives the pickguard better support and doesn't look out of place.
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I hadn't realised the shape changed with later models. Mine's a '71. you live and learn...
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here's the link: https://www.wdmusic.co.uk/pickguards-c62/fender-basses-c111/musicmaster-bass-c149