Gunsfreddy2003

That is a tone to die for - yes very much like Marcus, thanks for posting those, I have been really enjoying listening to them. [quote name='drTStingray' timestamp='1469926609' post='3102099'] Lots of people do sound like Marcus Miller when playing a Fender Jazz in that style. An example is the guy who plays on tracks the Anthony Jackson doesn't on the Lee Ritenour project Overtime - there are other examples of players as well. IMHO you need an HH Stingray to get the ultimate slap sound - the outer H coils cop the Marcus sound - the neck H the Louis Johnson and Bernard Edwards fingerstyle, and both Hs, the Louis Johnson scooped slap sound. [media]http://youtu.be/kmsmtF9wMjc[/media] [media]http://youtu.be/gQjSt-L677c[/media] [/quote]

We have both of these in our set - Never Too Much is so hard to get the feel that Marcus does but I give it my best! It's strange that it is a tune that seems to always go down so well, I was worried when we put it in that it was not well known enough. [quote name='chardbass' timestamp='1469806284' post='3101237'] If you're doing "Never Too Much" or "Somebody Else's Guy" you need the technique under your fingers. You also need a great mix out front [/quote]

Could not agree more! [quote name='bubinga5' timestamp='1469920690' post='3102076'] I just don't buy this " it's all in there fingers thing". If thats the case all the brilliant bassists in the world would be playing the same bass.Of course they have there own style.but Individual tone is down to electronics. I think there is alot of confusion between how a certain artist plays, and/or the tone they get. Marcus Miller might sound like Marcus on a Hofner or a Ricky because of his style,and the way he plays. but he's not going to have that sound [/quote]

I actually really like the song Car Wash and have done for many years! If you play a diso/funk set then the reality is that you are going to be using a lot of this technique hence the quest for the best tone (to my ears anyway) for that style. [quote name='ambient' timestamp='1469791577' post='3101060'] How many times do you hear a song with slap bass on the radio ? I had to learn Marcus's Frankenstein for an exam at uni. That was 2 years ago, and I've not slapped a bass since. I've only done one gig where I've had to slap, that was a New Year's Eve thing where they played that awful car wash song. [/quote]

Ian bought my Mark Bass amp this week, top chap to deal with very polite and money came over so quickly - trade with in complete confidence.

I recently bought an EBS amp from Steve, great comms, amp was well packaged, arrived on time and works perfectly. Deal with in complete confidence folks.

Did you have the Fender MM with the stock pre and then change to Sadowsky? If so, I am keen to know what the Sadowsky offered in terms of tone? [quote name='chardbass' timestamp='1469141278' post='3096145'] Crikey. So many thoughts but if you really want 'that' sound quickly on a 5 string then a Fender MM sig 5 will get you there. Even with the stock pre it's close. I have a 4 string sig model and fitted a Sadowsky pre. It sounds great slapped but I've never A-B'd it to MMs classic tone. I agree that the Sire isn't 'that' sound. I have 2 though and am very happy with them as I'm not after the exact MM sound. Even Marcus doesn't sound like classic Marcus on a Sire V7. Agreed with Garry re Wayne Braithwaite- heard him on Jonathan Butler's stuff in the late 80s. Pleasure's bassist Nate Phillips sounded like MM before Marcus did! We've all heard Glide- listen to Marcus' sound around 79-80 on say Chaka's Naughty and then listen to Glide. [/quote]

Yep 100% - just looking for bulk order discounts now! [quote name='EBS_freak' timestamp='1469172638' post='3096245'] So you are a DR convert now? Bloody love those strings! [/quote]

It's hard to say - it's a nice sound and I do love the Sire bass and use it a hell of a lot and it is certainly much better with the DR strings on that you recommended but it's like chalk and cheese with the jazz bass with East pre. In my head I know the sound that I am looking for and I just can't get the Sire there, it seems to lack the punch and also the top end is not as bright as it could be. Annoying now as I'm nearly there but just missing a string! A mate of mine has a MM 5 string so perhaps I need to bribe him to come up and let me do some sound testing! [quote name='EBS_freak' timestamp='1469138928' post='3096127'] Hmm. The sire not delivering really surprises me. What's the point at which it falls down? [/quote] [quote name='EBS_freak' timestamp='1469138928' post='3096127'] Hmm. The sire not delivering really surprises me. What's the point at which it falls down? [/quote]

Agree to some extent but my technique is what it is and I can assure you that I sound a hell of a lot more like Marcus with my jazz bass than I do with any of my others! [quote name='ambient' timestamp='1469134614' post='3096105'] I think a lot of it is down to technique. [/quote]

Update on this - bought an EBS HD350 and that paired with the SWR cabs and the 74 jazz with East pre-amp has absolutely nailed that tone and I love it. However, there is one big problem, I don't play 4 string live at all anymore so as much as the tone is great at home its not going to keep me happy when I gig. Interestingly I do have a Sire Marcus Miller and it sounds nothing like I want it to and compared to the Jazz it's really lacking. So the big question is what is there in 5 string that is going to sound like the vintage jazz with the East pre-amp? Is a Fender Marcus Miller going to be the best bet or should I be thinking Xotic or Atelier Z? I have got to get that tone but in a 5 string variant - so close to the Holy Grail of tone now!!!

Nice to see all of the love for SWR coming out guys. As others have said it seems a real shame that such a great brand was swallowed up with no real benefit than to help Fender build up their market share. Personally, I have never used a Fender amp and have to say that they are not even on my radar to try at all. I wonder if the guy that started SWR toys with the idea of doing it all again? I'm off to search the web for second hand SWR cabs - they could be worth a lot one day!

Blimey - lots of love for SWR here, I expect their 2nd hand value to start rising soon! [quote name='Geddys nose' timestamp='1468335261' post='3090225'] I owned a Goliath Snr and a Henry 8, Tone wise they where by far better than anything I had since. [/quote]

I bought some SWR cabs last year which I have been very impressed with. I was thinking about getting some more but it seems that SWR have disappeared, there is a website but it doesn't go anywhere when you click on the the page links. I seem to recall that the company was bought by Fender but don't know much else after that. Seems such a shame that they have gone if that is indeed what has happened? If anyone can enlighten me it would be appreciated.

Yes, I think that is probably the best course of action - I was just hoping for a quick fix I could have done myself. I'm not sure that the amp is worth spending the money on for any kind of repair to be honest. [quote name='Twincam' timestamp='1465787584' post='3070949'] The caps are the black can looking things and smaller blue ones. But keep away from the large ones. Is it me or does the resistor between the heatsinks look a little burnt on the board?? Since you didn't know which were the capacitors then I advise you fasten it back up take it too a tech as you really can get hurt. [/quote]

I have opened up the amp and can't seem to see any fuses on the PCB - happy to be enlightened if anyone can see something that I am missing on the pic! Where are the power supply capacitors that I need to wary of? [quote name='MoonBassAlpha' timestamp='1465212811' post='3066109'] Could be one rail of the power supply gone. Have a look for any fuses internal, mounted on the PCB(S) and see if any have gone. Usual warnings about poking around inside gear apply - Unplug from mains etc. [/quote]

I had never heard of him but I like his tone - really sweet! [quote name='lowdown' timestamp='1465660389' post='3070052'] There was a New York studio player in the late 70's early 80's, who kinda had a Marcus 'sound' before Marcus. He played on quite a lot of named albums and projects. Unfortunately passed away through illness in his mid 30's in 1991. His name was Wayne Braithwaite and an excellent Musician and groover. He composed a few hits as well. I remember reading that he used an early 70's passive Fender Jazz Bass with Di Marzio pups. (Black with Rosewood board). A thread about him here and his tone, with track listening suggestions. (post #14 worth a look). [url="https://www.talkbass.com/threads/80s-old-school-wayne-braithwaite.501903/"]https://www.talkbass...thwaite.501903/[/url] Meanwhile here is a video with him on ( miming with a different Fender by the look of it). [media]http://www.youtube.com/watch?v=hYAmSbg-uE0[/media] [/quote]

I had a 350 on loan from Bernie and also bought a Reidmar but at that time I was solely working with my Rumour and the tone from that and ended up preferring my Little Mark III and Berg set up with that bass rather than the EBS rig and yes I wish I had kept the cab and amp now!!! [quote name='EBS_freak' timestamp='1465647257' post='3069918'] DRs last about 4 months for me but it depends how much you play/sweat. I've found them to be the best strings for me and do a mean impression of Marcus. A HD350 with a healthy dose of compression and pre shape engaged into some zingy speakers will get your there pretty quick. I thought you'd run a 350 with a 212 neo line at some point? With the shaping on the amp I'm not entirely convinced you'll need to much reliance on an onboard preamp. [/quote]