Sean

Another excellent basschatter and a great service. Quick delivery, excellent comms. Highly recommended.

Sadowsky. I used to have chronic GAS for these basses. Then I played one and it just didn’t connect with me. I played two more over a couple of years and they all left me cold. The sound, the feel, nothing about them spoke to me in any way. Also, I couldn’t fault its build, the look, anything. Top notch in every way, as you might expect but disappointing. Difficult to explain why in the same way it’s difficult to explain why I connect so well with my Yamaha BB or my Valenti and think they’re amongst the best instruments I’ve ever played.

Bergantino cabs are also fabulous. Expensive and they don't come up used very often but match with the 400+ and WB very well.

In comparison to other equivalents, yes. A lot of people also don't like them but I think since BF released the 10" versions they have wider appeal. Definitely worth trying. I'm sure you'll have someone who owns one close enough to you and willing to let you have a go. I think BF has a network of people who are willing to let you have a go. Maybe contact BF through FB.

Scaled down from my big board recently. TC Toneprint effects are fantastic.

LH500 good too. Cheaper and really simple front panel.

@dmccombe7 I have a BF SIX10 and a BF Big Twin 2 and use them both (not at the same time but I could) with the 400+. They’re very different beasts indeed. The SIX10 gives the most plug and play result, the Big Twin 2 because it’s so transparent needs more tweaking based on the room. Both of them absolutely kick the back side out of the Mesa 410 Diesel I used to have. Weighed a ton and was worthy but didn’t do the amp any favours. I have no experience of the Powerhouse cabs.

Not much in the world better than this.

@dmccombe7 the Taranis is currently a one off 😉. It’s essentially the same power section as a Matamp GT200 or Orange AD200 but with two channels each with its own style preamp circuit and EQ. One EQ is a Fender style EQ and the other is the Baxendale-James type. The channels are clean/driven vintage-ish and the other is driven modern to absolute filth with a switch that gives Ch2 two different characters. It also has power switching options where it can go to half power across all four Kt88s or can be switched to run on two valves or can run on half power to two KT88s. Handy for recording at sensible volumes while caning the big tubes for that bottle-warmth. It has a voice selector switch that gives it four distinctly different characters, one of which is great for guitars. It’s all way over the top but is incredibly versatile and it cost about the same as a GT200. I think the intention is that MJW will make a much more straightforward Taranis if anyone wants one. Mine was like an experimental (mental?) venture.

Actually there’s no choice of pre or post. There’s an explanation for it in the manual for either the WB or the 400+.

I’ve just been on the Mesa site for the first time in years. Wow! They’ve stripped the bass range back massively! I understand them ditching things like the Titan V12, Big Block 750 etc but surely not having a bass combo is a gap? A combo with a D-800 that slides out to replace the Walkabout Scout seems like an obvious one. Do combos really only appeal to the low end and mid range of the market?

1. What makes owners of Mesa gear like it so much. (general question about Mesa gear ie build quality, support and availability) - Sound, build quality, character. I have more compliments about my sound when using Mesa gear than any other. 2. What is it that made you pick that particular amp over others. (in respect to other Mesa amps or cabs and maybe in respect to other manufacturers gear) The 400+ is iconic. There's a reason it's one of the default models on Logic Pro X. It gives me a sound I absolutely love. Bass = 3, Treble = 3, MIddle = 10. I have a Walkabout Scout 12 too and use that with it's own 1x12 combo or with a BF TWO10. Both have very similar flavour sounds and cut through the mix. The 400+ is used either through a BF Big Twin 2 or a SIX10. 3. Is there a favoured set up that majority of owners prefer or would prefer. Not particularly. I change mine depending on the venue, my mood, whatever. 4. Can you describe briefly your preferred tone (ie, warm, mellow, mid-punch, heavy bottom end, high top end are just some things i can think off). A middy clank not unlike Duff McKagan, a thumping P-bass with flats depending on the song. Both the 400+ and the Walkabout get me where I need to be. Once you've learned how to quickly adjust teh knobs on the go, it's not an issue. 5. what bass do you generally use with it. (just to give me an idea of whether your bass is passive, active or has a deciding influence on how your tone might sound) Yamaha BB2024x, Valenti P-bass, G&L2500 6. Finally what Mesa gear would you recommend for a Mesa Virgin like myself playing mostly classic rock with a Jazz bass but occasionally depping for other music genres doing pup / club material. A Walkabout Scout or a Walkabout with a quality 210 would probably serve you well. The DI on Mesa gear is weird. You have to be aware that if you change the master volume setting it will affect the signal out so if you tweak up your volume on stage the desk is going to get a hotter signal. Worth mentioning to a soundman just in case. My 400+ measured the power output at approximately 245W clean and 350W maximum when clipping as done by MJW Amps during a service. Transients could well be higher. It's not stupidly powerful but it is loud through a good cab. As a comparison, my MJW Taranis 200 (4 x KT88) is 253 clean and 544 fully clipped.

Any ideas what these are? Roundwound, dark green silks, coloured balls, probably D’Adarrio but what kind?

It's two sockets or carrying an extra adaptor. I think a Behringer BDI21 and a daisy-chain off the One Spot is a fairly cheap option here. The DC5 is similar money to my T-Rex fuel tank on gigging board. Before I wore glasses (2016) one of the "Should have gone to Specsavers" moments I had was plugging an MXR M80 DI into an 18v supply. That was an expensive afternoon's recording session

I had a BFR for a short time and sold it on. The Sansamp, Comp and Tuner are excellent. The OctaFilter is a waste of space for me. It would have been better to have a more conventional envelope filter and independent fuzz effect. The other irritation I had was that the knobs kept coming off. Check out the Valeton Bass Dapper. Chorus (superior to the BFR, it’s a Boss CE clone) and Comp are good, build quality is impressive however the amp section seems to add too much colour but it’s EQ section is excellent for a non-sweepable type. The filter is a BassBalls clone and is more useable than the BFR but if you don’t like the distinctive quack of the B.B. it’s annoying. The Dapper has an effects loop and would be easy to add to an existing board whereas the BFR doesn’t. BFR and the Bass Dapper both score a very differently derived 6/10 from me. Hopefully both companies will get it closer to what’s right next time. Overall the concept of these effects strips is very attractive and I prefer them to programmable multi-effects especially since in both cases, SA and Valeton, they have an integral XLR/DI out unlike the Zoom B3n and new Boss unit. The disappointments of the strips has brought me on to building a four pedal board for rehearsals and small gigs where my main board is too cumbersome.

I’ve got a Pedaltrain Nano that I bought from a guitarist in Work. It’s 14” long and will take the DHA, my TC SpectraComp mini pedal, TC PolyTune mini and a standard size chorus pedal. There’s no room underneath like on the large PedalTrain boards to fit a power supply unless I get cunning with some spacers and longer machine screws and adapt the feet. Time to investigate a hack I think.

Bit of a cry for help with a pedalboard snag. Now then, I have a couple of well loved pedals that run on 12v and when they're on my big pedal board that's not a problem as I have a T-Rex Chameleon that does all the voltages I need. I'm putting together a small pedalboard (4 pedals) and wanted to use a One-Spot and daisy chain the power. The big problem here is that the DHA VT1 pedal I have doesn't sound anywhere as good at 9v. I decided to start looking for a solution and found this: http://www.godlyke.com/power-all/godlyke-power-all-accessories/iso-pump-voltage-converter $40 from the USA. Hmm, s bit steep but it's a solution. Postage is $48.50 plus there'll be the tax stuff meaning it'll be about £100 by the time it's landed. My last holiday didn't cost that much and I knew exactly what I was getting. There's no magic in that iso-pump device so does anyone know of some equivalent available cheap in the UK or a very simple 9v-12v conversion solution for one pedal?

That's a crackin' elevator pitch

Once you become familiar with G&L switches you can make the changes instinctively - I do. The L2000/2500 with those MFD pickups is astounding! It’s really Basszilla through my big rig. I have a mod on mine that does the inner single coils in parallel, it gives a Faux ‘Ray sound on top of all the other fantastic combinations. The 3-band East Pre-amp mod helps with the shaping too. G&L MFDs cut through the mix too.

Here’s a BB1100S for peanuts from a fabulous retailer... http://greatbritishbasslounge.com/product/yamaha-bb1100s/ It’s the owner’s bass and comes with an excellent pedigree. You can spend the leftover money buying me a thank you gift 😉

Obliterated by so many cover bands in so many pubs that just don’t get it 😩