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funkydoug

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Posts posted by funkydoug

  1. In immaculate condition - other than it has very tidy, unused velcro strips on the base courtesy of its former owner.

    Bought this on BC, loved experimenting with it but realised it'll be unused for 99.9% of my playing time so it has got to go.

    For the uninitiated: www.cogeffects.co.uk/t-65-octave.php [color=#006621][font=arial, sans-serif] [/font][/color]

    [attachment=254501:cog.jpg]

    More pics here: [url="https://drive.google.com/open?id=0B0rQ2P3aqdeSUEZkLXlHY2xrQjg"]https://drive.google...UEZkLXlHY2xrQjg[/url]


    £130 includes postage to mainland UK.

  2. Selling this wonderfully clean example of the Boss GE7-B.
    It is an original Japanese pedal from the early 1990s that Boss released as part of a series of 5 brown-coloured bass pedals.
    It is obviously the ancestor of the current GEB-7, but the frequencies you can adjust are quite different. That's worth looking at, as this pedal gives you control over different parts of the sound. For me these are a better selection of frequencies, but as ever it's horses for courses...

    I bought it on BC not too long ago but have never used it, I ended up getting tone I needed from a preamp.
    Very clean indeed, and comes in the original box (also almost perfect condition).



    More pics here: https://drive.google...bEowVUFQSzVoamc

    Now £70 posted to your door.
    Cheers Doug.

  3. I've always ended up looking at compact multitrack recorders for home practice ...
    For example, Boss br80, br800 & zoom r8, r24 tick most of your boxes, and more. No DI though, just line level out.
    I've had several over the years and the modern ones from zoom and boss basically sound very good indeed for your purposes. The BR80 in particular could be used as a micro preamp. There is a tiny learning curve but it's really not an issue at all. They also cover your guitar and vocal needs too if you're that way inclined, work as field recorders and USB interfaces.
    Main advantage over iPhone /iPad is that they are dedicated units. So they don't get updates at inconvenient times, I don't get email, notifications or other cr@p when I'm playing and they have the required inputs and outputs without the need for a separate box.
    Can you tell I'm a fan???

    Cheers, Doug :)

  4. SOLD
    ## Price dropped to £275 ##

    selling this fab combo.

    I bought on BC about 4 years ago, lightly gigged in a function band (no wild stage antics or flying beers, unfortunately) and cared for it and it is in the same condition now as it was then. Very good condition other than: the paint is coming away on the handle anchors, a few tiny marks on the tolex and a I've replaced all the knobs with new silver ones as one had been lost. In general though it is very smart, it has never ever missed a beat and has drawn compliments from band mates.

    It is very powerful, delivering all 400w internally through a clever system where each speaker and the tweeter has their own power amp.

    [attachment=255452:IMAG0394.jpg]

    Full spec and info from Roland: [url="https://www.roland.com/global/products/d-bass_210/"]https://www.roland.c...cts/d-bass_210/[/url]

    Pics are here: [url="https://drive.google.com/open?id=0B0rQ2P3aqdeSd0xVSWwyYTVuZEU"]https://drive.google...d0xVSWwyYTVuZEU[/url]

    The speakers are Neo, so for a loud 2x10 combo it is not too heavy at all, although despitebeing Class D and Neo, it is not in the same physics-defying ballpark as some of the very new combos. As usual with Roland / Boss, it is 'built like a tank' and could survive just about anything ... so if it all goes Pete Tong with North Korea it could be a very handy bit of kit!

    Happy to answer your questions and to arrange a courier at the buyers expense and liability, probably about £30.

    Cheers all, Doug.

  5. am I going mad, or what??
    Thinking of downsizing from the already compact Roland 210 DBass to something even more portable. The main reason is not just that it is a (very) slightly awkward carry when getting through doors, stairs etc. The main push is that I'd rather get away from the digital modelling and get a straight analogue signal chain. I'd hope this would lead to a more 'organic' (read warm / vintagey) tone and I kinda think all analogue is going to be fixable when the inevitable happens whereas the Roland stuff may not be.

    I have gigged the Roland lots and it has been absolutely great but there now seem to be loads of small amps out there... I am doubting my sanity here and would welcome some feedback from others who gone to a micro rig or those who've played Roland DBass 210s.

    Cheers all,

    Doug.

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