BassTractor

Welcome to BC, DD!
I hope and trust you'll enjoy.

best,
bert

Enthusiasm for music - 95%
Musical perception - 99%
Emotional connection - 82%
Social creativity - 96%
Musical curiosity - 99%

Like others, I was quite surprised that I didn't score higher on Emotional connection. Then again, I do see that music doesn't rule my world like it did 30 years back, so maybe the results show some old git relativism on my part.

Like some others, I was bewildered by the music styles, thinking they meant classical, jazz, reggae, hip hop, pop and rock, whilst still giving me only four groups.

Maybe I read the instructions poorly, but I gave the slightly off-beat examples the OK, thinking that it was OK enough for a test like this. Wrong!

I was very disappointed with my ability to compare the piano tunes, and felt I was more lucky than I deserved.
Happily though, I will live.


best,
bert

[quote name='warwickhunt' timestamp='1337092180' post='1655273']
but I'm not sure why that should cool your opinion of them!
[/quote]


Well, at any rate, It's not about my opinion on the basses themselves.

But I do react strongly negatively to this type of forum abuse.
As an importer/distributor, and having my own forum on my own website, I never use that forum (my own forum, mind you) for corporate cut 'n' paste or blatant adspeak. It's distateful. I hope it also is unintelligent.


best,
bert

Hey Gothmetaldude,

Welcome to BC. Yeah, loud and powerful is a good thing. Only drawback of loud and powerful must be the design of some instruments.

best,
bert

[quote name='Warwick_Official' timestamp='1337085252' post='1655097']
Thanks for the feedback! We've recently combined the pages to offer the New Warwick & Framus Facebook page. Warwick Basses and Framus Guitars are made side by side here in Markneukirchen, Germany (as well as the Framus Vintage/Artist Series and the Warwick Pro/Artist Series, made in Korea)...which many people do not know! Fred Wilfer (Father of Warwick's Hans-Peter Wilfer) created the Framus company in 1946. For decades Framus was one of Europe's leading stringed instrument company, played by artists such as John Lennon, Elvis Presley, Billy Lorento, and Bill Wyman. In the late 70's Framus was forced to close due to competition from the Asian market...but after a couple years of transition, Warwick was founded: 13 September 1982, by Hans-Peter Wilfer) Now, 30 years later, Warwick and Framus offer an amazing array of models and options...as well as an incredible Artist roster. The factory is a blend of cutting-edge technology and hand-craftsmanship...with a dedication to high environmental standards. We welcome all your comments...thanks!
[/quote]


After that post, and the intense FB advertising, my warm relationship to Warwick is already cooling down, I'm sorry to have to say.

bert

Welcome, Chris, from another old noob.
I'm sure you'll enjoy this forum.

best,
bert

Welcome back then, Rob, though of course your best 99.9% won't be affected by my welcome.

best,
bert

Similar as above, of course, but we were putting a band together for doing some originals and some covers, of which I remember a Gentle Giant song and one by Dalbello.

In comes this guitarist with his axe tuned to an E minor chord. A barré (that the word when you pinch all strings with one straight finger?) plus one finger is major, right?
Explains he was in a metal band that got a record contract after they'd thrown him out.

best,
bert

Hi Garey,

Welcome to BC. I hope you'll be able to enjoy as well as shed professional lights.
Love my RB Corvette!

best,
bert

Welcome to BC, DarkHeart!
Enjoy the ride!

best,
bert

It depends on the music for me.

In rock or pop, I listen for stuff that I just happen to like. That would normally be the harmonic and rhythmic drive, but might be just one nice interval, a chord progression I have a weak spot for, or whatever rocks my boat. As far as instruments go, despite having been a keyboards guy for 45 years, I mainly listen to the bass and the drums. Melody is not my force, and I'm totally lyrics-deaf.

Recollection depends on the song. Some stuff will never be remembered even after dozens of listenings, whilst other stuff sits "photographically" in my brain after just one listen.


When listening to classical music, there's both the composition and the interpretation.
As to the interpretation, I listen for whether the artist has anything new and interesting to say about the work, has balls enough, sensibility enough and enough prowess to show both the analytical side and the "lyrical" side of it, in a personal yet balanced way. (I don't know if this makes sense, and bravely hide behind the fact that it's almost two o' clock now, and I should def. be sleeping.)
As to the composition, I'm rooting with the composers, and don't want them to fall into traps they set up themselves. So I tend to be an active listener in that I concentrate on the rhythmic and harmonic machines, and "talk" (in my head) to the composers as the music unfolds, as in "Do NOT repeat this II, V, I now. At least use a VII, or else you're gonna have to land this movement prematurely."

I have little recollection of the piece until after many listenings, but I'm a bloodhound for quality, often being able to pinpoint the composer on basis of sheer compositional quality, like: "The composer of this late Renaissance music is so good, it can only be Monteverdi. Or: each time this composer is confronted with a problem he created himself, he'll quickly run back to the root key. So it must be Vivaldi."


bert

To me it seems like a bloody great way to do it. Have never tried though, but was taught to sing along with the different parts while studying organ pieces, to get a feel of the "breathing" of the themes.

best,
bert

Hi Aj,


Welcome to BC!
Switching to bass was a great move indeed. Me, I switched from keyboards after 45 years, and only wonder why ever I didn't switch earlier.


Enjoy the ride!
bert

Indeed he probably means the E string on both.

Now I wouldn't know, but someone I know says the very same. For decades, this guy has worked as producer and studio technician for Nile Rodgers besides playing guitar, bass and keyboards. He has worked with people like Jimmy and Stevie Ray Vaughan, David Bowie, Diana Ross, The B52's and lotsa others, so at the very least, he's not a noob.
He says you'll never get the same great tones from the E string on a 5 string bass as from the E string on a 4 string bass, and he's very specific and firm about that.
I trust him in this for several reasons.

My guess is that neck and joint stiffness, or lack thereof, as well as sympathetic resonance issues, would be likely causes.

best,
bert

Hi Rick,

Welcome to BC! I hope and trust you'll enjoy both the friendly atmosphere and the loads of info one gets here.

best,
bert

IME and IMHO: no for like 99.9% of families.

Within the circle of musicians that I belonged to, professional musicians all of them, NOBODY had a good, stable income - with the exception of those who taught at the college of music.

In a travelling band, things are a lot worse. You'd have to be one of the extremely few. Good luck to you though, should you decide to go for it.


best,
bert

[quote name='gafbass02' timestamp='1336662126' post='1649120']
Thanks mate. very nervous about sticking that on here in this company lol
[/quote]

Just remember that also company like myself are here, and at least one person like me got a lot of inspiration from that vid.
Thanks so much for sticking it on here!



back to practising,
bert

Hi Alan,

Welcome to BC! I'm sure you'll enjoy this friendly place.

best,
bert

Ah! The bliss of being self employed! When I eventually do get disturbed by customers, they'll have to wade their way through basses and amps.
Have no money, of course, but can play bass whenever I want.

best,
bert

Yes, it's rubbish in my opinion as well. That being said, in my experience it can be used for its purpose, so I'm inclined to think yours is faulty.

Happily, these days we have mobile apps that do the work sooo much better. OTOH, they require relatively expensive adapter cables that generally lack the sturdiness of the AmPlug.
Personally, I prefer the apps by far though, and just treat the cable carefully.

best,
bert

Welcome, Maurizio!

Please tell us a little about you and/or your gear.
Enjoy the site!


bert

[quote name='xgsjx' timestamp='1336027631' post='1639571']
One thing that seems to be a bit misleading is "[i]2 parallel speaker outputs - to use with 2x 8 ohms bass cabinets or 1x 4 ohms bass cabinet[/i]". I believe this would only be the case if you are to disconnect the internal speaker (which is probably 8Ω) as I don't think the amp will run at 2Ω. So when you are adding a cab, do check in the manual what it will take to save overheating.
[/quote]

[quote name='debwilliams' timestamp='1336044088' post='1639882']
XGSJX - Wow, bit too techy for me! When I spoke to Ashdown they did say that I could add a cab but I have absolutely idea about the other stuff you've added.
[/quote]


Misleading indeed. My guess is that that text comes from the description of the separate head.

With these combos however, there's no worrying. They work just as separates.
The internal 8Ω speaker is not internally connected, but just connected to one of the two sockets on the back of the amp. Normally one would just plug one extra 8Ω cab into the other socket, and run at 4Ω that way.

Deb, if you do decide to add a cab, just make sure it's rated 8Ω. Ashdown build both 4Ω and 8Ω, and they are clearly marked as such.


best,
bert

Hi Enrico,

Welcome to BC!

bert

[quote name='spinynorman' timestamp='1336135225' post='1641391']
So in the BT ad with the student and his on-line mum...

"You don't need to know that one."

Which one's that?
[/quote]

Haven't seen any BT ad, but this can only be MILF, right? Do I win a fish?

bert

Great thread, and great stories about telly watching.


Still don't grasp what "zoning out" means. From reading here, I've (mis)understood:
- One case seems to be that one plays on autopilot whilst watching the telly, or using one's time even better thinking of beautiful women or men.
- The other case seems to be that one is "in the zone", as in fully immersed in the music, and playing at one's top level or rather better, as everything inspiredly gets together and forms a "higher unity".

So, what is "zoning out"? Something completely different perhaps?


best,
bert