mike f

Don’t blink or Something’s afoot! Previous to my earlier communication.., an addition found in excellent condition for £80 which has now gone some way to filling the gap on me board.

The Warm Audio Mutation is one good sounding pedal for sure. Looks cool too! Hmmm, flanger, phaser, flanger, phaser. What to do?

@Boodang it’ll either be the Flashback or the Boss DD8. Still undecided. I actually own a 1980/1 EHX Small Stone but it just takes too much low end away. Maybe I need a Line Selector too?

@MichaelDean thanks appreciate that but I just don’t get on with anything approaching a multi fx. They give me the fear which I realised years ago that that’s not so good mid gig. I’m a one-pedal-one-sound kind of guy!

@Homatron A ring modulator might be touch too weird but I like your thinking. An expression pedal (that doubles as a volume pedal. Is there such a thing?) linked to a delay pedal is a cracking idea. And maybe drop that flanger I’m after into the last bit of space. 👍

Regarding my own post, yeah I know, how’s about some suggestions for what I could fill the chasm-like space with? Anything goes (and currently I’d like to add a delay and flanger) so fill your boots. Basschatters, do your thing!

Mind the gap! All comments welcome.

I like its simplicity and it is hitting the sweet spot for me. It might do for you. I say go for it and get one.

Got a nano Q Tron today. Not much going control-wise but it does have a tone that I like. I used to have the big old 24v wooden box one, and I do miss it. The nano goes some way to scratching that itch. Should I have gone for the Q Tron plus?

Yeah I’d go with that range. Mine, above, was £799.

100 Club Bull & Gate - Kentish Town Hope & Anchor - Islington Dublin Castle - Camden The Garage - Islington Bucket list venue - 1st Avenue in Minneapolis

I met Vlad Naslas in the 90s and played through one of, if not the, first Meatballs. Nice chap. Nice pedal.

Anyone just given up on dynamic filters and just gone for a foot operated wah? Probably the wrong place to ask. Do I just need convincing/ more money/a slap?

@Risk101 thanks. Not a finish I would normally go for but it’s growing on me quickly. There are a lot of sounds in there, and I like the look of the single pickup, and I’m keeping the blend right down the middle. Playing-wise it’s a dream and I couldn’t leave the shop without it. It was one of those occasions when you just find the right one.

1997 Pro-M with an East preamp. Purchased this Saturday just gone. Colour is Almond Sunburst. After over a decade I finally return to owning a Warwick and bloody hell I’ve missed them.

Sister Sledge - Thinking of You. Nard!

Fender Mustang. All kinds of ugly wrongness.

That Royal Blood person.

I’m more black body and maple neck. Brownmark, Prince & the Revolution.

If any of you want to bully me into buying a maple necked early 70s jazz bass, fill your boots!

You need to play that bass, man. Do it, we only pass this way once!

Perhaps then the title of this thread should be; “Is there a popular bass player, that you DO get, as far as their popularity is concerned, but cannot for the life of you understand why because as far you’re concerned they make a horrid noise?”

Joe Dart - spray on cheese

Binding intact. Fret ends smooth as a baby’s whassername.