casapete

Same here Lozz. Did hundreds of gigs with my 80’s SVT rig, and most of them with no FOH support, even in reasonably large venues. Often the engineer would place a mic in front of one of the speakers ‘ just in case’ but I don’t ever remember it being utilised. There’s something about the SVT/810 thing that makes the bass felt throughout the room. Also worked with some FOH engineers who mic up the cab as well as use a DI. Some used both feeds to get a sound, others used just one source with the other there as back up.

Good call, but does look like a long scale job to me?

Not sure if this pic is ‘real’? Clapton’s band was involved in MusicMan endorsement in the 70’s and early 80’s, but this pic is later than that.

I must admit, I struggle with the whole Blues Brothers thing. Great film but the way it turned some great songs into what became boozy anthems I found rather annoying, especially as had been a fan of this music since the 60’s. Ditto The Commitments, and what followed on from that film. I suppose it’s best to regard them both as vehicles for younger generations to hopefully access fantastic soul music, same as I did with English blues players being a gateway to the original stuff.

The Housemartins. After a lot of success, ‘the fourth best band in Hull’ split meant two of the band, Paul Heaton and Dave Hemingway, went on to form The Beautiful South, with Norman Cook morphing into Fatboy Slim as well as forming Beats International and Freak Power. When The Beautiful South split ( due to ‘musical similarities’ ) Paul Heaton continued to record and perform with Jacqui Abbott.

I still have access to both a pair of HiSys 1 and 2’s. Haven’t used them for a while, but always sound pretty good. Couple of the horn drivers have been replaced over the years, but still have the original BW speakers in them. I also used a HiSys2 once for a bass cab and it was pretty good. Old Peavey stuff was just about bomb proof, great value and serviceable too.

I was fortunate enough to see the composer of ‘Wichita Lineman’, Jimmy Webb, perform the song last year at The Stables in Milton Keynes. Just him playing grand piano - absolutely wonderful.

One of my favourite ever songs. Good job we’re all different though eh? 🙂

I used one of these once, bit heavy but it sounded okay if a touch underpowered. On small gigs I occasionally borrowed our keyboard player’s Roland KC350 combo and that sounded okay too. Don’t you just hate it when manufacturers name amps something you believe to be the output and it isn’t? Often combos where the model number relating to output is only possible if you add another cab.

I actually quite like ‘You’ll never walk alone’, and aren’t a footy fan either. It’s one of those songs you think is easy to busk but then catches you out - well it has me a few times anyway. Also love ‘Ferry cross the Mersey’ too, despite me having no Liverpool connection. Great tune.

I agree, great tune although can’t hear it without seeing their bass player David Steele doing his strange off beat dance moves in my head. Same as when he formed Fine Young Cannibals too, brilliant stuff and a very talented guy.

Not sure about hating it, but I would be a very happy bunny if I never had to listen to ‘Careless Whisper’ ever again. Such a dreary repetitive song, with the usual G. Michael angst laden vocal making the 4 chord ’tune’ so annoying. It seems to go on for ever. And relax……

We did our annual gig last night at Conkers Discovery Centre, which is in The National Forest in Derbyshire. It’s an outdoor gig, in a small natural amphitheatre next to a lake. Great PA from Roger at Sonar PA and Lighting, and a capacity crowd despite the dreadful weather - torrential rain and lightning. Most of the audience were under cover but those who weren’t didn’t seem to mind! They were very appreciative of local band ‘Landslide’, who played a brilliant set of Fleetwood Mac tunes to start the night. We then went on to do one 90 minute set, which flew by. Quite disconcerting to hear torrents of water lashing down a few feet away from your bass rig, but no real issues thank goodness. The usual speed limits and diversions all the way back meant I wasn’t home until 2am, feeling rather knackered.

This ^^^^ I’ve done plenty of gigs in the past that I haven’t been particularly proud of, but it’s usually been a learning curve of some sort or other, even if it’s just been gritting your teeth and taking the dosh. ( Also done a fair few for not much dosh!) I consider my ‘dues to be paid’ now though, and only do the gigs I want to. As I head towards semi - retirement this will definitely remain how I roll. 😊

Still got my Korg GT6 tuner that an ex-girlfriend bought me in the late 70's I think. Works fine albeit a bit bulky!

Cheers. Regarding my duo, it's acoustic guitar / lead vocals and me on acoustic bass / harmony vox. We're called 'Milestone'. We've been doing it now for around 25 years, and my mate on guitar is literally one of the best players I've ever seen, let alone gigged with. He can play pretty much any genre of stuff superbly, and has that greatest gift of all musicians which is knowing when not to play too! He has a great voice and fronts the duo really, with me chipping in or singing lead vocals occasionally as and when. We've got that telepathy thing sorted so it really is a breeze playing with him. I'm considering retiring from being on the road with my main band next year, but can't ever see a time when we won't be gigging with the duo. We have a monthly residency in a local pub, and also regular gigs at a restaurant in Scarborough which is an absolute delight to play ( see pic below). On top of that we do functions / weddings etc as well as my local pub over the road and others. He's a fully pro player, so it works pretty well - the main issue being when we get offered gigs is whether we are both available. (No YT footage I'm afraid, although there may be something lurking I'm unaware of.)

Absolutely - my current band has crew to lug my GK rig around, and our gigs in theatres are usually over by 10pm. This was a major factor in accepting the position in my advancing years! The only ‘downside’ with all this is the driving really - we play all over the UK. I’m the main driver of our band bus, and actually prefer driving to being a passenger. I also never fall asleep at the wheel for some strange reason, even if it’s a long journey home after a tiring few days on the road. What gets me are all the diversions we encounter virtually every night which make a long journey even longer, as well as all the bad driving we see everywhere.

Peavey did refer to them as ‘digital’, although I believe the digital bit was in the processing somewhere that controls the EQ.

I’ve made a living from playing music now for a tad over 30 years. I gave up my day job with a local newspaper in the early 90’s due to increasing pressure on my workload, and this coincided with me being offered a position in an 8 piece function / wedding band. Prior to this I’d been resident in cabaret and working men’s club bands, working 3 nights a week alongside my regular 9 to 5. At this point I was earning good money from the two jobs, along with a company car, so giving up one of them wasn’t an easy decision. I was married, with my daughter at primary school too, so it was a massive change for me. Early on I worried about volume of work / paying bills / buying a car etc, but the band were doing well and it soon settled down. I stayed with that band for 16 years, through good times and some bad. This was a time when many pub bands were trying their hands at function work, so we were being constantly undercut and also seemed expensive as an 8 piece outfit compared to a smaller band. Also the running of the band was blighted by alcohol and substance issues ( not mine!) so I started to look around for something else, not easy as in my early 50’s by then. I did contemplate a 9 to 5 again, but then got offered my current gig with The ELO Experience. I’ve been doing this now for around 13 years, after initially doing some deps for their original bassist who was sadly battling illness. Absolutely love it, playing with a great bunch of people and crew and earning a decent wage. Through all the above I’ve worked with my best mate in an acoustic duo too, so been good to have that income, along with many deps and one offs as well. I’ve never earned shedloads of money, which I suspected would always be the case, but have managed to live a reasonable lifestyle. Paid off two mortgages, holidays abroad etc etc, although by current standards we still live quite modestly. Would do it all again if I had the chance* and am now facing the dilemma of when to consider retirement from the band, although can’t ever see me not continuing with the duo. *Only thing I would have altered would have been to learn to read properly, which may have resulted in more work.

I stopped using a tuner pedal (Arion) a few years ago, preferring a Snark clip on tuner now. More convenient, just as accurate and one less lead to worry about.

We only do this one Blue, as a favour for the owner who I’ve known for a few years. It’s actually quite enjoyable, and the residents seem to like it. When my Dad was alive, I used to take him to regular ‘singing with dementia’ afternoons, and it was really moving to see people who struggled with their everyday life managing to remember lyrics and tunes from their younger days. It’s also easy to think the residents all like really old stuff, when in reality most of them probably remember seeing the Beatles and the Stones in their youth! We do requests, and the ones we get back that up - usually Elvis / rock n roll / 60’s stuff is popular, with the occasional standard thrown in too. It’s lovely to see how they react when we play their favourite songs.

Got some last minute comp tickets to see Rod Stewart in Hull last night, with Culture Club supporting. Venue was Craven Park rugby stadium, home of Hull Kingston Rovers. I normally avoid big gigs like this but decided to give it a go, and Mrs CP wanted to see Boy George too. We were pretty near the front so a good view of the stage, and the sound system / mix for both bands was faultless. The weather was kind - big downpour about an hour before the show and then a balmy evening. Culture Club were fantastic! George’s voice was absolutely spot on, and the rest of the band were excellent too. Mickey Craig on bass sounded great, playing an Olympic white Fender Jazz 5 string. Forgotten how many good hit songs they’d had over the years, and the crowd loved them. Rod came onstage with his band soon after, strangely opening his set with a cover of Robert Palmer’s ‘Addicted to love’ complete with girls as per the original video. Soon got into some of his own stuff though, and he was in surprisingly good voice too. The band were brilliant, with (I believe) Curt Schneider on bass playing solid supporting lines on a Precision and a Hofner violin bass, as well as acoustic upright for a few of the quieter acoustic tunes. The crowd loved it, and so did I, although the Vegas style production occasionally felt a bit unnecessary when I would have preferred a more pared down set. Understand that it’s probably best for stadium sized gigs though, just a few too many costume changes and girls. Icing on the cake as we sneaked out just before the end was bumping into Boy George and Mrs CP getting a picture with him which made her night.

After playing on Saturday night to around 3000 people at a festival, I had a gig this afternoon playing to around 30! We usually do a care home ( where my Dad spent his last days ) twice a year, Summer and Xmas. The weather held out so we played in the courtyard garden, with requests ranging from Elvis to Nirvana ( okay, that was from one of the staff). Apart from my bass lead, it was the first time I’ve done a gig with a Bluetooth PA including mic - great JBL speakers sounded fine. Used my little Ibanez electro acoustic and Fender Rumble, ideal for such occasions.

I honestly didn’t think Debbie was any worse than Elton John at Glastonbury, and it seemed he was universally acclaimed for his performance. Sure, she wasn’t bang on with all her stuff but at no time did I think she ought to pack it in. What do people expect from a 77 year old for gawd’s sake? Also thought the band sounded great too. 😀

I have two identical sunburst Precision Lytes. Both from the same year, with fairly close serial numbers IIRC. After getting the first one, I was so impressed that when another one came up for sale I couldn’t resist it as a spare. The late era models like mine are less common but I much prefer them - chrome hardware and better paint finish than the earlier ones IMO. ( I actually had 4 of these at one point ,although the other two were white and red) Once I’d used a P-Lyte, I realised that it was the answer for me to continue playing into my later years, as I had a shoulder injury which meant I had to abandon using Stingrays. At just 7lbs my bass is the ideal weight for me, hence wanting to make sure I wasn’t short of them. 😁