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matt-bass-sparkes

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Everything posted by matt-bass-sparkes

  1. Hello, I am in need of a SPB-3 (AKA Quarter Pounder) for my P-bass project. I have an SJB-3 from my Jazz bass, and I am willing to swap this for the P-bass pickup. I've had the Jazz one for about a month, and it's very clean, very little wear, and sounds f*£&ing great! It's a BRIDGE position pickup, so please be aware of this if you need it for your Jazz bass. I also have the plastic box for it. Straight swap would be ideal. I live in Brighton. Text me on 07540 947182 if you want. Cheers. Matt.
  2. Ah awesome!! Cheers people! What I may do then, is grab a Seymour Duncan Quarter Pounder for the neck position with a standard 250k pot, and then get a SD Vintage Single Coil for the bridge position...I was thinking about getting a 500k pot for the bridge position to further bring out the high mids and treble...however, can you actually mix and match the resistance of the two volume pots? Or will this create some sound issues? May stick with the neck to be honest...will just reglaze it. I'll post some pics of the finished article if anyone cares lol
  3. Thanks for your comments everyone Apparently the wood is "Agathis"....is this up to standard?
  4. I recently bought a 12 year old Squier Standard Jazz bass...mostly because my previous bass broke, and I was skint..! I am slowly gaining more money, and definitely looking to upgrade again... However, does anyone have any knowledge on the wood type of Indonesian crafted Squiers from late nineties/early 2000's? I'm wondering whether it's worth just totally renewing the electronics and hardware, (definitely get a new neck...this one feels horrible!) and keeping the body...this would obviously be more cost effective, but I won't do it if the wood is not up to it. I've been told by a few people that the quality of Standard Squiers is comparable to Mexican Fenders...is this also true-ish? Many thanks.
  5. [quote name='lettsguitars' post='1117709' date='Feb 6 2011, 02:40 PM']shouldn'y be a problem with your playing style. the flatwork is crewed down and the poles just need putting back in those holes with some superglue. be dang careful with those coil wires! more delicate than a red wine hangover.[/quote] But how does the pickup actually connect to the rest of the electronics..? Maybe I'm being really dumb, but I just can't figure out how the signal gets to the pots from the pickup as there are no wires to connect to it Thanks for your reply though!
  6. I played a gig last night with my P-bass, and the pickup literally fell out!! The pickups on the '51s appear to just be glued on, and the coil wire soldered directly onto two terminals... I have attached a few photos... Has anyone else experienced this problem? I play with my thumb anchored onto the pickup, so this is obviously a bit of a problem for my playing style..
  7. Would you consider doing a straight up swap for a 51' re-issue Fender P bass? My post is also on this thread if you would like to see some pics? This bass is a little heavier than normal...and it's not head-heavy at all Thanks!
  8. Hi, I have a Japanese 1951 re-issue Fender Precision (Telecaster) bass. It's is 2-tone tobacco sunburst, with a black scratchplate (instead of the factory white one). I've also changed the bridge to a more sturdy one, but I still have the original bridge and saddles. It was relic'd by a guy in America (Alabama) whom I bought it from about 6 months ago. However, as for my ever-changing mind, I would prefer to have a 2-tone sunburst split-coil style Fender P-bass, with potentially a J-pickup already routed near the bridge. Also with a rosewood fingerboard. Was wondering if there was anyone out there at all that would be up for a straight up trade? I live in Brighton. Here are some pics:
  9. Helloooo! I have a '51 reissue Japanese Fender P-bass. Sounds deep and growly...just like Fender intended. It feels great, and I wouldn't change it for the world. However, I have always been a fan of the Stingray sound...(but not the bass itself...which is odd). I am seriously considering buying and fitting a Stingray humbucker (for instance like these: [url="http://www.guitarpartsshop.co.uk/acatalog/Music_Man.html"]http://www.guitarpartsshop.co.uk/acatalog/Music_Man.html[/url] ) in the bridge position to my Fender. Although the Fender's tone is amazing, I sometimes wish that I could have a little more clarity, but with a bit more balls if you know what I mean... Aside from the cosmetic look (which many Fender fans may crucify me for!!), would anyone be able to lend me some useful advice on whether this would be a good-ish idea or not? I have experimented with basses in the past, and have never really been disappointed with what I have done, but I've never added a pickup that wasn't there in the first place... I realize that a lot of the signature Stingray sound is because, put simply, it IS a Stingray bass....but would it sound all too much different if I got it fitted on my P-bass? Apologies if there is already a thread on this subject, but I couldn't find one...! Many thanks, Matt.
  10. Hi, Many, many apologies if this has been done before...I can't find it but it might have been... I have been using my MicroSynth for distortion for ages, and while it's OK, it's not ideal... I play mostly modern function/covers at the moment as part of my function band, and there are quite a few songs that need a nice crunchy distortion, but not overpowering. I have played a big muff pi before, but not a Bass Blogger... Does anyone happen to have tried both, and could they give me some advice on which one would be suitable for a mild distortion that still retains the fundamental bass tone underneath. Thanks very much
  11. Hi, I acquired a '51 re-issue P-bass (Japanese Fender) a few days ago. I am still in the process of settling in the truss/intonation ect, but I have noticed that when I play higher than the 12th fret, I get this this horrible 2-tone sound...almost like an out of tune chorus effect.... Even when the bass isn't plugged in, I can still hear it in the body!! What the hell could it be?! I've never come across this before with any basses that I've owned. I've tried holding as many different things with my fingers incase some piece of metal was vibrating, but I can't find the cause at all... It's so annoying as this bass feels, and, (apart from said problem), sounds F%*^ING AWESOME!!! Cheers guys.
  12. [quote name='spinynorman' post='970901' date='Sep 28 2010, 05:15 PM']Wouldn't put it past Gibson to stamp it the wrong way up. EDIT for sensible reply. None of the Ripper/G3/Grabbers I can see on Flyguitars, which is as good a source as any, has Gibson stamped on the bridge cover. Looks like it might be off an SB 300 or 400. [url="http://www.flyguitars.com/gibson/bass/SB.php"]http://www.flyguitars.com/gibson/bass/SB.php[/url] If you ask on the vintageguitars forum or last outpost, you should get a definitive answer. [url="http://forums.vintageguitars.org.uk/forumdisplay.php?f=19"]http://forums.vintageguitars.org.uk/forumdisplay.php?f=19[/url] [url="http://bassoutpost.com/index.php?board=3.0"]http://bassoutpost.com/index.php?board=3.0[/url][/quote] Cheers for that mate!!
  13. I sold a bridge cover on ebay from a 1976 Gibson G-3, but before the winning bidder paid for it, he pointed out that the cover was not from a G-3. When I bought the G-3, the cover came with it, so I was none the wiser. The bidder decided to cancel the auction, but I was wondering if anyone could tell me what bass it's actually from? It looks like a G-3 cover, but the engraving is the wrong way round... Thanks.
  14. I am selling my original Gibson G3 bass from 1976. This bass is awesome!! The three single coil pick-ups really make this bass shine out from many other basses that I've played and recorded with, especially vintage ones! Even with old/worn roundwound strings on, you can still get a bright and deep tone with loads of clarity! The frets have all been worn down over the years to almost flat, which makes playing this bass an absolute dream! This bass has a few cosmetic scuffs/scratches/scars, but obviously can be expected from a 34 year old bass. There are a few dings around the bottom, top of the headstock, and on various small places around the body. The neck also has a fair amount of wear on the back and on the sides. I have personally used this bass a lot in the one year that I have had it, but I absolutely love basses to look used and worn...after all that's what they are for! Everything is original down to the screws APART from the scratchplate which was replaced a few years ago, and the bottom left corner has snapped off...this could be rectified with a new scratchplate, or a repair job to the corner. Also, underneath the scratchplate, it looks as though a previous owner has dug out some of the body in order to put in another pickup at some point....this looks a bit ugly, but luckily it's covered by the scratchplate. If this has done anything to the sound of the bass at all, I would say it's probably made it better, as this bass sounds so good! I'm not just saying this! The reason I am selling this is that I am a Precision bass player at heart, and I can't resist my urges anymore to get a sweet Precision...and unfortunately I can't afford to have both basses. Here is a link to a little video that I posted on Youtube just after I got this bass...the sound quality is a bit pants as I recorded straight into my laptop and the buzz is not coming from the bass. But you can hear the clarity of the strings, and the ballsy tone... [url="http://www.youtube.com/watch?v=2UIlEOUJexs"]http://www.youtube.com/watch?v=2UIlEOUJexs[/url] AND, for anyone that cares, I play bass for Pete Bennet And The Love Dogs (Pete won Big Brother in 2006), and I used this bass when we played at his wedding in February, and I got a 1.5 second shot of me playing it on Living TV haha! I'm looking for £750 including postage. Cheers. [attachment=59880:IMG_0758.JPG][attachment=59879:IMG_0757.JPG]
  15. [quote name='epiphonesteinberger' post='862575' date='Jun 9 2010, 08:23 PM']Hi bass people I'm selling my Japanese Fender Precision 51 Reissue, bought it second hand from the Gallery in Camden in 2008 and it was mint then, guessing it's about a 2007/8 but not sure. It's a gloss maple neck, sunburst body with a beautiful grain. I had a normal precision bridge fitted by Martin Peterson as the factory bridge on this bass had only two saddles and so had only limited intonation adjustment; now it's fully adjustable. The rest of the bass is all original, seriously good Jap build quality, built like a brick s**thouse. This is a mid-weight bass; it's slightly heavier than my old 60s p-bass but much lighter than my Les Paul. The bass is in nearly new condition, there is a fine hairline scratch an inch and a half long on the front which is very shallow and doesn't show from most angles and a tiny bit of scuffing on the side (both shown in photos). This bass has a great setup, medium to high, and it sounds fantastic; if you want an old-skool Fender sound this is the one. Several sound engineers have commented that they preferred the tone and signal of this bass over my vintage basses! I am selling it because I don't play it much and it's sitting in storage, to be honest I find the uncontoured slab body uncomfortable for me to play standing up, some people like the feel of an old slab bass but not me! Here's some pictures: [attachment=51752:IMG_6953.jpg] [attachment=51753:IMG_6960.jpg] [attachment=51754:IMG_6969.jpg] [attachment=51755:IMG_6970.jpg] [attachment=51756:IMG_6972.jpg] [attachment=51757:IMG_6973.jpg] [attachment=51758:IMG_6976.jpg] [attachment=51759:IMG_6982.jpg] [attachment=51760:IMG_6983.jpg] If you want to hear it here's some video clips: [url="http://www.youtube.com/watch?v=rsX4-t9LaXA"]http://www.youtube.com/watch?v=rsX4-t9LaXA[/url] [url="http://video.mytaratata.com/video/iLyROoafvVam.html"]http://video.mytaratata.com/video/iLyROoafvVam.html[/url] [url="http://www.youtube.com/watch?v=opRKTwzD_wc"]http://www.youtube.com/watch?v=opRKTwzD_wc[/url] The Duffy clips you're hearing a mix of half DI and half through an Ampeg SVT-VR. The Marina clip it's straight out the back of a TC RH450 on pre so that's basically the clean sound of the bass. Looking for £500, I'll chuck in an old Warwick Rockbag if you like. I'm in North London, prefer pickup in person. Cheers Ben[/quote] Hello, Don't suppose this is still on sale?? If so, I'll have it!!
  16. [quote name='Mr. Foxen' post='968877' date='Sep 26 2010, 09:43 PM']With rosewood boards, and other hard oily wood (brown ones, basically) lemon oil is the thing. But the 51 is an all maple, so should be varnished, oil will discolour it, although I've just spend a week feeding danish oil to a maple bass, and it looks lovely. I think you wanna get a bass, then ask about specifics of maintenance. If it is poly finished, like most modern ones are, a cleaning should be all it needs.[/quote] Brilliant! Many thanks. I hadn't really thought about the finish of the new bass... has eased my mind a little. Cheers.
  17. [quote name='Mr. Foxen' post='968845' date='Sep 26 2010, 09:23 PM']Poly finish rather than nitro and stainless steel frets should sort it. Refret is a bit extreme though. A good maintenance regime should really be all, wipe down and oil regularly, except its a maple board, so don't oil it. I think the reissue is poly finish, so just keep it wiped down, and if you have a lacquer crack seal it off with superglue.[/quote] Many thanks for that. What oil would you suggest? I wipe down as thoroughly as I can after each gig, so maybe I should oil at the same time too? CHeers
  18. Yo, (I have been a member on here before, but I have totally lost my login details and my old email address! I have had a problem for a few years now where my hands seem to sweat uncontrollably when I play... Obviously I can't prevent this form happening... BUT, do any of you have any "home remedies" to stop this from eating away at my bass necks? I sold a circa.2001 Jazz bass a few years ago that I played for about 3 years, and the neck looked like it was from a vintage relic just because of the damage that my sweaty hands did to it! Granted, I do play a hell of a lot, but still...! And I am currently selling an original 1976 Gibson G3 (please see this ebay auction number if you want to be a bit nosey...140458618253), and I've realized that my damn sweaty hands have done more wear to this neck than in the previous 33 years!!! MENTAL! Someone suggested a thin film of Vaseline on the back, and also some lemon oil, ect but nothing as yet seems to work.. I am currently hunting for my next victim...a 2-tone sunburst '51 reissue Precision. And as much as I LOVE the vintage/worn look on basses, I'd rather keep this one relatively tidy... Many thanks!
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