lowlandtrees

Got JamKazam set up.....a lot of buggering aboot (almost 2 hours) with ASIO settings and balancing on board and hardware volumes. Minor latency issues and some clipping with the bass but voice and acoustic guitar are ok. Possibly need a bit of compression on the bass (don’t have one) although you can load plug ins into the effects window. We are very happy so far with the overall sound (particularly through headphones) although there are only two of us. Supposed to be able to load 5 players in each session.

Tried a couple of things....set up jamakazam but waiting for my musician buddy to recover from the virus....tried recording myself on the site..sounded sh&t....will keep you posted

Anyone had any experience with this. My bands have stopped practicing for now so I thought about getting a webcam and try jamming over the webcam but I was assuming there might be a latency/lag issue? There used to be a website years ago that facilitated this using midi.

Thanks ikay.....will have a go. I love the sound of this instrument. I (bit cheeky) took it into a music shop and compared it to some new US precisions and it held its own and more.

Do you know if the poles are adjustable. One of the poles on my A string has dropped.below the pup cover

I’ll go get ma sledge hammer.....I just measured the gap and it is around 5mm to the casing which is about right (4.8mm). The poles seem very uneven though. I have heard that the electronics on these US SUBs are very similar to the more expensive models. I love the sound of the guitar although the neck could be better.

Sorry if this this is double post. I thought there was an existing thread(can’t find it). I have an MM SUB...bought from a BCer. I think that the poles on the pup have shifted. Does anyone know if it is possible to adjust them. I really like the instrument but there appears to be an unevenness (is that a word) about the tone quality and volume across the fretboard. The E is slightly higher in volume and I am aware that the G is a problem on many of these instruments. Using Elixir strings.

Don’t have pics but seemed to my untrained eye in pretty good condition. I am looking at it because I want an instrument to play, not as as an investment but obviously don’t want it to lose value. Originally I was going for a USA deluxe (Swiss army knife syndrome) but after playing one I decided that my MM SUB sounded better so I am keeping that and going for a classic pBass.

Was looking at a ‘76 USA precision. The owner said that a jazz pup had been fitted ‘after market’ I think was the expression he used. It was very reasonably priced at £1400. Would altering the instrument in this way affect the value or is this the correct price....I have seen them at a higher price on BC. I think that this was the build era that was a bit dubious in the Fender factory? The bass sounded great btw and if I can get the cash together I may buy it if it’s still unsold.

I have a Hawkes Parnormo from 1901. It has a great tone, loud and deep but for an amateur like me virtually unplayable because of the action. It may have been set up like this but I have seen pics of similar instruments with ‘normal’ action. I am thinking of addressing this...had a new jazz fingerboard put on my other (German) bass and it improved it ten fold. My concern is a bit Shallow Hal! If I change the bass radically will it lower the monetary value of the instrument. I don’t intend to change the fingerboard as such...possibly change the bridge (If the sound quality can remain unaffected) or maybe put a wedge under the fb. I have a very good luthier called Bill Kelday who will do a good job but I don’t think that he could comment on the resale value....btw I have nil intention of selling....just something in the back of my mind

Additionally our guitarist effectively used a tiny Roland combo 6 for these pub gigs. It has made me completely re think the whole concept of what gear you actually need and what gear you choose.

Reviving this thread to report on my purchase. We did a very nice tour of Amsterdam plus additional gig in Newcastle....on public transport from Scotland. I ended up buying a Barefaced one10 after recommendations from BCers. It was an excellent choice. Very light and manageable to carry....we trammed/bussed/walked miles and miles without effort. We put an el bass pedal through the cab at the same time through my EA doubler. It easily filled large pub venues. Sound quality and projection excellent although I wouldn’t put it up against a loud drummer...we used a cajon/bass pedal. Highly recommended

Yes.. I suspect this myself...I never had purchase interest (got an old Hawkes)...it looks like a quality instrument that has been severely treated. I think the family was hoping it was valuable....don’t really want to be the one to break the news but someone should

Don’t intend to buy. I think that my mate reckons that it has value. Don’t really want to be the person to break the news....but it looks interesting. His dad played it professionally in the 50s/60s.

This is a friends bass. His dad left him the instrument. I have asked if I can see it but he seems a bit guarded and doesn’t seem to want to answer the obvious questions that I have asked...internal /external markings etc so I have let it go. I am interested to know a bit more about it. It looks like it needs some serious repairs.

I would say that one to one with a teacher twice a month for at least 6 months is absolutely crucial ...whatever bow you choose...my teacher is a french bower teaching me German...only cos the bass I bought came with a German and I didn’t know any better ... I think that he would have preferred to teach me french but I had already started teaching myself (bit stupid but I couldn’t wait and couldn’t find a teacher)

Just sold my 1973 champ for 300..I loved that baby...tiny and weighs less than zero...floats by itself into your pocket..lovely clean tone and great overdriven. Don’t hardly play guitar anymore and needed a small bass cab

I suspect my MM SUB needs a set up but would putting a capo on first or second fret throw out intonation? I play in a couple/3 of bands and one of them down-tunes a semi tone. We play one night then the following night the other band then two days later the other band etc...so being a lazy bugger I just use a capo...not to gig ...just practice...but I have discovered that with the capo on, intonation is affected....or could I possibly need a set up?

There is no animosity between me and our guitarist whatsoever. Really just wondering about the thumb/finger technique. Tried to upload our first rehearsal. I think it sounds OK...thumb thing

Yes his technique is a combo of both..very relaxed as well

I think that I am too far down to re program comfortably anyway...was just wondering if other people play like this.

I have been playing for 12 ish years. I have tried two finger plucking but always come back to thumb and fore finger and am comfortable playing like this and uncomfortable plucking with two finger. I realise that you get a slightly fatter sound with fingers only but I like the percussive feel of thumb/forefinger. I do sometimes play with two fingers but struggle on the E string. Anyway I have joined another band and the guitarist (very accomplished) is ‘encouraging ‘ me to use two fingers. I know that most players use fingers but was wondering if anyone else plays (almost) exclusively with thumb/forefinger(other than slapping)? Should I see this as a problem and fix it?